Beatles, The - Anthology 1 (CD) (NM or M-, NM or M-)

$22.00 CAD

  • Beatles, The : Anthology 1 (Album)
  • Beatles, The : Anthology 1 (Album)
  • Beatles, The : Anthology 1 (Album)
  • Beatles, The : Anthology 1 (Album)
$22.00 CAD
$22.00 CAD
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Beatles, The - Anthology 1 (CD) (NM or M-, NM or M-)

Beatles, The - Anthology 1 (CD) (NM or M-, NM or M-)

  • Album

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Near Mint (NM or M-)

DETAILS: CDs are in NM condition. Plays without issue. Includes insert booklet. Outer box is excellent condition

DESCRIPTION & TRACKLIST

DESCRIPTION

Issued in a cardboard box with same full CD artwork on front and back.

1-1 Recorded in New York, circa 1977, and Sussex, England, February/March 1994
1-2 John Lennon speaking to Jann Wenner of Rolling Stone, 8 December 1970, New York City
1-3 & 1-4 Recorded At Philips Sound Recording Service, Liverpool, 1958
1-5 Paul McCartney speaking to Mark Lewisohn, 3 November 1994, London
1-6 to 1-8 Recorded in Liverpool, 1960
1-9 Paul McCartney speaking to Malcolm Threadgill, 27 October 1962, Hulme Hall, Port Sunlight, Cheshire
1-10 to 1-12 Recorded at Friedrich-Ebert-Halle, Hamburg, 22 June 1961
1-13 John Lennon speaking to David Wigg, 15 October 1971, New York City
1-14 Brian Epstein reading from his autobiography "A Cellarful Of Noise", recorded at EMI Studios, London, 13 October 1964
1-15 to 1-19 Recorded at Decca Studios, London, 1 January 1962
1-20 Brian Epstein reading from his autobiography "A Cellarful Of Noise", recorded at EMI Studios, London, 13 October 1964
1-21 & 1-22 Recorded at EMI Studios, London, 6 June 1962
1-23 Recorded at EMI Studios, London, 4 September 1962
1-24 Recorded at EMI Studios, London, 11 September 1962
1-25 & 1-26 Recorded at EMI Studios, London, 5 March 1963
1-27 Recorded at BBC Maida Vale Studios, London, 2 July 1963
1-28 Recorded at London Palladium, 13 October 1963
1-29 John Lennon speaking to Jann Wenner of Rolling Stone, 8 December 1970, New York City
1-30 to 1-34 Recorded at Karlaplansstudion, Stockholm, 24 October 1963
2-1 to 2-3 Recorded at Prince Of Wales Theatre, London, 4 November 1963
2-4 to 2-7 Recorded at ATV Studios, Borehamwood, 2 December 1963
2-8 Recorded at Pathé Marconi, Paris, 29 January 1964
2-9 Recorded at CBS Television Studio, New York, 9 February 1964
2-10 & 2-11 Recorded at EMI Studios, London, 25 February 1964
2-12 Recorded at EMI Studios, London, 16 April 1964
2-13 to 2-16 Recorded at IBC Studios, London, 19 April 1964
2-17 & 2-18 Recorded at EMI Studios, London, 1 June 1964
2-19 & 2-20 Recorded at EMI Studios, London, 3 June 1964
2-21 & 2-22 Recorded at EMI Studios, London, 14 August 1964
2-23 Recorded at EMI Studios, London, 30 September 1964
2-24 & 2-25 Recorded at EMI Studios, London, 6 October 1964
2-26 Recorded at EMI Studios, London, 18 October 1964

Publishing:
Track 1-1 by Lenono Music (Administered by Sony Songs Inc.)
Track 1-3 by MPL Communications, Inc. and Wren Music Company
Tracks 1-4, 1-7 & 1-8 by MPL Communications, Inc.
Tracks 1-6 & 1-10 by Unichappell Music Inc.
Track 1-11 by Warner Bros. inc./Edwin H. Morris & Company, A Division of MPL Communications, Inc.
Track 1-12 by Tonika Musikverlag Horst Bussow.  All Rights for the U.S.A., Canada and Mexico controlled and administered by Screen Gems-EMI Music, inc.
Tracks 1-15 & 1-16 by Jerry Leiber Music/Mike Stoller Music/Chappell & co. (ASCAP)
Track 1-17 by Mills Music, Inc. and Jerry Vogel Music.
Tracks 1-18, 1-19, 1-25, 1-26, 1-28, 2-4, 2-8 to 2-12, 2-17, 2-18, 2-20 & 2-23 to 2-25 by Northern Songs Ltd.  All rights controlled and administered by EMI Blackwood Music Inc., under license from ATV Music (BMI).
Track 1-21 by Promotora Hispano Americana de Musica, S.A.  Administered by Peer International Corporation.
Track 1-22 by MPL Communications Ltd. and Lenono Publishing.  All rights for MPL Communications Ltd. in the U.S.A. and Canada controlled and administered by Beechwood Music Corporation.
Tracks 1-23 & 1-24 by Songs of Polygram International, inc.
Track 1-27 by Unichappell Music/Chappell & Co.
Tracks 1-30, 1-31, 2-1 & 2-13 by Northern Songs Ltd., London, England.  All rights for the U.S.A., it's territories and possessions and Canada assigned and controlled by Gil Music, 1650 Broadway, New York, NY 10019.
Track 1-32 by Jobete Music Co. Inc., and Stone Agate Music Co. Inc.
Track 1-33 by Jobet Music Co. Inc.
Track 1-34 by Isalee Music Company
Track 2-2 by Frank Music Corp. and MeredithWilson Music.
Track 2-3 by Screen Gems-EMI Music Inc., Unichappell Music Inc., and Sloopy II Inc.  All rights for the U.S.A. controlled and administered by Screen Gems-EMI Music Inc, and Sloopy II Inc.
Track 2-5 by Northern Songs Ltd.  Controlled and administered in the United States and Canada by Music Corporation of America Inc.
Track 2-7 Public Domain - U.S. only
Track 2-14 by Venice Music Inc.  All rights controlled and administered by EMI Blackwood Music Inc., under license from ATV Music (BMI)
Track 2-15 by Longitude Music Co.
Track 2-16 by Longitude Music Co.  All rights administered by Longitude Music Co.
Track 2-19 by Dick James Music Ltd.
Track 2-21 by Lowery Music Co., Inc.
Track 2-22 by Trio Music Co., Inc./Fort Knox Music Inc./Medal Music (BMI)
Track 2-26 by "Kansas" Jerry Leiber Music/Mike Stoller Music/Nancy Nathan Goldstein (ASCAP).  "Hey, Hey, Hey, Hey" by Venice Music Inc.  All rights controlled and administered by EMI Blackwood Music Inc,, under license from ATV Music (BMI)

On back cover underneath credits:
Manufactured by Capitol Records, Inc., 1750 Vine Street, Hollywood, California 90028.  Printed in U.S.A.
℗ 1995 The Copyright in this compilation is owned by Apple Corps Ltd / EMI Records Ltd.
© 1995 Apple Corps Ltd. under exclusive license to EMI Records Ltd.
Printed in U.S.A.

TRACKLIST

1-1. The Beatles - Free As A Bird 4:24
1-2. John Lennon - Speech: John Lennon 0:12
1-3. The Quarrymen - That'll Be The Day 2:07
1-4. The Quarrymen - In Spite Of All The Danger 2:44
1-5. Paul McCartney - Speech: Paul McCartney 0:17
1-6. The Beatles - Hallelujah, I Love Her So 1:13
1-7. The Beatles - You'll Be Mine 1:38
1-8. The Beatles - Cayenne 1:13
1-9. Paul McCartney - Speech: Paul 0:07
1-10. The Beatles - My Bonnie 2:42
1-11. The Beatles - Ain't She Sweet 2:13
1-12. The Beatles - Cry For A Shadow 2:22
1-13. John Lennon - Speech: John 0:10
1-14. Brian Epstein - Speech: Brian Epstein 0:18
1-15. The Beatles - Searchin' 2:59
1-16. The Beatles - Three Cool Cats 2:25
1-17. The Beatles - The Sheik Of Araby 1:43
1-18. The Beatles - Like Dreamers Do 2:35
1-19. The Beatles - Hello Little Girl 1:40
1-20. Brian Epstein - Speech: Brian Epstein 0:32
1-21. The Beatles - Besame Mucho 2:37
1-22. The Beatles - Love Me Do 2:31
1-23. The Beatles - How Do You Do It 1:57
1-24. The Beatles - Please Please Me 1:59
1-25. The Beatles - One After 909 (False Starts) 2:23
1-26. The Beatles - One After 909 2:55
1-27. The Beatles - Lend Me Your Comb 1:49
1-28. The Beatles - I'll Get You 2:08
1-29. John Lennon - Speech: John 0:12
1-30. The Beatles - I Saw Her Standing There 2:48
1-31. The Beatles - From Me To You 2:05
1-32. The Beatles - Money (That's What I Want) 2:52
1-33. The Beatles - You Really Got A Hold On Me 2:58
1-34. The Beatles - Roll Over Beethoven 2:21
2-1. The Beatles - She Loves You 2:50
2-2. The Beatles - Till There Was You 2:54
2-3. The Beatles - Twist And Shout 3:05
2-4. The Beatles - This Boy 2:22
2-5. The Beatles - I Want To Hold Your Hand 2:36
2-6. The Beatles - Speech: Eric Morecambe And Ernie Wise 2:05
2-7. The Beatles - Moonlight Bay 0:49
2-8. The Beatles - Can't Buy Me Love 2:10
2-9. The Beatles - All My Loving 2:19
2-10. The Beatles - You Can't Do That 2:42
2-11. The Beatles - And I Love Her 1:52
2-12. The Beatles - A Hard Day's Night 2:43
2-13. The Beatles - I Wanna Be Your Man 1:47
2-14. The Beatles - Long Tall Sally 1:45
2-15. The Beatles - Boys 1:49
2-16. The Beatles - Shout 1:31
2-17. The Beatles - I'll Be Back (Demo) 1:12
2-18. The Beatles - I'll Be Back (Complete) 1:57
2-19. The Beatles - You Know What To Do 1:58
2-20. The Beatles - No Reply (Demo) 1:36
2-21. The Beatles - Mr Moonlight 2:47
2-22. The Beatles - Leave My Kitten Alone 2:56
2-23. The Beatles - No Reply 2:29
2-24. The Beatles - Eight Days A Week (False Starts) 1:25
2-25. The Beatles - Eight Days A Week 2:47
2-26. The Beatles - Kansas City / Hey-Hey-Hey-Hey! 2:44

Barcode and Other Identifiers:

Barcode 7 2438-36379-2 8
Other 1-884409-15-6

Manufactured By Capitol Records, Inc.
Phonographic Copyright (p) Apple Corps Ltd.
Phonographic Copyright (p) EMI Records Ltd.
Copyright (c) Apple Corps Ltd.
Licensed To EMI Records Ltd.

Data provided by Discogs

RELEASE DATE: 1995

LABEL: Capitol Records and Apple Records

724383637928

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.