UFO - The Complete Studio Albums 1974-1986 (Box Set) (NM or M-, NM or M-)

$30.00 USD

  • UFO (5) : The Complete Studio Albums 1974-1986 (Compilation,Remastered)
  • UFO (5) : The Complete Studio Albums 1974-1986 (Compilation,Remastered)
  • UFO (5) : The Complete Studio Albums 1974-1986 (Compilation,Remastered)
  • UFO (5) : The Complete Studio Albums 1974-1986 (Compilation,Remastered)
  • UFO (5) : The Complete Studio Albums 1974-1986 (Compilation,Remastered)
$30.00 USD
$30.00 USD
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UFO - The Complete Studio Albums 1974-1986 (Box Set) (NM or M-, NM or M-)

UFO - The Complete Studio Albums 1974-1986 (Box Set) (NM or M-, NM or M-)

  • Compilation
  • Remastered

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Near Mint (NM or M-)

DETAILS: CDs are in NM condition. Plays without issue. Outer box is excellent condition

DESCRIPTION & TRACKLIST

DESCRIPTION

CD 1 :
Originally released as LP " [r=1199543 " in 1974.
Tracks 1-11 & 1-12 are demo.
Tracks 1-13 & 1-14 originally released as single [r=4488603 A and B-side only in Germany in 1974.
Track 1-15 previously unreleased studio song recorded in December 1973.
Tracks 1 to 10 and 13 to 15 recorded at Morgan Studios, London.
Tracks 11 & 12 recorded at Rockfield Studios, Monmouth, Wales, UK, in 1973.

CD 2 :
Originally released as LP " [r=2137416 " in 1975.
Tracks 2-10 to 2-12 are bonus material previously unreleased.
Tracks 2-1 & 2-3 recorded at Wessex Sound Studios, London.
Tracks 2-2 and 2-4 to 2-9 recorded at Morgan Studios, London.

CD 3 :
Originally released as LP " [r=1720473 " in 1976.
Tracks 3-10 to 3-14 are unreleased studio recordings.
Tracks 3-1 to 3-9 recorded at Morgan Studios, London.
Tracks 3-10 to 3-14 recorded at Morgan Studios, London, in January 1976 except track 3-10 on September 15, 1975, and mixed at Abbey Road Studios in June 2007. 

CD 4 :
Originally released as LP " [r=2137411 " in 1977.
Tracks 4-9 to 4-12 previously unreleased
Tracks 4-1 to 4-8 recorded at Air Studios, London, and mixed at Pye Studios, London.
Tracks 4-9 to 4-12 recorded live at The Roundhouse, London, in 1976.

CD 5 :
Originally released as LP " [r=1950542 " in 1978.
Tracks 5-12 to 5-14 previously unreleased.
Tracks 5-1 to 5-11 recorded at C.P. McGregors, Western Avenue, Los Angeles, CA, and West 3rd Carrier Station, Beverley Hills, CA, with The Record Plant Mobile in 1977-1978. Mixed at The Record Plant, Los Angeles, CA.
Tracks 5-12 & 5-13 recorded live in Columbus, OH, October 17, 1978.
Track 5-14 recorded live In Kenosha, WI, October 10, 1978.

CD 6 :
Originally released as LP " [r=2615126 " in 1980.
Tracks 6-11 to 6-14 previously unreleased.
Tracks 6-1 to 6-11 recorded at AIR Studios, Montserrat, West Indies, and AIR Studios, London.
Tracks 6-12 & 6-13 recorded live at Marquee, London, November 16, 1980, 
Track 6-14 recorded live at Marquee, London, November 15, 1980. 
Track 6-11 is an alternative studio version.

CD 7 :
Originally released as LP " [r=2890206 " in 1981.
Tracks 7-9 to 7-11 previously unreleased.
Tracks 7-1 to 7-8 recorded at Air Studios, London. Additional recording at Wessex Sound Studios, London, and Utopia Studios, London.
Tracks 7-9 & 7-10 recorded live at The Hammersmith Odeon, London, January 29, 1981. 
Track 7-11 recorded live at The Marquee, London, November 15, 1980. 

CD 8 :
Originally released as LP " [r=1642037 " in 1982.
Track 8-11 originally released as single B-side of " [r=2312200 " in 1982.
Tracks 8-12 to 8-14 previously unreleased.
Tracks 8-1 to 8-11 recorded at Mountain Studios, Montreux, Switzerland, The Manor Studios, Shipton-on-Cherwell, Oxfordshire, UK,
Scorpio Sound, London, and Maison Rouge, London. Mixed at Mediasound Studios, New York City. Mastered at Sterling Sound, New York City.
Tracks 8-12 & 8-13 recorded live at Oxford, UK, March 25, 1983. 
Track 8-14 recorded as soundcheck at Birmingham Odeon, Birmingham, UK, March 26, 1983. 

CD 9 :
Originally released as LP " [r=1642010 " in 1983.
Track 9-11 originally released as single B-side of " [r=1920150 " in 1983.
Tracks 9-12 & 9-13 previously unreleased.
Tracks 9-1 to 9-11 recorded at The Manor Studios, Shipton-on-Cherwell, Oxfordshire, UK, The Town House, London, White House Studios, Reading, Berkshire, UK, and Maison Rouge, London.
Track 9-12 recorded live at Birmingham Odeon, Birmingham, UK, March 26, 1983. 
Track 9-13 recorded live at Oxford, UK, March 25, 1983. 

CD 10 :
Originally released as LP " [r=2137385 " in 1985.
Track 10-11 originally released as single B-side of " [r=3472177 " in 1985.
Tracks 10-12 to 10-17 originally released on " [r=2968837 " US edition in 1986.
Recorded at The Manor Studios, Shipton-on-Cherwell, Oxfordshire, UK, and Wisseloord Studios, Hilversum, The Netherlands.
Tracks 10-12 to 10-17 are remix made in USA.

10 CD vinyl-replica housed in a clamshell box. No booklet.  

Both catalogs listed on the box.

TRACKLIST

. Phenomenon
1-1. Oh My 2:25
1-2. Crystal Light 3:48
1-3. Doctor Doctor 4:13
1-4. Space Child 4:02
1-5. Rock Bottom 6:29
1-6. Too Young To No 3:09
1-7. Time On My Hands 4:12
1-8. Built For Comfort 3:08
1-9. Lipstick Traces 2:21
1-10. Queen Of The Deep 5:49
. Bonus Tracks
1-11. Sixteen (Demo) 3:48
1-12. Oh My (Demo) 4:13
1-13. Give Her The Gun (A-side) 3:59
1-14. Sweet Little Thing (B-side) 3:52
1-15. Sixteen (Non-album Outtake) 3:55
. Force It
2-1. Let It Roll 3:57
2-2. Shoot Shoot 3:40
2-3. High Flyer 4:09
2-4. Love Lost Love 3:22
2-5. Out In The Street 5:18
2-6. Mother Mary 3:50
2-7. Too Much Of Nothing 4:02
2-8. Dance Your Life Away 3:35
2-9. This Kid's (Including 'Between The Walls') 6:18
. Bonus Tracks
2-10. A Million Miles 4:49
2-11. Let It Roll (Live) 5:00
2-12. This Kid's (Live) 4:19
. No Heavy Petting
3-1. Natural Thing 4:01
3-2. I'm A Loser 3:55
3-3. Can You Roll Her 2:59
3-4. Belladonna 4:33
3-5. Reasons Love 3:18
3-6. Highway Lady 3:50
3-7. On With The Action 5:04
3-8. A Fool In Love 2:50
3-9. Martian Landscape 5:11
. Bonus Tracks
3-10. All Or Nothing 3:31
3-11. French Kisses 3:07
3-12. Have You Seen Me Lately Joan 4:00
3-13. Tonight Tonight 3:17
3-14. All The Strings 5:58
. Lights Out
4-1. Too Hot To Handle 3:38
4-2. Just Another Suicide 4:59
4-3. Try Me 4:50
4-4. Lights Out 4:35
4-5. Gettin' Ready 3:47
4-6. Alone Again Or 3:01
4-7. Electric Phase 4:51
4-8. Love To Love 7:17
. Bonus Tracks
4-9. Lights Out (Live) 5:15
4-10. Gettin' Ready (Live) 4:04
4-11. Love To Love (Live) 7:16
4-12. Try Me (Live) 4:53
. Obsession
5-1. Only You Can Rock Me 4:09
5-2. Pack It Up (And Go) 3:14
5-3. Arbory Hill 1:11
5-4. Ain't No Baby 3:58
5-5. Lookin' Out For No. 1 4:34
5-6. Hot 'N' Ready 3:16
5-7. Cherry 3:34
5-8. You Don't Fool Me 3:23
5-9. Lookin' Out For No. 1 (Reprise) 1:15
5-10. One More For The Rodeo 3:45
5-11. Born To Lose 3:43
. Bonus Tracks
5-12. Hot 'N' Ready (Live) 3:45
5-13. Pack It Up (And Go) (Live) 3:39
5-14. Ain't No Baby (Live) 4:41
. No Place To Run
6-1. Alpha Centauri 1:56
6-2. Lettin' Go 4:02
6-3. Mystery Train 3:56
6-4. This Fire Burns Tonight 4:14
6-5. Gone In The Night 3:44
6-6. Young Blood 4:01
6-7. No Place To Run 3:59
6-8. Take It Or Leave It 3:02
6-9. Money Money 3:30
6-10. Anyday 3:52
. Bonus Tracks
6-11. Gone In The Night (Alt Version) 4:05
6-12. Lettin' Go (Live) 3:47
6-13. Mystery Train (Live) 6:08
6-14. No Place To Run (Live) 4:36
. The Wild, The Willing And The Innocent
7-1. Chains Chains 3:28
7-2. Long Gone 5:20
7-3. The Wild, The Willing And The Innocent 5:03
7-4. It's Killing Me 4:32
7-5. Makin' Moves 4:47
7-6. Lonely Heart 5:02
7-7. Couldn't Get It Right 4:36
7-8. Profession Of Violence 4:23
. Bonus Tracks
7-9. Long Gone (Live) 5:29
7-10. Lonely Heart (Live) 5:35
7-11. Makin' Moves (Live) 5:41
. Mechanix
8-1. The Writer 4:13
8-2. Somethin' Else 3:22
8-3. Back Into My Life 4:59
8-4. You'll Get Love 3:10
8-5. Doing It All For You 5:02
8-6. We Belong To The Night 3:58
8-7. Let It Rain 4:02
8-8. Terri 3:54
8-9. Feel It 4:08
8-10. Dreaming 3:57
. Bonus Tracks
8-11. Heel Of A Stranger 4:09
8-12. We Belong To The Night (Live) 4:35
8-13. Let It Rain (Live) 3:08
8-14. Doing It All For You (Soundcheck) 5:22
. Making Contact
9-1. Blinded By A Lie 3:58
9-2. Diesel In The Dust 4:30
9-3. A Fool For Love 3:57
9-4. You And Me 3:21
9-5. When It's Time To Rock 5:27
9-6. The Way The Wild Wind Blows 4:14
9-7. Call My Name 3:15
9-8. All Over You 4:24
9-9. No Getaway 3:32
9-10. Push, It's Love 3:17
. Bonus Tracks
9-11. Everybody Knows (B-side) 3:36
9-12. When It's Time To Rock (Live) 5:49
9-13. Blinded By A Lie (Live) 3:48
. Misdemeanor
10-1. This Time 4:36
10-2. One Heart 4:09
10-3. Night Run 4:33
10-4. The Only Ones 5:16
10-5. Meanstreets 4:18
10-6. Name Of Love 4:37
10-7. Blue 5:18
10-8. Dream The Dream 4:33
10-9. Heavens Gate 4:15
10-10. Wreckless 4:56
. Bonus Tracks
10-11. The Chase (B-side) 3:47
10-12. Night Run (US Remix) 4:24
10-13. This Time (US Remix) 4:40
10-14. Heavens Gate (US Remix) 4:18
10-15. Name Of Love (US Remix) 3:44
10-16. One Heart (US Remix) 4:23
10-17. Blue (US Remix) 5:09

Barcode and Other Identifiers:

Barcode 825646343171
Barcode 8 25646 34317 1
Mould SID Code IFPI 0774
Mastering SID Code IFPI LP 73
Matrix / Runout [Warner Music logo] 55704638/0825646343171-1 21
Mould SID Code IFPI 0769
Mastering SID Code IFPI LB47
Matrix / Runout [Warner Music logo] 55704641/0825646343171-2 21
Mould SID Code IFPI 0790
Matrix / Runout [Warner Music logo] 55704644/0825646343171-3 21
Matrix / Runout [Warner Music logo] 55704697/0825646343171-4 21
Matrix / Runout [Warner Music logo] 55704700/0825646343171-5 21
Matrix / Runout [Warner Music logo] 55704717/0825646343171-6 21
Matrix / Runout [Warner Music logo] 55704714/0825646343171-7 21
Mastering SID Code IFPI LB 46
Matrix / Runout [Warner Music logo] 55704711/0825646343171-8 21
Mastering SID Code IFPI LB 45
Matrix / Runout [Warner Music logo] 55704708/0825646343171-9 21
Matrix / Runout [Warner Music logo] 55704705/0825646343171-10 21
Label Code LC01626

Phonographic Copyright (p) Chrysalis Records Ltd.
Copyright (c) Chrysalis Records Ltd.
Marketed By Chrysalis Records Ltd.
Recorded At Morgan Studios
Recorded At Rockfield Studios
Recorded At Wessex Sound Studios
Recorded At Air Studios
Recorded At The Roundhouse
Recorded At C.P. MacGregor Studios
Recorded At The West 3rd Carrier Station
Recorded At Air Studios
Recorded At AIR Studios, Montserrat
Recorded At Marquee Club
Recorded At Utopia Studios
Recorded At Hammersmith Odeon
Recorded At Mountain Studios
Recorded At The Manor
Recorded At Scorpio Studios
Recorded At Maison Rouge
Recorded By Record Plant Mobile Studio
Recorded At Birmingham Odeon
Recorded At The Town House
Recorded At White House Studios
Recorded At Wisseloord Studios
Mixed At Abbey Road Studios
Mixed At Pye Studios
Mixed At Record Plant, Los Angeles
Mixed At Mediasound
Mastered At Sterling Sound
Remastered At Abbey Road Studios

Data provided by Discogs

RELEASE DATE: 2014

LABEL: Chrysalis and Chrysalis

825646343171

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.