Paula Abdul - Forever Your Girl (CD) (NM or M-, VG+)

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Paula Abdul - Forever Your Girl (CD) (NM or M-, VG+)

Paula Abdul - Forever Your Girl (CD) (NM or M-, VG+)

  • CD
  • Album

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: Excellent condition, minimal use.

DESCRIPTION & TRACKLIST

Paula Abdul - Forever Your Girl 

CD, Album

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Very Good Plus (VG+)

Condition Details: Excellent condition, minimal use.
 

RELEASE DATE: 1988

DESCRIPTION

1, © 1988 Ollie Leiber Music (ASCAP), Recorded At Creation Audio, Mixed At Skip Saylor Recording 2, © 1988 Kermy Music / Hip Trip Music (BMI) Recorded at Studio Masters and Silverlake, Hollywood, CA, Mixed at Galaxy Sound, Hollywood, CA 3, © 1988 Ollie Leiber Music (ASCAP) Recorded at Creation Audio, Minneapolis, MN, Kren Studio, Hollywood, California, JHL Studio, Palisades, California, Mixed at Skip Saylor Studios, Los Angeles, California. 4, © 1988 MCA Music Publishing / Aerostation Corporation / Yellowbrock Road Music (ASCAP) Rights of Aerostation Corporation admin. by MCA Music, A division of MCA Inc. Recorded and Mixed at Studio 55 Hollywood 5, © 1988 Crazy People Music (ASCAP) Admin. by Almo Music (ASCAP) Recorded at Fantasy Studios, San Francisco, CA. Vocals recorded at Cochrane Recording, Los Angeles, CA. Mixed at Skip Saylor Recording, Los Angeles, CA., Engineered by Wally Buck, Fantasy Studios. Assistant Engineers - Cliff Jones / Pat MacDougall at Skip Saylor Studios, Los Angeles, CA. 6, © 1988 Ollie Leiber Music (ASCAP) Recorded At Creation Audio, Minneapolis, Minnesota. Mixed At Larabee Studios, Los Angeles, California. 7, © 1988 Elliot Wolf Publishing (ASCAP) Recorded and Mixed by Keith K.C. Cohen, Studios: Wildcat, Eldorado, Cherokee, JHL. Mixed at Larrabee Studio 8, Copyright Control. Recorded at House Of Music Studios, West Orange, NJ, Studio Masters, L.A., CA 9, © 1988 Elliot Wolf Publishing (ASCAP). Studios: Wildcat, Eldorado, Cherokee, JHL. Mixed at Larrabee Studio 10, Copyright Control. Recorded at House Of Music Studios, West Orange, NJ, Studio Masters, L.A., CA 1, 3 & 6, Produced for The Noise Club 2, Produced for Laface Productions, Inc. 4, Produced for Aerowave, Inc. 5, Produced for J.W.J. Productions, Inc. 8 & 10, Produced for Willpower Productions Manufactured and printed in USA This is the "Non BMG Club" retail version A separate "Club Version" with identical cat# exists. Cat # 7 90943-2 appears on spines, 2-90943 on disc. Babyface appears courtesy of Solar Records L.A. Reid appears courtesy of Solar Records Pebbles appears courtesy of MCA Records Daryl Simmons appears courtesy of Solar Records Kayo appears courtesy of Solar Records Delissa Davis appears courtesy of Solar Records St. Paul appears courtesy of MCA Records Jesse Johnson appears courtesy of A&M Records ℗ & © 1988 Virgin Records America, Inc. Distributed by WEA through arrangement with Atlantic Records. The music on this compact digital disc was originally recorded on analog equipment. We have attempted to preserve, as closely as possible, the sound of the original recording. Because of the high resolution, however, the Compact Disc can reveal limitations of the source tape. CD packaged in jewel case with black tray. 12 page booklet includes all lyrics and credits.

TRACKLIST

1. The Way That You Love Me 5:22
2. Knocked Out 3:52
3. Opposites Attract 4:24
4. State Of Attraction 4:07
5. I Need You 5:01
6. Forever Your Girl 4:58
7. Straight Up 4:11
8. Next To You 4:26
9. Cold Hearted 3:51
10. One Or The Other 4:10

LABEL: Virgin,Virgin

Barcode and Other Identifiers:

Barcode 0 7567-90943-2 2
Rights Society ASCAP
Rights Society BMI
Matrix / Runout 2-90943 (V3) · :MASTERED BY: :NIMBUS:
Matrix / Runout 2-90943 (V) : :MASTERED BY: :NIMBUS:
Matrix / Runout 2-90943 (V5) · :MASTERED BY: :NIMBUS:

 

Phonographic Copyright (p) Virgin Records America, Inc.
Copyright (c) Virgin Records America, Inc.
Mastered At DigiPrep
Copyright (c) Oliver Leiber Music
Copyright (c) Kermy Music
Copyright (c) Hip Trip Music
Copyright (c) MCA Music Publishing
Copyright (c) Yellow Brick Road Music
Copyright (c) Aerostation Corporation
Copyright (c) Seymour Street Music
Copyright (c) Spider Fingers USIC
Copyright (c) Virgin Music
Copyright (c) Elliot Wolff Publishing
Recorded At Creation Audio
Recorded At Studio Masters
Recorded At Silverlake Studios
Recorded At Kren Studio
Recorded At JHL Sound
Recorded At Studio 55, Los Angeles
Recorded At Cochrane Studios
Recorded At Fantasy Studios
Recorded At House Of Music, West Orange, NJ
Mixed At Skip Saylor Recording
Mixed At Galaxy Sound Studios
Mixed At Studio 55, Los Angeles
Mixed At Larrabee Sound Studios
Engineered At Fantasy Studios
Engineered At Skip Saylor Recording
Engineered At Wildcat Studios
Engineered At Eldorado Recording Studios
Engineered At Cherokee Studios
Engineered At JHL Sound
Produced For The Noise Club
Produced For Laface Productions, Inc.
Produced For Aerowave, Inc.
Produced For J.W.J. Productions, Inc.
Produced For Willpower Productions
Mastered At Capitol Mastering
Mastered At DigiPrep
Glass Mastered At Nimbus, Virginia
Distributed By WEA

Data provided by Discogs

RELEASE DATE: 1988

LABEL: Virgin and Virgin

075679094322

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.