Various - The Unplugged Collection: Volume One (CD) (VG+, VG+)

$3.00 USD

  • Various : The Unplugged Collection: Volume One (Compilation)
  • Various : The Unplugged Collection: Volume One (Compilation)
  • Various : The Unplugged Collection: Volume One (Compilation)
  • Various : The Unplugged Collection: Volume One (Compilation)
  • Various : The Unplugged Collection: Volume One (Compilation)
$3.00 USD
$3.00 USD
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Various - The Unplugged Collection: Volume One (CD) (VG+, VG+)

Various - The Unplugged Collection: Volume One (CD) (VG+, VG+)

  • Compilation

MEDIA CONDITION: Very Good Plus (VG+)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: CD is in VG+ condition. Plays without issue. Includes insert booklet.

DESCRIPTION & TRACKLIST

Various - The Unplugged Collection: Volume One 

Compilation

Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)

Condition Details: CD is in VG+ condition. Plays without issue. Includes insert booklet.
 

RELEASE DATE: 1994

DESCRIPTION

Artists perform solo or in original line-up unless indicated. This is a collection of songs from MTV's "Unplugged" series. [Back Cover Warner Bros. Records Inc., a Time Warner Company. ©1994 Warner Bros. Records Inc./MTV Networks. This Compilation ℗1994 Warner Bros. Records, Inc./MTV Networks. Track 2 ℗1992 MTV Networks. Track 8 ℗1993 Reprise Records/MTV Networks. Track 9 ℗1993 Warner Bros. Records, Inc./MTV Networks. Track 11 ℗1991 MTV Networks. Track 15 ℗1993 MTV Networks. Made in U.S.A. [CD Face Warner Bros. Records Inc., a Time Warner Company. ©1994 Warner Bros. Records Inc./MTV Networks. This Compilation ℗1994 Warner Bros. Records, Inc./MTV Networks. Made in U.S.A. Mfg. by WEA Manufacturing. [Inside Booklet ©1994 Warner Bros. Records Inc./MTV Networks. Made in U.S.A. Track 1 recorded at National Video Center on January 30, 1990 Track 2 recorded at Bray Film Studios on January 16, 1992 Track 3 recorded at Sony Music Studios, New York on April 14, 1994 Track 4 recorded at Sony Music Studios, New York on April 19, 1993 Track 5 recorded at Ed Sullivan Theatre, New York on December 16, 1992 Track 6 recorded at Kaufman Astoria Studios, Queens, NY on March 4, 1992 Track 7 recorded at Chelsea Studios, New York on May 17, 1990 Track 8 recorded at Universal Studios, Los Angeles on February 7, 1993 Track 9 recorded at Universal Studios, Los Angeles on February 5, 1993 Track 10 recorded at Warner Hollywood Studios on April 27, 1992 Track 11 recorded at Limehouse TV, London on January 20, 1991 Track 12 recorded at Warner Hollywood Studios on June 3, 1991 Track 13 recorded at Hollywood Center Studios, Hollywood, CA on March 29, 1990 Track 14 recorded at Montreux Casino, Montreux, Switzerland on July 3, 1992 Track 15 recorded at Sony Music Studios, New York on April 19, 1993 Track 16 recorded at Chelsea Studios, New York on September 20, 1991 Track 1 Ray Vaughan Music, Inc. ASCAP Track 2 Longitude Music Company BMI Track 3 Miss Bessie Music ASCAP/Wigged Music BMI Track 4 WB Music Corp./LFR Music ASCAP. All rights administered by WB Music Corp. Track 5 Boodle Music BMI/Bumstead U.S. Publishing/PolyGram International Publishing, Inc. ASCAP Track 6 Paul Simon BMI Track 7 Big Pig Music Ltd. Administered by Intersong U.S.A. Inc. ASCAP Track 8 Silver Fiddle Music ASCAP Track 9 Rod Stewart administered by EMI-Blackwood Music, Inc./Unichappell Music, Inc. BMI Track 10 Full Keel Music Co. ASCAP Track 11 Maclen Music administered by EMI-Blackwood Music, Inc. BMI Track 12 Plangent Visions Music Ltd. Track 13 Chappell & Co. ASCAP Track 14 BMG Songs Inc. ASCAP Track 15 Christian Burial Music ASCAP Track 16 Night Garden Music BMI. All rights on behalf of Night Garden Music for the world administered by Warner-Tamerlane Music Publishing Corp. BMI Stevie Ray Vaughan appears courtesy of Epic Records. Eric Clapton appears courtesy of Duck/Reprise Records. Lenny Kravitz appears courtesy of Virgin Records, America. Soul Asylum appears courtesy of Columbia Records. k.d. Lang appears courtesy of Sire Records Company. Elton John appears courtesy of MCA Records, Inc. and Phonogram Ltd. (London) Neil Young appears courtesy of Reprise Records. Ronnie Wood appears courtesy of The Continuum Group, Inc. John Mellencamp appears courtesy of Mercury Records. Paul McCartney appears courtesy of Capitol Records, Inc. Don Henley appears courtesy of Geffen Records. Annie Lennox appears courtesy of Arista Records. 10,000 Maniacs appear courtesy of Elektra Entertainment. Mastered at Gateway Mastering Studios

TRACKLIST

1. Stevie Ray Vaughan - Pride And Joy 3:49
2. Eric Clapton - Before You Accuse Me 3:45
3. Lenny Kravitz - Are You Gonna Go My Way 6:25
4. Soul Asylum (2) - Somebody To Shove 3:43
5. k.d. lang - Barefoot 3:54
6. Paul Simon - Graceland 5:11
7. Elton John - Don't Let The Sun Go Down On Me 6:48
8. Neil Young - Like A Hurricane 4:44
9. Rod Stewart - Gasoline Alley 3:39
10. John Cougar Mellencamp - Pink Houses 5:21
11. Paul McCartney - We Can Work It Out 2:57
12. Elvis Costello, The Rude 5 - Deep Dark Truthful Mirror 4:51
13. Don Henley - Come Rain Or Come Shine 3:46
14. Annie Lennox - Why 4:59
15. 10,000 Maniacs - Don't Talk 5:26
16. R.E.M. - Half A World Away 3:40

LABEL: Warner Bros. Records

Barcode and Other Identifiers:

Barcode 0 9362-45774-2 3
Barcode 093624577423
Matrix / Runout [Specialty 'S' Logo] 1 45774-2 SRC##04 M1S7
Matrix / Runout [Specialty 'S' Logo] 1 45774-2 SRC##04 M1S5
Matrix / Runout [Specialty 'S' Logo] 1 45774-2 SRC##04 M1S8
Matrix / Runout [Specialty 'S' Logo] 1 45774-2 SRC##04 M1S4
Rights Society ASCAP
Rights Society BMI

 

Phonographic Copyright (p) Warner Bros. Records Inc.
Phonographic Copyright (p) MTV Networks
Phonographic Copyright (p) Reprise Records
Copyright (c) Warner Bros. Records Inc.
Copyright (c) MTV Networks
Record Company Time Warner
Manufactured By WEA Manufacturing
Mastered At Gateway Mastering
Published By Ray Vaughan Music, Inc.
Published By Longitude Music Co.
Published By Miss Bessie Music
Published By Wigged Music
Published By Wb Music Corp.
Published By LFR Music
Published By Boodle Music
Published By Bumstead U.S. Publishing
Published By PolyGram International Publishing, Inc.
Published By Paul Simon
Published By Big Pig Music Ltd.
Published By Intersong USA, Inc.
Published By Silver Fiddle Music
Published By Rod Stewart
Published By EMI Blackwood Music Inc.
Published By Unichappell Music, Inc.
Published By Full Keel Music Co.
Published By MacLen Music
Published By Plangent Visions Music Ltd.
Published By Chappell & Co.
Published By BMG Songs, Inc.
Published By Christian Burial Music
Published By Night Garden Music
Published By Warner-Tamerlane Music Publishing Corp.
Recorded At National Video Center, NYC
Recorded At Bray Film Studios
Recorded At Sony Music Studios, New York City
Recorded At Ed Sullivan Theater
Recorded At Kaufman Astoria Studios
Recorded At Chelsea Studios
Recorded At Universal Studios
Recorded At Warner Bros. Recording Studios
Recorded At Limehouse Studios
Recorded At Hollywood Center Studios
Recorded At Casino de Montreux
Pressed By Specialty Records Corporation

Data provided by Discogs

RELEASE DATE: 1994

LABEL: Warner Bros. Records

093624577423

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.