Ian Hunter - Original Album Classics (Box Set) (NM or M-, NM or M-)

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Ian Hunter - Original Album Classics (Box Set) (NM or M-, NM or M-)

Ian Hunter - Original Album Classics (Box Set) (NM or M-, NM or M-)

  • Compilation

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Near Mint (NM or M-)

DETAILS: cds are and outer box are in like new condition. Outer box is still in shrink wrap. EU Import.

DESCRIPTION & TRACKLIST

Ian Hunter - Original Album Classics 

Compilation

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)

Condition Details: cds are and outer box are in like new condition. Outer box is still in shrink wrap. EU Import.
 

RELEASE DATE: 2012

DESCRIPTION

Sleeve refers for the credits to www.legacyrecordings.com/originalalbumclassics. However no credits are to be found there. Credits taken from the individual sleeves which are reproductions of the original LP sleeves. Tracks 1-1 to 1-8: Recorded at Air Studios, London, Jan/Feb/March 75. Tracks 2-1 to 2-8: Recorded at Electric Lady Studios, New York City during the first three weeks of January 1976. Mastered at A&M Studios, Los Angeles, California. Mixed at the same studio during the last week of January 1976. Tracks 3-1 to 3-9: Produced for R.T.B. (Audio-Visual) Productions Ltd. Recorded at Le Studio Morin Heights, Quebec, Canada; Utopia & Olympic Studios, London. Mixed at Sarm Studio-London. Mastered at Sterling Sound, New York City. © 2012 Sony Music Entertainment ℗ 2005 Sony BMG Music Entertainment (UK) Limited. ℗ 1976, CD3 track 1 1972, CD3 track 5 1976, 1977 Sony Music Entertainment Distributed by Sony Music Entertainment Made in the EU Tracks 3-1 to 3-5, 3-7 to 3-9 published by April Music Ltd / Ian Hunter Music Track 3-6 published by April Music Ltd / Ian Hunter Music / Copyright Control (CD1) Pete Arnesen courtesy of RCA Records. (CD2) David Sanborn appears courtesy of Warner Bros. Records Gerry Weems appears courtesy of Warner Bros. Records Jaco Pastorius appears courtesy of Epic Records Arnie Lawrence appears courtesy of Bethlehem Records Bob Segarini appears courtesy of "The Dudes" Queen appears courtesy of themselves & Electra[sic/Asylum Records (CD3) Dennis Elliott played by kind permission of "Foreigner", Bud Prager and Atlantic Records

TRACKLIST

. Ian Hunter
1-1. Once Bitten, Twice Shy 4:44
1-2. Who Do You Love 3:51
1-3. Lounge Lizard 4:31
1-4. Boy 8:55
1-5. 3,000 Miles From Here 2:48
1-6. The Truth, The Whole Truth, Nuthin' But The Truth 6:14
1-7. It Ain't Easy When You Fall / Shades Off 5:46
1-8. I Get So Excited 3:51
1-9. Colwater High 3:12
1-10. One Fine Day 2:22
1-11. Once Bitten, Twice Shy (Edit) 3:52
1-12. Who Do You Love (Edit) 3:18
1-13. Shades Off (Poem) 1:38
1-14. Boy (Edit) 3:42
. All-American Alien Boy
2-1. Letter To Britannia From The Union Jack 3:49
2-2. All-American Alien Boy 7:08
2-3. Irene Wilde 3:44
2-4. Restless Youth 6:18
2-5. Rape 4:21
2-6. You Nearly Did Me In 5:47
2-7. Apathy 83 4:43
2-8. God (Take 1) 5:45
. Overnight Angels
3-1. Golden Opportunity 4:32
3-2. Shallow Crystals 3:58
3-3. Overnight Angels 5:12
3-4. Broadway 3:46
3-5. Justice Of The Peace 3:01
3-6. (Miss) Silver Dime 4:35
3-7. Wild N' Free 3:08
3-8. The Ballad Of Little Star 2:32
3-9. To Love A Woman 3:54
3-10. England Rocks 2:54

LABEL: Sony Music,Legacy,Columbia

Barcode and Other Identifiers:

Barcode 886919686128
Label Code LC00162
Rights Society BIEM/GEMA
Other 88691 96861 2 CD1
Other 88691 96861 2 CD2
Other 88691 96861 2 CD3
Matrix / Runout Sony Music 55033638/88691968612-1 21
Matrix / Runout Sony Music 55033645/88691968612-2 21
Matrix / Runout Sony Music 55033652/88691968612-3 21
Mastering SID Code IFPI LP 73
Mastering SID Code IFPI LB 46
Mastering SID Code IFPI LB47
Mould SID Code IFPI 0796
Mould SID Code IFPI 0786

 

Copyright (c) Sony Music Entertainment
Phonographic Copyright (p) Sony BMG Music Entertainment (UK) Ltd.
Published By April Music Ltd.
Published By Ian Hunter Music
Published By Copyright Control
Recorded At Air Studios
Recorded At Electric Lady Studios
Mixed At A&M Studios
Mastered At A&M Mastering Studios
Produced For RTB Audio Visual Productions
Recorded At Le Studio
Recorded At Utopia Studios
Recorded At Olympic Studios
Mixed At Sarm Studios
Mastered At Sterling Sound
Glass Mastered At Arvato
Glass Mastered At Arvato
Glass Mastered At Arvato

Data provided by Discogs

RELEASE DATE: 2012

LABEL: Sony Music, Legacy, and Columbia

886919686128

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.