Céline Dion - Let's Talk About Love (CD) (NM or M-, VG+)

$6.00 CAD

  • Céline Dion : Let's Talk About Love (Album)
  • Céline Dion : Let's Talk About Love (Album)
  • Céline Dion : Let's Talk About Love (Album)
  • Céline Dion : Let's Talk About Love (Album)
  • Céline Dion : Let's Talk About Love (Album)
$6.00 CAD
$6.00 CAD
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Céline Dion - Let's Talk About Love (CD) (NM or M-, VG+)

Céline Dion - Let's Talk About Love (CD) (NM or M-, VG+)

  • Album

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: CD is in NM condition. Plays without issue. Includes insert booklet.

DESCRIPTION & TRACKLIST

Céline Dion - Let's Talk About Love 

Album

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Very Good Plus (VG+)

Condition Details: CD is in NM condition. Plays without issue. Includes insert booklet.
 

RELEASE DATE: 1997

DESCRIPTION

© 1997 Sony Music Entertainment (Canada) Inc. ℗ 1997 Sony Music Entertainment (Canada) Inc./Track 6 ℗ 1997 Sony Music Entertainment Inc. and Sony Music Entertainment (Canada) Manufactured and distributed by 550 Music / Epic (USA) 550 Madison Avenue, New York, N.Y. 10022-3211 "The Reason" © 1997 Lushmore Music (BMI)/MCA Music Publishing, a division of Universal Studios Inc. and Beef Puppet Music (ASCAP)/ IRS Music/ Greg Wells Music (BMI) "Immortality" © 1997 Gibb Brothers Music (BMI) "Treat Her Like A Lady" © 1995 DEKOPA Music Administered by EMI Blackwood Music inc. (BMI) World Of Andy Music / W 'N' R Music "Why Oh Why" © 1997 Mining Gold Music Administered by Cherry River Music Co. (BMI) No Pain No Gain and Dreamworks Songs Administered by Cherry Lane Publishing Company (ASCAP) /Sony/ATV Music publishing Canada "Love Is On The Way" © 1996 PEZ Music/Dream IDG Publishing/Cannotion Music / Ensign Music Corporation/Tina Bird Music (BMI)/Sony/ATV Music Publishing on behalf of Duffield Music/Sony/ATV Music Publishing Canada "Tell Him" © 1997 Warner -Tamerlane Publishing Corp./Brandon Brody Music (BMI)/Sony/ATV Tunes LCC, and Wallyworld Music (ASCAP)/One Four Three Music Administered by Peermusic Ltd. (BMI) All rights for Sony/ATV Music Publishing 8 Music square west , Nashville "Amar Haciendo El Amor" © 1997 Renmann Music Connotation Music (BMI) Manben Music (ASCAP), Duffield 'When I Need You" © 1976 Albert Hammond Enterprises, Inc. R&M Music Inc., Begonia Melodies Inc. (BMI) and Leonard Cohen Stranger Music inc (SOCAN) "Miles To Go Before I Sleep" © 1997 Saphir Music/Sony/ATV Music Publishing on behalf of Duffield Music/Sony/ATV Music Publishing Canada "Us" © 1997 English Cowboy Music (ASCAP)/Sony/ATV Music publishing on behalf of Duffield Music/Sony/ATV Music Publishing Canada "Just A Little Bit Of Love" © 1997 Sweet Woo Music/MIR Music (Adm. by W.B.M Music Corp.) (SESAC)/Romanesque Music W 'N' R Music (Adm. by WB Music Corp.)(ASCAP)/Arthur Jacobson/Sony ATV Music publishing on behalf of Duffield Music/Sony/ATV Music Publishing Canada "My Heart Will Go On" © 1997 Famous Music Corporation (ASCAP)/Blue Sky Rider Songs, Administered by Irving Music Inc (BMI) "Where Is The Love" © 1997 Saphir Music/Sony/ATV Music Publishing on behalf of Duffield Music/Sony/ATV Music Publishing Canada "I Hate You Then I Love You" © 1997 Tony Renis Music Publishing Corp. / Peer International Corporation/ Edicones de Falla/Chester Music "Let's Talk About Love" © 1997 Badams Music limited (ASCAP)Sony Music Publishing UK limited/ JRG Éditions Musicales Track 1 recorded at Air Studios London. Track 2 recorded at Wallyworld CA, / Record Plant L.A., The Hit Factor N.Y., Middle Ears Studio Miami Beach, Masterphonics Nashville / Mixed at The Hit Factory N.Y. Track 3 recorded at Cove City Sound Studios, Long Island, N.Y., The Dream Factory, The Hit Factory, N.Y. / Mixed at The Hit Factory, N.Y. Track 4 recorded at Chartmaker Studios L.A. / Mixed at Record Plant L.A. Track 5 recorded at Cove City Sound Studios, Long Island, N.Y., The Dream Factory, Clinton Street Recording, The Hit Factory N.Y., Eden Studios UK / Mixed at The Hit Factory N.Y. Track 6 recorded at Walyworld CA, Hit Factory N.Y., Record Plant L.A., Chartmaker Studios L.A., Paramount Studios L.A., Masterphonics Nashville / Mixed at Hit Factory N.Y. Track 7 recorded at Cove City Studios, L.L. New York, The Dream Factory, Crescent Moon Recording, The Hit Factory NYC / Mixed at The Hit Factory NYC Track 8 recorded at Chartmaker Studios L.A., Paramount L.A. / Mixed at Record Plant L.A. Track 9 recorded at Sunset Sound Studio, The Hit Factory N.Y. / Mixed at The Hit Factory N.Y. Track 10 mixed at Record Plant N.Y. Track 11 recorded at Cove City Sound Studios, Long Island, N.Y., The Dream Factory, The Hit Factory N.Y. / Mixed at The Hit Factory N.Y. Track 12 recorded at Wallyworld CA, The Hit Factory N.Y. / Mixed at The Hit Factory N.Y. Track 13 recorded at Sunset Sound Studio and The Hit Factory NY. Track 14 recorded at Chartmaker Studios L.A., / Paramount L.A., Hit Factory N.Y. / Mixed at Record Plant L.A. Track 15 recorded at Record Plant L.A., Paramount Studios L.A. / Mixed at Record Plant L.A.

TRACKLIST

1. The Reason 5:01
2. Immortality 4:11
3. Treat Her Like A Lady 4:05
4. Why Oh Why 4:50
5. Love Is On The Way 4:25
6. Tell Him 4:51
7. Where Is The Love 4:55
8. When I Need You 4:12
9. Miles To Go (Before I Sleep) 4:40
10. Us 5:47
11. Just A Little Bit Of Love 4:06
12. My Heart Will Go On (Love Theme From 'Titanic') 4:40
13. I Hate You Then I Love You (Duet with Luciano Pavarotti) 4:43
14. To Love You More 5:28
15. Let's Talk About Love 5:12

LABEL: Epic/550 Music

Barcode and Other Identifiers:

Barcode 0 7464-68861-2 0
Matrix / Runout CPTP-000284 F2 1A 11
Mastering SID Code IFPI L422
Mould SID Code IFPI 7256
Matrix / Runout CPTP-000284 H2 1A 26
Mastering SID Code IFPI L422
Mould SID Code IFPI 5100
Matrix / Runout CPTP-000284 F2 1A 07
Mastering SID Code IFPI L422
Mould SID Code IFPI 5100
Matrix / Runout CPTP-000284 P A03
Matrix / Runout CPTP-000284 F2 1A 06 A05
Mastering SID Code IFPI L422
Mould SID Code IFPI 50BE
Matrix / Runout CPTP-000284 F2 1A 09
Mastering SID Code IFPI L422
Mould SID Code IFPI 7222

 

Manufactured By Epic/550 Music
Phonographic Copyright (p) Sony Music Entertainment (Canada) Inc.
Phonographic Copyright (p) Sony Music Entertainment Inc.
Copyright (c) Sony Music Entertainment (Canada) Inc.
Mixed At Record Plant, Los Angeles
Mixed At The Hit Factory
Produced For Chartmaker, Inc.
Produced For W&R Group
Recorded At Air Studios
Recorded At WallyWorld Studios
Recorded At Record Plant, Los Angeles
Recorded At The Hit Factory
Recorded At Middle Ear Studio
Recorded At Masterfonics
Recorded At Cove City Sound Studios
Recorded At The Dream Factory
Recorded At Chartmaker Studios
Recorded At Clinton Street Recordings
Recorded At Eden Studios
Recorded At Paramount Recording Studios
Recorded At Cresent Moon Recording
Recorded At Sunset Sound
Recorded At Ocean Way Recording
Glass Mastered At DADC

Data provided by Discogs

RELEASE DATE: 1997

LABEL: Epic/550 Music

074646886120

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.