Aretha Franklin - Who's Zoomin' Who? (Vinyl) (VG+, VG+)

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Aretha Franklin - Who's Zoomin' Who? (Vinyl) (VG+, VG+)

Aretha Franklin - Who's Zoomin' Who? (Vinyl) (VG+, VG+)

  • LP
  • Album

MEDIA CONDITION: Very Good Plus (VG+)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: Record is VG+, minor signs of wear. Plays without issue. Sleeve is VG+, still in shrink with hype sticker. Original printed inner sleeve included.

DESCRIPTION & TRACKLIST

DESCRIPTION

RCA, Indianapolis pressing denoted by "RCA" etch in runouts.
Issued with lyric / credit inner sleeve.

AL8-8286 on cover, AL 8-8286 on labels.

The image of the back cover puts "Push" as B3, the image of the B-side label puts "Push" as B4. 
This version plays "Push" on the 4th track.  Track time is shown as 3:60.

All tracks except "Sweet Bitter Love, " "Integrity," and "Sisters Are Doin' It For Themselves" Produced by Narada Michael Walden for Perfection Light Productions. Recorded at: The Automatt, San Francisco, United Sound, Detroit, The Plant, Sausalito, Right Track, New York.  Additional Mixing: Michael Brauer for M.H.B. Productions.

"Sweet Bitter Love" and "Integrity" Produced by Aretha Franklin. Recorded at United Sound, Detroit. String session recorded at The Power Station. 

"Sisters Are Doin' It For Themselves" Produced by David A. Stewart. Originally mastered by Stephen Marcussen ad Precision Lacquer, L.A.

Album mastered by Greg Calbi at Sterling Sound, N.Y.

Clarence Clemons appears courtesy of Columbia Records
Carlos Santana appears courtesy of Columbia Records
The Eurythmics appear courtesy of RCA Records [on inner sleeve
The Eurythmics appear courtesy of RCA Limited [on back cover
Peter Wolf appears courtesy of EMI Records
Narada Michael Walden appears courtesy of Warner Bros. Records
Jeanie Tracy appears courtesy of Megatone Records
Sylvester appears courtesy of Megatone Records

Publishers:
A1, B3, B4 - © 1985 Gratitude Sky Music (ASCAP) / Polo Grounds Music Co. (BMI)
A2 - © 1984 Colgems-EMI Music, Inc. and Screen Gems-EMI Music, Inc.
A3 - © 1964 Blackwood Music, Inc. (BMI)
A4, B2 - © 1985 Gratitude Sky Music (ASCAP) / Bellboy Music (BMI)
B1 - © 1985 RCA Music & Blue Network Music (ASCAP)
B5 - © 1985 Springtime Publishing (BMI)

TRACKLIST

A1. Aretha Franklin - Freeway Of Love 6:00
A2. Aretha Franklin - Another Night 4:30
A3. Aretha Franklin - Sweet Bitter Love 5:11
A4. Aretha Franklin - Who's Zoomin' Who 4:43
B1. Aretha Franklin, Eurythmics - Sisters Are Doin' It For Themselves 5:54
B2. Aretha Franklin - Until You Say You Love Me 4:23
B3. Aretha Franklin - Ain't Nobody Ever Loved You 4:53
B4. Aretha Franklin, Peter Wolf - Push 4:36
B5. Aretha Franklin - Integrity 4:25

Barcode and Other Identifiers:

Barcode 0 7822-18286-1
Barcode 078221828611
Rights Society ASCAP
Rights Society BMI
Matrix / Runout AL8-8286-SA
Matrix / Runout AL8-8286-SB
Matrix / Runout AL8 8286 SBRE1+RCA2 STERLING
Matrix / Runout AL8 8286 SA RE1 -RCA T 2 RE31-2 STERLING
Matrix / Runout AL8 8286 R̶E̶ ̶1̶ R̶C̶A̶ ̶I̶2̶ RE 1-2 I STERLING Ⓗ Ʌ2 H
Matrix / Runout AL8 8286-SB R̶C̶A̶ ̶I̶2̶ RE 1-2 STERLING Ʌ3B I
Matrix / Runout AL8 8286 R̶E̶ ̶1̶ R̶C̶A̶ ̶I̶2̶ RE ̸B̸ ̸1-2 I STERLING Ⓗ Ʌ2
Matrix / Runout AL8 8286-SB RE 1-1 -̶R̶C̶A̶2̶ STERLING Ʌ4Q
Matrix / Runout AL8 8286 SA R̶E̶ ̶1̶ -R̶C̶A̶-̶T̶-̶2̶ RE3̶ 1-2 I Λ1C STERLING Ⓗ
Matrix / Runout AL8 8286 SB RE1 -̶R̶C̶A̶2̶ Λ1M1 STERLING
Matrix / Runout AL8 8286 SA-RE-1-RCA 3 I STERLING Ⓗ Ʌ1 Y
Matrix / Runout AL8 8286-SB RE 1-1 -̶R̶C̶A̶2̶ I STERLING Ʌ4 U
Matrix / Runout AL8 8286 R̶E̶ ̶1̶ R̶C̶A̶ ̶I̶2̶ RE 1-2 I STERLING Ⓗ Ʌ3 D
Matrix / Runout AL8 8286-SB RE-1 -̶R̶C̶A̶2̶ I STERLING Ʌ2 D-
Matrix / Runout AL8 8286 SA R̶E̶ ̶1̶ R̶C̶A̶ ̶I̶2̶ RE31-2 I Ʌ4R STERLING Ⓗ
Matrix / Runout AL8 8286 SB RE1-1-̶R̶C̶A̶2̶ STERLING Ʌ4L
Matrix / Runout AL8 8286 SA-RE-1-RCA 3 I STERLING Ⓗ A1 FF
Matrix / Runout AL8 8286 SB RE1 +-̶R̶C̶A̶2̶ 1 STERLING A 2 S

Phonographic Copyright (p) Arista Records, Inc.
Phonographic Copyright (p) RCA Records, Inc.
Phonographic Copyright (p) RCA Limited
Copyright (c) Arista Records, Inc.
Produced For Perfection Light Productions
Published By Gratitude Sky Music
Published By Polo Grounds Music Co.
Published By Colgems-EMI Music Inc.
Published By Screen Gems-EMI Music Inc.
Published By Bellboy Music
Published By RCA Music
Published By Blue Network Music
Published By Springtime Publishing
Recorded At The Automatt
Recorded At United Sound Systems
Recorded At The Plant Studios
Recorded At Right Track Recording
Recorded At Power Station
Manufactured By Arista Records, Inc.
Mastered At Precision Lacquer
Mastered At Sterling Sound
Pressed By RCA Records Pressing Plant, Indianapolis

Data provided by Discogs

RELEASE DATE: 1985

LABEL: Arista and Arista

07822182861

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.