LL Cool J - Mr. Smith (CD) (VG+, VG+)

$5.00 CAD

  • LL Cool J : Mr. Smith (Album,Club Edition)
  • LL Cool J : Mr. Smith (Album,Club Edition)
  • LL Cool J : Mr. Smith (Album,Club Edition)
  • LL Cool J : Mr. Smith (Album,Club Edition)
  • LL Cool J : Mr. Smith (Album,Club Edition)
$5.00 CAD
$5.00 CAD
Shipping calculated at checkout.

LL Cool J - Mr. Smith (CD) (VG+, VG+)

LL Cool J - Mr. Smith (CD) (VG+, VG+)

  • Album
  • Club Edition

MEDIA CONDITION: Very Good Plus (VG+)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: CD is in VG+ condition. Plays without issue. Includes insert booklet.

DESCRIPTION & TRACKLIST

LL Cool J - Mr. Smith  

Album,Club Edition

Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)

Condition Details: CD is in VG+ condition. Plays without issue. Includes insert booklet.
 

RELEASE DATE: 1995

DESCRIPTION

Columbia House club edition, as denoted by the CRC on the back cover, to the right of the barcode, and by the catalog number. Track Notes: 1 - Produced for TrackMasters Entertainment, Inc.; Mixed at Chung King, NYC; Recorded at Larabee Studios, L.A., CA. 2 - Produced for TrackMasters Entertainment, Inc.; Mixed at Chung King, NYC; Recorded at Larabee Studios, L.A., CA. Contains a sample from "I Like It" written by E. DeBarge, W. DeBarge, B. DeBarge and performed by [a157990. Published by Jobete Music Co. (ASCAP). Used courtesy of Motown Record Company, L.P., under license from PolyGram Special Markets, a division of PolyGram Group Distribution, Inc. 3 - Produced for TrackMasters Entertainment, Inc.; Mixed at Chung King, NYC; Recorded at Larabee Studios, L.A., CA; [a190466 of [a79104 appears courtesy of [l61835; Contains a sample of "Tell Me If You Still Care" written by J. Harris/T. Lewis and performed by [a98545. Published by EMI April Music, Inc. o/b/o itself and Flyte Tyme Tunes, Inc./Avant Garde Music Publishing (ASCAP). Under license from Tabu Records. 4 - Produced for TrackMasters Entertainment, Inc.; Mixed at Chung King, NYC; Recorded at Stone Creek Studios, Gladwyne, PA Boyz II Men appear courtesy of Motown Record Company, LP; Based on the song "The Lady In My Life" (Rod Temperton) Rodsongs (ASCAP). All rights administered by Almo Music Corp. (ASCAP). "The Lady In My Life" by [a15885 used courtesy of [l61835/[l143537. 5 - Produced for Tumbling Dice Productions, Inc.; Mixed at Battery Studios; Recorded at Platinum Island Studios; Contains a sample of "My Jamaican Guy" written and performed by Grace Jones. Published by Paulo Productions (ASCAP). Under license from Island Records. 6 - Produced for Bee Mo Easy Productions; Recorded and Mixed at Soundtracks, NYC. 7 - Produced for TrackMasters Entertainment, Inc.; Mixed at Chung King, NYC; Recorded at Battery Studios, NYC; [a75542 appears courtesy of [l118046; Contains a sample of "Put It On The Line" written by J. Brown/L. Collins and performed by Lynn Collins. Published by Dynatone Publishing Company. All rights administered by Unichappell Music, Inc. (BMI). Under license from PolyGram Special Markets, a division of PolyGram Group Distribution, Inc. 8 - Produced for ChySkillz Productions, Inc.; Mixed at Chung King, NYC; Recorded at Chung King, NYC. Contains a sample of "What A Night" written and performed by [a40235. Published by Hulaws Music (BMI). Under license from Sony Music Entertainment. 9 - Produced for Unsteady Productions; Mixed at Giant Recordings, NYC; Recorded at Giant Recordings, NYC; Contains a sample of "Blessed" written by M. White/J. Peters and performed by [a86248. Published by EMI April Music, Inc./Golden Cornflake Music (ASCAP). Used courtesy of Sony Music. 10 - Produced for Tumbling Dice Productions, Inc.; Mixed at Battery Studios, NYC; Recorded at Platinum Island Studios, NYC; Terri & Monica appear courtesy of [l61835; Contains an interpolation of "Nite And Day" written by A.J. Brown III/K. West. Published by EMI April Music, Inc. o/b/o itself and Across 110th St. Publishing. 11 - Produced for TrackMasters Entertainment, Inc.; Mixed at Chung King, NYC.; Recorded at Larabee Studios, L.A., CA; Contains a sample of "The Look of Love" written by B. Bacharach/H. David and performed by [a48432. Published by Colgems-EMI Music, Inc. (ASCAP). Under license from Fantasy, Inc. 12 - Produced for Tumbling Dice Productions, Inc.; Mixed at Battery Studios; Recorded at Platinum Island Studios; Contains a sample of "Message From The Soul Sisters" written by J. Brown and recorded by [a90217. Published by Cryted Music, Inc. all rights admin. by Unichappell Music, Inc. (BMI). Under license from PolyGram Special Markets, a division of PolyGram Group Distribution, Inc. 13, 14 - Produced for TrackMasters Entertainment, Inc.; Mixed at Chung King, NYC; Recorded at Larabee Studios, L.A., CA. 15 - Produced for TrackMasters Entertainment, Inc.; Mixed at Chung King, NYC; Recorded at Battery Studios, NYC. [a51988 appears courtesy of [l36732; [a75542 appears courtesy of [l118046; [a134136 appears courtesy of L.O.U.D. Records, Inc.; Contains a sample of "Put It On The Line" written by J. Brown/L. Collins and performed by Lynn Collins. Published by Dynatone Publishing Company, all rights administered by Unichappell Music, Inc. (BMI). Under license from PolyGram Special Markets, a division of PolyGram Group Distribution, Inc. All songs Mastered at Sterling Sound. ℗© 1995 Def Jam Records, Inc. Manufactured and Marketed by Def Jam Records, Inc.. Distributed by PolyGram Group Distribution, Inc., New York, NY. Printed in the U.S.A. Made in the U.S.A.

TRACKLIST

1. The Intro (Skit) 1:33
2. Make It Hot 4:31
3. Hip Hop 5:00
4. Hey Lover 4:44
5. Doin It 4:53
6. Life As... 2:44
7. I Shot Ya 3:51
8. Mr. Smith 3:59
9. No Airplay 5:43
10. Loungin 4:12
11. Hollis To Hollywood 3:58
12. God Bless 3:47
13. Get Da Drop On 'Em 3:57
14. Prelude (Skit) 0:30
15. I Shot Ya (Remix) 5:03

LABEL: Def Jam Recordings

Barcode and Other Identifiers:

Barcode 0 20831-1435-2 60
Barcode 020831143523
Rights Society BMI
Rights Society ASCAP
Matrix / Runout 5 P2 23845-2 SRC##01
Matrix / Runout [Specialty 'S' logo] 5 P2 23845-2 SRC##01 M3S5
Mould SID Code IFPI 2U7F
Matrix / Runout [Specialty 'S' logo] 5 P2 23845-2 SRC##01 M3S6
Mould SID Code IFPI 2U4A

 

Record Company Def Jam Music Group Inc.
Phonographic Copyright (p) Def Jam Records, Inc.
Copyright (c) Def Jam Records, Inc.
Published By Jobete Music Co.
Published By EMI April Music Inc.
Published By Flyte Tyme Tunes, Inc.
Published By Avant Garde Music Publishing
Published By Rodsongs
Published By Almo Music Corp.
Published By Paulo Productions
Published By Dynatone Publishing Co.
Published By Unichappell Music, Inc.
Published By Hulaws Music
Published By EMI April Music Inc.
Published By Across 110th Street Publishing
Published By Golden Cornflake Music
Published By Colgems-EMI Music Inc.
Published By Cryted Music, Inc.
Marketed By Def Jam Records, Inc.
Distributed By PolyGram Group Distribution, Inc.
Produced For Track Masters Entertainment Inc.
Produced For Tumblin' Dice Productions, Inc.
Produced For Bee Mo Easy Productions
Produced For ChySkillz Productions, Inc.
Produced For Unsteady Productions
Licensed From Polygram Special Markets
Licensed From Tabu Records
Licensed From Island Records
Licensed From Sony Music Entertainment
Licensed From Fantasy, Inc.
Recorded At Larrabee Sound Studios
Recorded At Stone Creek Studios
Recorded At Platinum Island Studios
Recorded At Soundtrack Studios
Recorded At Battery Studios, New York
Recorded At Chung King Studios
Recorded At Giant Recording Studios
Mixed At Chung King Studios
Mixed At Battery Studios, New York
Mixed At Soundtrack Studios
Mixed At Giant Recording Studios
Mastered At Sterling Sound
Pressed By Specialty Records Corporation
Manufactured By Columbia House

Data provided by Discogs

RELEASE DATE: 1995

LABEL: Def Jam Recordings

0208311435260

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.