Allman Brothers Band, The - Dreams (CD) (NM or M-, NM or M-)

$36.00 CAD

  • Allman Brothers Band, The : Dreams (Compilation)
  • Allman Brothers Band, The : Dreams (Compilation)
  • Allman Brothers Band, The : Dreams (Compilation)
  • Allman Brothers Band, The : Dreams (Compilation)
  • Allman Brothers Band, The : Dreams (Compilation)
$36.00 CAD
$36.00 CAD
Shipping calculated at checkout.

Allman Brothers Band, The - Dreams (CD) (NM or M-, NM or M-)

Allman Brothers Band, The - Dreams (CD) (NM or M-, NM or M-)

  • Compilation

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Near Mint (NM or M-)

DETAILS: CDs are in NM condition. Plays without issue. INCLUDES insert booklet and outer box.

DESCRIPTION & TRACKLIST

DESCRIPTION

In LP sized box with large 34 page booklet. Discs in individual jewel cases.
Mastered at Sterling Sound, New York. 
Digitally compiled at PolyGram Studios.

1-1 to 1-3:
Demos recorded at Bradley's Barn, Nashville, Tennessee, August 1966.
Previously unreleased.
1-4:
Recorded at Liberty Sound Studios, Los Angeles, California, August 1967.
Originally released on "Hour Glass", October 1967.
1-5:
Recorded at Liberty Sound Studios, Los Angeles, California, January 1968.
Originally released on "Power Of Love", April 1968.
1-6:
Recorded at Fame Studios, Muscle Shoals, Alabama, April 1968.
Previously unreleased.
The "unknown" songwriter is in fact Al Anderson, whose band The Wildweeds had a regional hit with the song (as "No Good To Cry") in 1967; it was also recorded by John Fred & His Playboy Band and by The Moving Sidewalks.
1-7:
Recorded at Fame Studios, Muscle Shoals, Alabama, April 1968.
Originally released on "Duane Allman: An Anthology", November 1972.
1-8 & 1-9:
Recorded at TK Studios, Hialeah, Florida, September 1968.
Originally released on "Duane & Gregg", 1973.
1-10:
Recorded in Jacksonville, Florida, November 1968.
Originally released as a single, January 1969.
1-11:
Recorded in Jacksonville, Florida, November 1968.
Originally released as the B-side of "I Feel Free", January 1969.
1-12:
Recorded at Fame Studios, Muscle Shoals, Alabama, February 1969.
Originally released on "Duane Allman: An Anthology", November 1972.
1-13:
Demo recorded at Capricorn Studios, Macon, Georgia, April 1969.
Previously unreleased.
1-14 to 1-17:
Recorded at Atlantic Studios, New York, New York, September 1969.
Originally released on "The Allman Brothers Band", November 1969.
2-1:
Recorded at Capricorn Studios, Macon, Georgia, February 1970 and completed at Criteria Studios, Miami, Florida, July 1970.
Mixed at PolyGram Studios, September 1988.
Previously unreleased.
2-2 & 2-3:
Recorded at Capricorn Studios, Macon, Georgia, February 1970 and completed at Criteria Studios, Miami, Florida, July 1970.
Originally released on "Idlewild South", September 1970.
2-4:
Recorded live at Ludlow Garage, Cincinnati, Ohio, April 11, 1970.
Originally released on "Duane Allman: An Anthology Volume II", August 1974.
2-5:
Recorded live at Ludlow Garage, Cincinnati, Ohio, April 11, 1970.
Previously unreleased.
2-6:
Recorded at Criteria Studios, Miami, Florida, July 1970.
Originally released on "Idlewild South", September 1970.
2-7:
Recorded at Criteria Studios, Miami, Florida, July 1970.
Previously unreleased.
2-8:
Recorded live at the Fillmore East, New York, New York, March 12, 1971.
Originally released on "The Allman Brothers at Fillmore East", July 1971.
The version used in this collection is the quadrophonic remix, remixed and released in 1974.
2-9:
Recorded live at the Fillmore East, New York, New York, March 13, 1971.
Originally released on "The Allman Brothers at Fillmore East", July 1971.
The version used in this collection is the quadrophonic remix, remixed and released in 1974.
2-10:
Recorded live at the Fillmore East, New York, New York, March 13, 1971.
Mixed at PolyGram Studios, September 1988.
Previously unreleased.
3-1:
Recorded at A&R Studios for a live WPLJ broadcast, August 26, 1971.
Mixed at PolyGram Studios, September 1988.
Previously unreleased.
3-2:
Recorded at Criteria Studios, Miami, Florida, September 1971.
Remixed at PolyGram Studios, September 1988.
Originally released on "Eat A Peach", February 1972.
3-3
Recorded at Criteria Studios, Miami, Florida, October 1971.
Remixed at PolyGram Studios, September 1988.
Originally released on "Eat A Peach", February 1972.
3-4:
Recorded at Criteria Studios, Miami, Florida, December 1971.
Remixed at PolyGram Studios, September 1988.
Originally released on "Eat A Peach", February 1972.
3-5:
Recorded live at Mar Y Sol Festival, Vega Baja, Puerto Rico, April 2, 1972.
Originally released on "Mar Y Sol", November 1972.
3-6 & 3-7:
Recorded at Capricorn Studios, Macon, Georgia, October 1972.
Originally released on "Brothers And Sisters", August 1973.
3-8 & 3-9:
Recorded at Capricorn Studios, Macon, Georgia, December 1972.
Originally released on "Brothers And Sisters", August 1973.
3-10:
Recorded at Capricorn Studios, Macon, Georgia, March 1973.
Originally released on "Laid Back", October 1973.
3-11:
Recorded live at Winterland, San Francisco, California, September 26, 1973.
Previously unreleased.
3-12:
Recorded at Capricorn Studios, Macon, Georgia, February 1974.
Originally released on "Highway Call", August 1974.
4-1:
Recorded at Capricorn Studios, Macon, Georgia, March 1975.
Originally released on "Win, Lose Or Draw", August 1975.
4-2:
Recorded at Warner Brothers Studios, North Hollywood, California, October 1976.
Originally released on "Playin' Up A Storm", May 1977.
4-3:
Recorded at Criteria Studios, Miami, Florida, January 1977.
Originally released on "Dickey Betts & Great Southern", April 1977.
4-4:
Recorded at Sunset Sound, Hollywood, California, April 1977.
Originally released on "Two The Hard Way", September 1977.
4-5:
Recorded at Criteria Studios, Miami, Florida, November 1977.
Originally released on "Atlanta's Burning Down", February 1978.
4-6:
Recorded at Criteria Studios, Miami, Florida, January 1979.
Originally released on "Enlightened Rogues", March 1979.
4-7:
Recorded at Criteria Studios, Miami, Florida, December 1978.
Originally released on "Enlightened Rogues", March 1979.
4-8 & 4-9:
Recorded at Merriweather Post Pavilion, Columbia, Maryland, July 19, 1979.
Previously unreleased.
4-10:
Recorded at Pyramid Eye Studio, Lookout Mountain, Georgia, May 1980.
Originally released on "Reach For The Sky", September 1980.
4-11:
Produced for Chicago Kid Productions.
Recorded at Young 'Un Sound, Nashville, Tennessee, March 1981.
Originally released on "Brothers Of The Road", August 1981.
4-12:
Recorded at Young 'Un Sound, Nashville, Tennessee, Summer 1981.
Previously unreleased.
4-13:
Recorded at Rock Steady Studios, Hollywood, California, August 1985.
Previously unreleased.
4-14
Recorded at Criteria Studios, Miami, Florida, September 1986.
Originally released on "I'm No Angel", February 1987.
4-15:
Recorded at Criteria Studios, Miami, Florida, March 1988.
Originally released on "Just Before The Bullets Fly", June 1988.
4-16:
Recorded at Pegasus Studios, Tallahassee, Florida, June 1988.

Publishing:
1-1, 1-13, 1-15, 1-17. SBK Unart Catalog Inc. BMI
1-2. Arc Music Corp. BMI
1-3, 1-10, 1-12, 3-3. Unichappell Music Inc. BMI
1-4. Swallow Turn Music ASCAP
1-5. Quinvey Publishing Co. Inc [Sic!/Cotillion Music Inc./Sunalee Music BMI
1-7a. Sounds of Lucille Inc./Powerforce Music BMI
1-7b. Arc Music Corp. BMI
1-7c. Melba Music Co. BMI
1-8. Warner-Tamerlane Pub. Corp. BMI
1-9. Sherlyn Publishing Co. Inc./No Exit Music Co. Inc. BMI
1-11. Icebag Corp. BMI
1-14. Dick James Music Inc. BMI
1-16. Watertoons Music BMI
2-1. Peer International BMI
2-2. Arc Music Corp./Willie Dixon Music BMI
2-3, 2-8, 3-5, 3-10. Unichappell Music Inc./Elijah Blue Music BMI
2-4. Conrad Music BMI
2-5. MCA, Inc. ASCAP
2-6. Forrest Richard Betts Music/Unichappell Music Inc. BMI
2-7. Elijah Blue Music/Pangola Publishing BMI
2-9, 3-2, 3-12. Unichappell Music Inc./Forrest Richard Betts Music BMI
2-10. Crabshaw Music ASCAP
3-1a. Frederick Music Co./Katrina Music Co. BMI
3-1b. Vee Vee Music Corp./Kilynn Music Publishing Inc. BMI
3-4. Unichappell Music Inc./Elijah Blue Music/Sherlyn Publishing BMI
3-6, 4-2. Allbro Music/Unichappell Music Inc. BMI
3-7, 3-8, 3-9, 4-9. Unichappell Music/Forrest Richard Betts Music BMI
3-11. Rhinelander Music Inc. BMI
4-1. Arc Music Corp./Morganfield McKinley BMI
4-3, 4-5, 4-6, 4-7. Pangola Publishing BMI
4-4. Royal Oak Music ASCAP
4-8. Unichappell Music/Elijah Blue Music BMI
4-10. Pangola Publishing BMI/Milene Music ASCAP
4-11. Elijah Blue Music BMI
4-12. Pangola Publishing Co./Tree Publishing Co. Inc. BMI
4-13. Maclen Music BMI
4-14. Unichappell Music Inc. on behalf of C & D Music BMI
4-15. Elijah Blue Music/Relot Music BMI
4-16. Pangola Publishing Co. BMI

Phonographic companies:
1-1 to 1-3, 1-6, 1-13, 2-1, 2-5, 2-7, 2-10, 3-1, 3-11, 4-8, 4-9. ℗ 1989 PolyGram Records, Inc.
1-4, 1-5. Reproduced under license from Capitol Records, Inc.
1-7, 1-12, 3-2 to 3-5. ℗ 1972 PolyGram Records, Inc.
1-8, 1-9. ℗ 1973 Bold Records
1-10, 1-11. Reproduced under license from Allan Facemire and Don Tanner
2-4, 3-12. ℗ 1974 PolyGram Records, Inc.
3-6 to 3-10. ℗ 1973 PolyGram Records, Inc.
4-1. ℗ 1975 PolyGram Records, Inc.
4-2. ℗ 1977 PolyGram Records, Inc.
4-3. ℗ 1977 Arista Records, Inc.
4-4. ℗ 1977 Warnter Bros. Records, Inc.
4-5. ℗ 1978 Arista Records, Inc.
4-6, 4-7. ℗ 1979 PolyGram Records, Inc.
4-10. ℗ 1980 Arista Records, Inc.
4-11. ℗ 1981 Arista Records, Inc.
4-12. ℗ 1989 Arista Records, Inc.
4-13. ℗ 1989 CBS Records Inc. Reproduced under license from CBS Special Products, a service of CBS Records.
4-14. ℗ 1987 CBS Records Inc. Reproduced under license from CBS Special Products, a service of CBS Records.
4-15, 4-16. ℗ 1988 CBS Records Inc. Reproduced under license from CBS Special Products, a service of CBS Records.

Compilation ℗ © 1989 PolyGram Records, Inc, New York, NY.
Manufactured And Marketed By PolyGram Records, Inc.
CD made in USA by PDO
Printed In The U.S.A.

TRACKLIST

1-1. The Allman Joys - Shapes Of Things 2:46
1-2. The Allman Joys - Spoonful 3:39
1-3. The Allman Joys - Crossroads 3:30
1-4. Hour Glass - Cast Off All My Fears 3:26
1-5. Hour Glass - Down In Texas 3:05
1-6. Hour Glass - Ain't No Good To Cry 3:06
. Hour Glass - BB King Medley 7:04
1-8. The 31st Of February - Morning Dew 3:44
1-9. The 31st Of February - God Rest His Soul 3:55
1-10. The Second Coming (3) - I Feel Free 3:30
1-11. The Second Coming (3) - She Has Funny Cars 4:46
1-12. Duane Allman - Goin' Down Slow 8:45
1-13. The Allman Brothers Band - Dreams 4:52
1-14. The Allman Brothers Band - Don't Want You No More 2:26
1-15. The Allman Brothers Band - It's Not My Cross To Bear 5:02
1-16. The Allman Brothers Band - Trouble No More 3:46
1-17. The Allman Brothers Band - Dreams 7:15
2-1. The Allman Brothers Band - Statesboro Blues 4:05
2-2. The Allman Brothers Band - Hoochie Coochie Man 4:55
2-3. The Allman Brothers Band - Midnight Rider 2:57
2-4. The Allman Brothers Band - Dimples 5:00
2-5. The Allman Brothers Band - I'm Gonna Move To The Outskirts Of Town 9:21
2-6. The Allman Brothers Band - Revival 4:03
2-7. The Allman Brothers Band - One More Ride 2:40
2-8. The Allman Brothers Band - Whipping Post 22:52
2-9. The Allman Brothers Band - In Memory Of Elizabeth Reed 12:57
2-10. The Allman Brothers Band - Drunken Hearted Boy 6:54
3-1. The Allman Brothers Band - You Don't Love Me/Soul Serenade 19:26
3-2. The Allman Brothers Band - Blue Sky 5:09
3-3. The Allman Brothers Band - Little Martha 2:11
3-4. The Allman Brothers Band - Melissa 3:59
3-5. The Allman Brothers Band - Ain't Wastin' Time No More 4:45
3-6. The Allman Brothers Band - Wasted Words 4:18
3-7. The Allman Brothers Band - Ramblin' Man 4:47
3-8. The Allman Brothers Band - Southbound 5:10
3-9. The Allman Brothers Band - Jessica 7:28
3-10. Gregg Allman - Midnight Rider 4:24
3-11. The Allman Brothers Band - One Way Out 7:58
3-12. Dickey Betts - Long Time Gone 4:30
4-1. The Allman Brothers Band - Can't Lose What You Never Had 5:49
4-2. The Gregg Allman Band - Come And Go Blues 4:44
4-3. Dickey Betts & Great Southern - Bougainvillea 7:11
4-4. Allman And Woman - Can You Fool 3:17
4-5. Dickey Betts & Great Southern - Good Time Feeling 4:26
4-6. The Allman Brothers Band - Crazy Love 3:43
4-7. The Allman Brothers Band - Can't Take It With You 3:32
4-8. The Allman Brothers Band - Just Ain't Easy 5:01
4-9. The Allman Brothers Band - In Memory Of Elizabeth Reed 10:50
4-10. The Allman Brothers Band - Angeline 3:38
4-11. The Allman Brothers Band - Things You Used To Do 3:39
4-12. Dickey Betts - Nancy 3:49
4-13. Gregg Allman - Rain 3:01
4-14. The Gregg Allman Band - I'm No Angel 3:39
4-15. The Gregg Allman Band - Demons 3:26
4-16. The Dickey Betts Band - Duane's Tune 5:52

Barcode and Other Identifiers:

Barcode 042283941724
Barcode 0 422-839417-2 4
SPARS Code AAD
Rights Society ASCAP
Rights Society BMI
Matrix / Runout 839 424-2
Matrix / Runout 839 425-2
Matrix / Runout 839 426-2
Matrix / Runout 839 427-2
Matrix / Runout MADE IN USA BY PDO
Matrix / Runout 839 424-2 01!
Matrix / Runout 839 425-2 01@
Matrix / Runout 839 426-2 01@
Matrix / Runout 839 427-2 01@
Matrix / Runout 839 424-2 01! BA
Matrix / Runout 839 425-2 04@ BB
Matrix / Runout 839 426-2 02! BI
Matrix / Runout 839 427-2 02! A
Matrix / Runout 839 424-2 01! V
Matrix / Runout 839 425-2 01@ O
Matrix / Runout 839 426-2 01@ G
Matrix / Runout 839 427-2 01@ X

Phonographic Copyright (p) PolyGram Records, Inc.
Phonographic Copyright (p) Bold Records
Phonographic Copyright (p) Arista Records, Inc.
Phonographic Copyright (p) Warner Bros. Records Inc.
Phonographic Copyright (p) CBS Records Inc.
Copyright (c) PolyGram Records, Inc.
Licensed From Capitol Records, Inc.
Licensed From Henry Stone
Licensed From CBS Special Products
Published By SBK Unart Catalog Inc.
Published By Arc Music Corp.
Published By Unichappell Music, Inc.
Published By Swallow Turn Music
Published By Quinvy Publishing Co., Inc.
Published By Cotillion Music, Inc.
Published By Sunalee Music
Published By Sounds Of Lucille, Inc.
Published By Powerforce Music
Published By Melba Music Co.
Published By Warner-Tamerlane Publishing Corp.
Published By Sherlyn Publishing Co., Inc.
Published By No Exit Music Co., Inc.
Published By Icebag Corp.
Published By Dick James Music, Inc.
Published By Watertoons Music
Published By Peer International
Published By Willie Dixon Music
Published By Elijah Blue Music
Published By Conrad Music
Published By MCA Inc.
Published By Forrest Richard Betts Music
Published By Pangola Publishing
Published By Crabshaw Music
Published By Frederick Music Co.
Published By Katrina Music Co.
Published By Vee Ve Music Corp.
Published By Kilynn Music Pub. Inc.
Published By Allbro Music
Published By Unichappell Music
Published By Rhinelander Music, Inc.
Published By Morganfield McKinley
Published By Royal Oak Music
Published By Milene Music
Published By Pangola Publishing Co.
Published By Tree Publishing Co., Inc.
Published By MacLen Music
Published By C & D Music
Published By Relot Music
Manufactured By PolyGram Records, Inc.
Marketed By PolyGram Records, Inc.
Made By PDO, USA
Recorded At Bradley's Barn
Recorded At Liberty Sound Studio
Recorded At Fame Recording Studios
Recorded At TK Studios (2)
Recorded At Capricorn Sound Studios
Recorded At Atlantic Studios
Recorded At Criteria Recording Studios
Recorded At Ludlow Garage
Recorded At Fillmore East
Recorded At A&R Studios
Recorded At Mar Y Sol Festival
Recorded At Winterland
Recorded At Warner Bros. Recording Studios
Recorded At Sunset Sound
Recorded At Merriweather Post Pavilion
Recorded At Pyramid's Eye Recording Studio
Recorded At Young 'Un Sound, Nashville
Recorded At Rock Steady
Recorded At Pegasus Studios, Ltd.
Produced For Chicago Kid Productions
Mixed At PolyGram Studios
Mastered At Sterling Sound
Edited At PolyGram Studios

Data provided by Discogs

RELEASE DATE: Jun 1989

LABEL: Polydor

042283941724

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.