Various - Great Music Of Europe's Courts & Cathedrals (Vinyl) (NM or M-, VG+)

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Various - Great Music Of Europe's Courts & Cathedrals (Vinyl) (NM or M-, VG+)

Various - Great Music Of Europe's Courts & Cathedrals (Vinyl) (NM or M-, VG+)

  • LP
  • Compilation

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: Records are in NM condition. Minimal use.

DESCRIPTION & TRACKLIST

DESCRIPTION

Gatefold cover.

Front cover: detail from di Michelino's Allegory of the Divine Comedy. Courtesy Instituto Geographico de Agostini, Novara.
Back cover: a 1729 concert in Rome painted by Giovanni Pannini. Courtesy Musée de Louvre-Giraudon.

Pictures of Johann Sebastian Bach, Prince Albert, Ludwig von Beethoven, Gabriel Fauré: Culver Pictures
Picture of Reims Cathedral: Bibliotheque Nationale
Picture of Manuscript from Beethoven's Missa Solemnis: New York Public Library
Versailles Palace: Roger Viollet

A Horizon Record
An Argo Sight & Sound, Ltd. Production (A Subsidiary of London Records, Incorporated)
© 1974 American Heritage Publishing Company, Inc.
McGrawHill

TRACKLIST

. Music Of The Cathedrals
A1. Capella Antiqua München, Konrad Ruhland - Kyrie (From Missa Tournai)
A2. Studio Der Frühen Musik, Thomas Binkley, Andrea von Ramm, Willard Cobb, Grayston Burgess - Ad Mortem Festinamus (From Llibre Vermell)
A3. Capella Antiqua München, James Brown (17), Tom Sutcliffe, Konrad Ruhland - Bone Pastor, Qui Pastores
A4. Monteverdi-Chor Hamburg, Jürgen Jürgens - Oyd, Oyd Una Cosa
A5. The King's College Choir Of Cambridge, David Willcocks - Magnificat In 8 Parts
A6. The Academy Of St. Martin-in-the-Fields, George Guest (2), St. John's College Choir - Ut Queant Laxis
A7. The King's College Choir Of Cambridge, David Willcocks - Ave Verum Corpus
B1. Schola Cantorum Of Oxford, Andrew Parrott, Ileana Cotrubas, Helen Watts, Robert Tear, John Shirley-Quirk, Sir Neville Marriner - Gloria (From Coronation Mass)
B2. L'Orchestre De La Suisse Romande, Ernest Ansermet, Suzanne Danco - Pie Jesu (From Requiem)
B3. London Symphony Chorus, London Symphony Orchestra, Benjamin Britten, Dietrich Fischer-Dieskau - Dies Irae And Baritone Solo: Bugles Sang (From War Requiem)
. Music Of The Courts
B4. Musica Reservata, Michael Morrow, John Beckett - Toccata (From Orfeo)
B5. Musica Reservata, Michael Morrow, John Beckett - Second Intermezzo
C1. English Chamber Orchestra, Raymond Leppard - Fanfare And Prelude Pour Médée Seule (From Médée)
C2. English Chamber Orchestra, Raymond Leppard - Prelude To Thésée
C3. Musica Reservata, Michael Morrow, John Beckett, The Purcell Consort Of Voices, Grayston Burgess - Blow Thy Horn, Hunter
. Three Court Dances
C4.1. Musica Reservata, John Beckett, Michael Morrow - Basse Danse: Il Me Suffit
C4.2. Musica Reservata, John Beckett, Michael Morrow - Galliard: Rocha Al Fuso
C4.3. Musica Reservata, John Beckett, Michael Morrow - Pavan: Vegnando Da Bologna
. -
C5. Consort Of Brass, Thurston Dart - Intrada
C6. Brüggen Consort, Frans Brüggen - Fantasia À 4
C7. The King's College Choir Of Cambridge, English Chamber Orchestra - Zadok, The Priest
D1. English Chamber Orchestra, Raymond Leppard - Overture To Le Temple De La Gloire
D2. Ian Partridge, Jennifer Partridge - Ständchen
D3. Concentus Musicus Wien, Nikolaus Harnoncourt - Canon À 2; Canon À 4 (From Musical Offering)
D4. Wiener Staatsopernchor, Orchester Der Wiener Staatsoper, Karl Münchinger - Uriel's Introduction And Chorus: 'Die Himmel Erzahlen...' (From The Creation)
D5. Israel Philharmonic Orchestra, Zubin Mehta - Finale (From The Creatures Of Prometheus)

Barcode and Other Identifiers:

Matrix / Runout CSL 1000 A
Matrix / Runout CSL 1000 B
Matrix / Runout CSL 1000 C
Matrix / Runout CSL 1000 D
Matrix / Runout CSL-1000A-1A
Matrix / Runout CSL-1000B-1A
Matrix / Runout CSL-1000C-1B
Matrix / Runout CSL-1000D-1A

Copyright (c) American Heritage Publishing Co., Inc.

Data provided by Discogs

RELEASE DATE: 1974

LABEL: Horizon (4)

63073706

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.