Portugal. The Man - Woodstock (Vinyl) (NM or M-, NM or M-)

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Portugal. The Man - Woodstock (Vinyl) (NM or M-, NM or M-)

Portugal. The Man - Woodstock (Vinyl) (NM or M-, NM or M-)

  • LP
  • Album

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Near Mint (NM or M-)

DETAILS: Opened to verify color. Record still in shrink wrap.

DESCRIPTION & TRACKLIST

Portugal. The Man - Woodstock 

LP,Album

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)

Condition Details: Opened to verify color. Record still in shrink wrap.
 

RELEASE DATE: 16 Jun 2017

DESCRIPTION

Recorded at Glacial Pace (Portland, OR), Kingsize Studios (Eagle Rock, CA), The Lair (Los Angeles, CA), Mondo Studios (Los Angeles, CA), Oregon Street Underground (Portland, OR), The Pool House (Malibu, CA), Robert Lang Studios (Seattle, WA), Rodeo Recordings (Santa Monica, CA), Shangrila (Malibu, CA) Glacial Pace misspelled as Glacier Pace on sleeve. A Warner Group Company ℗ & © 2017 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Manufactured in the E.U. Gatefold with printed innersleeve with lyrics Download-Code

TRACKLIST

A1. Number One
A2. Easy Tiger
A3. Live In The Moment
A4. Feel It Still
A5. Rich Friends
B1. Keep On
B2. So Young
B3. Mr. Lonely
B4. Tidal Wave
B5. Noise Pollution (Version A, Vocal Up Mix 1.3)

LABEL: Atlantic

Barcode and Other Identifiers:

Barcode 0 75678 66082 5
Barcode 075678660825
Matrix / Runout ES MPO 1-561633 A2 RE1 LP
Matrix / Runout 1-561633 B2 RE1 MPO LP
Matrix / Runout MPO 1-561633 A2 RE1 LP
Matrix / Runout 1-561622 B2 RE1 MPO LP
Matrix / Runout [Etched] MPO 1-561633 A2 RE1 LP [Stamped] MPO® 18 29148
Matrix / Runout [Etched] 1-561633 B2 RE1 MPO LP [Stamped] MPO® 18 29147
Label Code LC00121
Rights Society ASCAP
Rights Society GMR
Rights Society PRS
Rights Society SOCAN
Rights Society BMI

 

Record Company Warner Music Group
Phonographic Copyright (p) Atlantic Recording Corporation
Copyright (c) Atlantic Recording Corporation
Phonographic Copyright (p) WEA International Inc.
Copyright (c) WEA International Inc.
Pressed By MPO
Published By WB Music Corp.
Published By Approaching AIRballoons
Published By Kobalt Music Publishing
Published By Jason Kreher LLC
Published By Stormy Forest Productions Inc.
Published By Pacific Electric Music Publishing
Published By Rodeoman Music
Published By EMI April Music
Published By Universal Music Publishing Ltd.
Published By Stint Music Publishing
Published By EMI Blackwood Music Inc.
Published By Maru Cha Cha
Published By Lotzah Balls Soup
Published By Where Da Kasz At
Published By Mikey Hart Publishing Designee
Published By Twonk Donklis
Published By Jobete Music Co., Inc.
Published By Stone Agate Music
Published By Demure Circuit Music
Published By Etherteen Music
Published By Songs Of The Mothership
Published By Bioloom Music
Published By Music Of The Mothership
Published By Derrick Stewart Publishing Designee
Published By Nick Koenig Publishing Designee
Recorded At Glacial Pace
Recorded At Kingsize Soundlabs
Recorded At The Lair
Recorded At Mondo Studio, Los Angeles
Recorded At Oregon Street Underground
Recorded At The Pool House
Recorded At Robert Lang Studios
Recorded At Rodeo Recordings
Recorded At Shangrila (2)
Mixed At Larrabee Sound Studios
Mastered At Larrabee Sound Studios

Data provided by Discogs

RELEASE DATE: 16 Jun 2017

LABEL: Atlantic

075678660825

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.