Beatles, The - 1 (CD) (VG+, VG+)

Name: Beatles, The - 1 (CD) (VG+, VG+)
Brand: Apple Records,Capitol Records
SKU: 3839871694
Price: 7.0 CAD
Availability: InStock

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Beatles, The - 1 (CD) (VG+, VG+)

Compilation
Remastered
Stereo
Mono

MEDIA CONDITION: Very Good Plus (VG+)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: CD is in VG+ condition. Plays without issue. Includes insert booklet.

DESCRIPTION & TRACKLIST

DESCRIPTION

Standard jewel case with a clear tray and 32-page booklet
A collection of 27 #1 singles from The Beatles.

Booklet:
Track 1
Recorded September 11 1962 at EMI Studios, Abbey Road, London
UK single October 5 1962
US single April 27 1964 #1 for one week (May 30)
Track 2
Recorded March 5 1963 at Abbey Road
UK single April 11 1963 #1 for seven weeks (May 2 - June 19)
US single May 27 1963
Track 3
Recorded July 1 1963 at Abbey Road
UK single August 23 1963 #1 for six weeks (September 12 - October 9, November 28 & December 5)
US single September 16 1963 #1 for two weeks (March 21 & 28 1964)
Track 4
Recorded October 17 1963 at Abbey Road
UK single November 29 1963 #1 for five weeks (December 12 1963 - January 15 1964)
US single December 26 1963 #1 for seven weeks (February 1 - March 20 1964)
Track 5
Recorded January 29 1964 at Pathé Marconi, Paris; February 25 at Abbey Road
UK single March 20 1964 #1 for three weeks (April 2 - 22)
US single March 16 1964 #1 for five weeks (April 4 - May 8)
Track 6
Recorded April 16 1964 at Abbey Road
UK single July 10 1964 #1 for three weeks (July 23 - August 12)
US single July 13 1964 #1 for two weeks (August 1 & 8)
Track 7
Recorded October 18 1964 at Abbey Road
UK single November 27 1964 #1 for five weeks (December 10 1964 - January 13 1965)
US single November 23 1964 #1 for three weeks (December 26 1964 - January 15 1965)
Track 8
Recorded October 6 & 18 1964 at Abbey Road
US single February 15 1965 #1 for two weeks (March 13 & 20)
Track 9
Recorded February 15 1965 at Abbey Road
UK single April 9 1965 #1 for three weeks (April 22 - May 12)
US single April 19 1965 #1 for one week (May 22)
Track 10
Recorded April 13 1965 at Abbey Road
UK single July 23 1965 #1 for three weeks (August 5 - 25)
US single July 19 1965 #1 for three weeks (September 4 - 24)
Track 11
Recorded June 14 & 17 1965 at Abbey Road
US single September 13 1965 #1 for four weeks (October 9 - November 5)
Track 12
Recorded October 16 1965 at Abbey Road 
UK single December 3 1965 #1 for five weeks (December 16 1965 - January 19 1966)
US single December 6 1965)
Track 13
Recorded October 20 & 29 1965 at Abbey Road
UK single December 3 1965 #1 for five weeks (December 16 1965 - January 19 1966)
US single December 6 1965 #1 for three weeks (January 8, 15, 29 1966)
Track 14
Recorded April 13 & 14 1966 at Abbey Road
UK single June 10 1966 #1 for two weeks (June 23 & 30)
US single May 30 1966 #1 for two weeks (June 25 & July 9)
Track 15
Recorded May 26 & June 1 1966 at Abbey Road
UK single August 5 1966 #1 for four weeks (August 18 - September 14)
US single August 8 1966
Track 16
Recorded April 28, 29 & June 6 1966 at Abbey Road
UK single August 5 1966 #1 for four weeks (August 18 - September 14)
US single August 8 1966
Track 17
Recorded December 29 1966 - January 17 1967 at Abbey Road
UK single February 17 1967
US single February 13 1967 #1 for one week (March 18)
Track 18
Recorded June 14 1967 at Olympic Studios, London; June 19 - 26 at Abbey Road
UK single July 7 1967 #1 for three weeks (July 19 - August 8)
US single July 17 1967 #1 for one week (August 19)
Track 19
Recorded October 2 - November 2 1967 at Abbey Road
UK single November 24 1967 #1 for seven weeks (December 6 1967 - January 23 1968)
US single November 27 1967 #1 for three weeks (December 30 1967 - January 19 1968)
Track 20
Recorded February 3 & 6 1968 at Abbey Road
UK single March 15 1968 #1 for two weeks (March 27 & April 3)
US single March 18 1968
Track 21
Recorded July 31 - August 2 1968 at Trident Studios, London
UK single August 30 1968 #1 for two weeks (September 11 & 18)
US single August 26 1968 #1 for nine weeks (September 28 - November 29)
Track 22
Recorded January 28 1969 at Apple Studios, London
UK single April 11 1969 #1 for six weeks (April 23 - June 3)
US single May 5 1969 #1 for five weeks (May 24 - June 27)
Track 23
Recorded April 14 1969 at Abbey Road
UK single May 30 1969 #1 for three weeks (June 11 - July 1)
US single June 4 1969
Track 24
Recorded May 2 - August 15 1969 at Abbey Road and Olympic Sound
UK single October 31 1969
US single October 6 1969 #1 for one week (November 29)
Track 25
Recorded July 21 - 30 1969 at Abbey Road
UK single October 31 1969
US single October 6 1969 #1 for one week (November 29)
Track 26
Recorded January 31 1969 at Apple; April 30 1969 & January 4 1970 at Abbey Road
UK single March 6 1970 
US single March 11 1970 #1 for two weeks (April 11 & 18)
Track 27
Recorded January 26 & 31 1969 at Apple; April 1 1970 at Abbey Road
US single May 11 1970 #1 for two weeks (June 13 & 20)

Publishing Track 1 © 1962 EMI Blackwood Music o/b/o Lenono Music (BMI) / Beechwood Music Corp. (BMI); Tracks 2, 3 © 1963 Gil Music Corp. (BMI); Track 4 © 1963 Songs of Universal, Inc. (BMI); Tracks 5 to 8 © 1964 Sony/ATV Tunes LLC (ASCAP); Tracks 9 to 13 © 1965 Sony/ATV Tunes LLC (ASCAP); Tracks 14 to 16 © 1966 Sony/ATV Tunes LLC (ASCAP); Track 17 © 1967 Catherine Homes A'Court (BMI) (administered by Sony/ATV Tunes LLC) (ASCAP); Tracks 18, 19 © 1967 Sony/ATV Tunes LLC (ASCAP); Tracks 20, 21 © 1968 Sony/ATV Tunes LLC (ASCAP); Tracks 22, 23, 25 © 1969 Sony/ATV Tunes LLC (ASCAP); Track 24 © 1969 Harrisongs Ltd. (PRS); Tracks 26, 27 © 1970 Sony/ATV Tunes LLC (ASCAP)

All tracks in stereo except tracks 1 to 3 in mono

These analogue masters have been digitally remastered at 24 bits resolution, processed using Sonic Solutions NoNoise technology and mastered to 16 bit for CD using Prism SNS Noise Shaping

All recordings re-mastered at Abbey Road Studios
Thanks to Peter Cobbin, Steve Rooke

© Photographs Richard Avedon. The Beatles, London, August 17, 1967
Picture sleeves Featured here are some of the original covers of the singles, as released by EMI throughout the world at the time; assembled, with thanks, from the collections of Joachim Noske and Bruce Spizer

Digital remasters ℗ 2000 The Copyright in this sound recording is owned by EMI Records Ltd. 
℗ 2000 The Copyright in this compilation is owned by EMI Records Ltd.
© 2000 Apple Corps. Ltd. under exclusive license to EMI Records Ltd.
Printed in U.S.A.

Tray Inlay:
Digital remasters ℗ 2000 The Copyright in this sound recording is owned by EMI Records Ltd. 
© Photographs Richard Avedon.
℗ 2000 The Copyright in this compilation is owned by EMI Records Ltd.
© 2000 Apple Corps. Ltd. under exclusive license to EMI Records Ltd.

Printed in U.S.A.

Disc:
℗ 2000 The Copyright in this compilation is owned by EMI Records Ltd. © 2000 Apple Corps. Ltd. under exclusive license to EMI Records Ltd. Printed in U.S.A.

TRACKLIST

1. Love Me Do 2:20
2. From Me To You 1:56
3. She Loves You 2:21
4. I Want To Hold Your Hand 2:24
5. Can't Buy Me Love 2:11
6. A Hard Day's Night 2:33
7. I Feel Fine 2:18
8. Eight Days A Week 2:44
9. Ticket To Ride 3:10
10. Help! 2:18
11. Yesterday 2:05
12. Day Tripper 2:48
13. We Can Work It Out 2:15
14. Paperback Writer 2:18
15. Yellow Submarine 2:38
16. Eleanor Rigby 2:06
17. Penny Lane 2:59
18. All You Need Is Love 3:47
19. Hello, Goodbye 3:27
20. Lady Madonna 2:16
21. Hey Jude 7:04
22. Get Back 3:12
23. The Ballad Of John And Yoko 2:59
24. Something 3:01
25. Come Together 4:18
26. Let It Be 3:50
27. The Long And Winding Road 3:37

Barcode and Other Identifiers:

Barcode 7 2435-29325-2 8
Barcode 724352932528
Rights Society BMI
Rights Society ASCAP
Rights Society PRS
Other 1-884409-49-0
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Mastering SID Code IFPI L044
Mould SID Code IFPI 1678
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Mastering SID Code IFPI L044
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Mastering SID Code IFPI L044
Mould SID Code ifpi 1690
Matrix / Runout 724352932528 5-3-53 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1685
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Mastering SID Code IFPI L044
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Matrix / Runout 724352932528 4-0-1 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
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Mastering SID Code IFPI L044
Mould SID Code ifpi 1684
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Mastering SID Code IFPI L044
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Manufactured By Capitol Records, Inc.
Phonographic Copyright (p) EMI Records Ltd.
Copyright (c) Richard Avedon
Copyright (c) Apple Corps Ltd.
Licensed To EMI Records Ltd.
Remastered At Abbey Road Studios
Recorded At Abbey Road Studios
Recorded At Studio Pathé Marconi EMI
Recorded At Olympic Studios
Recorded At Trident Studios
Recorded At Apple Studios
Copyright (c) EMI Blackwood Music
Published By EMI Blackwood Music
Published By Lenono Music
Published By Beechwood Music Corp.
Copyright (c) Gil Music Corp.
Published By Gil Music Corp.
Copyright (c) Songs Of Universal, Inc.
Published By Songs Of Universal, Inc.
Copyright (c) Sony/ATV Tunes LLC
Published By Sony/ATV Tunes LLC
Copyright (c) Catherine Holmes A'Court
Published By Catherine Holmes A'Court
Copyright (c) Harrisongs Ltd.
Published By Harrisongs Ltd.
Glass Mastered At EMI MFG.

Data provided by Discogs

RELEASE DATE: 2000

LABEL: Apple Records and Capitol Records

724352932528

Shipping Policy

Our grading system

We use the Goldmine Standard for grading the condition of items listed on our website.

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.

Beatles, The - 1 (CD) (VG+, VG+)

Beatles, The - 1 (CD) (VG+, VG+)