Billy Bragg & Wilco - Mermaid Avenue Vol. II (CD) (NM or M-, VG+)

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Billy Bragg & Wilco - Mermaid Avenue Vol. II (CD) (NM or M-, VG+)

Billy Bragg & Wilco - Mermaid Avenue Vol. II (CD) (NM or M-, VG+)

  • Album
  • Enhanced

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: CD is in NM condition. Plays without issue. Includes insert booklet.

DESCRIPTION & TRACKLIST

DESCRIPTION

Tracks 1, 6, 8, 9 Published by Woody Guthrie Publications, Inc. (BMI)/Warner-Tamerlane Publishing Corp./Words-Ampersand Music (BMI)/You Want A Piece Of This Music (ASCAP), administered by Bug Music.
Tracks 2, 4, 5, 7, 10-14 Published by Woody Guthrie Publications, Inc. (BMI)/BMG Songs (ASCAP).
Tracks 3, 15 Published by Woody Guthrie Publications, Inc. (BMI)/Warner-Tamerlane Publishing Corp./Words-Ampersand Music (BMI).
Recorded at Totally Wired Studio, Dublin; Windmill Lane, Dublin.
Engineered at King Size Sound Laboratories, Chicago; Fort Apache Studio, Boston; The Loft, Chicago.
Mixed at Totally Wired and Windmill Lane, Dublin; King Size, Chicago; Private Studios, Urbana, Illinois.
Mastered at Sterling Sound, New York, New York.
Technical assistance in Dublin and Chicago.
Wilco management for TMM Chicago.
Billy Bragg management for Sincere Management.
Corey Harris appears courtesy of Alligator Records.
Wilco appears courtesy of Reprise Records.
Cover photo courtesy of Nora Guthrie.
All photos of Woody Guthrie courtesy of the Woody Guthrie Archives.
(P)© 2000 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.
Printed in U.S.A.

Enhanced content links to artists' websites.

TRACKLIST

1. Airline To Heaven 4:50
2. My Flying Saucer 1:45
3. Feed Of Man 4:08
4. Hot Rod Hotel 3:17
5. I Was Born 1:50
6. Secret Of The Sea 2:42
7. Stetson Kennedy 2:39
8. Remember The Mountain Bed 6:26
9. Blood Of The Lamb 4:16
10. Aginst Th' Law 3:03
11. All You Fascists 2:43
12. Joe Dimaggio Done It Again 2:31
13. Meanest Man 3:46
14. Black Wind Blowing 3:00
15. Someday Some Morning Sometime 2:51

Barcode and Other Identifiers:

Barcode 0 7559-62522-2 5
Barcode 075596252225
Rights Society BMI
Rights Society ASCAP
Matrix / Runout WEA mfg. OLYPHANT W5361 2 62522 ECD01 M3S1
Mastering SID Code ifpi L901
Matrix / Runout WEA mfg. OLYPHANT W5361 2 62522 ECD01 M3S5
Mastering SID Code none
Mould SID Code IFPI 2U3D
Matrix / Runout WEA mfg. OLYPHANT W5361 2 62522 ECD01 M3S2
Mould SID Code IFPI 2U3Z
Matrix / Runout WEA mfg. OLYPHANT W5361 2 62522 ECD01 M2S4
Mould SID Code IFPI 2U4G
Matrix / Runout WEA mfg. OLYPHANT W5361 2 62522 ECD01 M2S3
Mould SID Code IFPI 2U3O
Matrix / Runout WEA mfg. OLYPHANT W5361 2 62522 ECD01 M2S1
Mould SID Code IFPI 2U7D

Phonographic Copyright (p) Elektra Entertainment Group Inc.
Copyright (c) Elektra Entertainment Group Inc.
Phonographic Copyright (p) WEA International Inc.
Copyright (c) WEA International Inc.
Published By Woody Guthrie Publications, Inc.
Published By Warner-Tamerlane Publishing Corp.
Published By Words Ampersand Music
Published By You Want A Piece Of This Music
Published By Bug Music
Published By BMG Songs
Recorded At Totally Wired Studios
Recorded At Windmill Lane Studios
Engineered At King Size Sound Laboratories
Engineered At Fort Apache
Engineered At The Loft
Mixed At Totally Wired Studios
Mixed At King Size Sound Laboratories
Mixed At Private Studios
Mastered At Sterling Sound
Manufactured By WEA Manufacturing Inc.
Glass Mastered At WEA Mfg. Olyphant
Pressed By WEA Mfg. Olyphant

Data provided by Discogs

RELEASE DATE: 2000

LABEL: Elektra

075596252225

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.