Coco Montoya - I Want It All Back (CD) (NM or M-, VG+)

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Coco Montoya - I Want It All Back (CD) (NM or M-, VG+)

Coco Montoya - I Want It All Back (CD) (NM or M-, VG+)

  • Album

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS:

DESCRIPTION & TRACKLIST

Coco Montoya - I Want It All Back 

Album

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Very Good Plus (VG+)

Condition Details:
 

RELEASE DATE: 2010

DESCRIPTION

Recorded at: Stu Stu Studio, West Los Angeles, Ca & Jeff Paris Productions, Valley Village, CA Mixed at Twelve Tone Music www.twelve-tone-music.com Track 1: Embassy Music Corporation (BMI) Track 2: Latersville Music, abmin by Bug Music (ASCAP) Track 3: Jobette Music Co. Inc, Stone Agate Music, admin by EMI Music Publishing (BMI) Track 4: Gary Nicholson, Gary Nicholson Music, LLC admin Sony/ATV Music Publishing (ASCAP) & Chris Night, Breton Crossing Music admin by Universal Music Corp (ASCAP) Track 5: Gary Nicholson, Gary Nicholson Music, LLC admin Sony/ATV Music Publishing (ASCAP) & Michael Pickett, Sweetest Gal Music (SOCAN) Track 6: Leibraphone Music (BMI)/Universal-songs of Polygram Int.; Inc Track 7: Jobette Music Co. Inc/EMI Music Publishing (ASCAP) Track 8: EMI Longitude Music, Johnware Music Co, Olivia Publishing Co (BMI) Track 9: Coco Montoya, Mr. Squiggles Music (BMI)/Paul Barrere, Barrere Music, admin by Bug Music (ASCAP)/Roger Cole, Roger Cole Music (BMI) Track 10: Jeff Paris, Jeff Paris Music (BMI)/Andrew Kastner, Drewness Music (ASCAP) Track 11: Jackson Browne, Night Kitchen Music (ASCAP), Danny Kortchmar, WB Music Corp (ASCAP) ℗ & © 2010 Ruf Records GmbH Booklet contains a number of thank-you notes Jewel case with clear tray and 4-page booklet. Comes with 4-page Ruf Records catalog 2010.

TRACKLIST

1. Hey Senorita 3:56
2. I Want It All Back 4:36
3. Forever 4:48
4. Cry Lonely 5:13
5. As Close As I Have Come 4:28
6. The Life Of My Broken Heart 5:09
7. The One Who Really Loves You 6:25
8. Fannie Mae 3:50
9. Don't Go Makin' Plans 4:57
10. She's Gonna Need Somebody 4:56
11. Somebody's Baby 5:21

LABEL: Ruf Records

Barcode and Other Identifiers:

Barcode 7 10347 11532 8
Barcode 710347115328
Label Code LC 0156
Rights Society GEMA
Rights Society BMI
Rights Society ASCAP
Rights Society SOCAN
Matrix / Runout none
Mastering SID Code none
Mould SID Code IFPI 720H

 

Record Company The Blues Foundation
Phonographic Copyright (p) Ruf Records GmbH
Copyright (c) Ruf Records GmbH
Recorded At Stu Stu Studio, Marina Del Rey, CA
Recorded At Jeff Paris Production
Mixed At Twelve Tone Music
Published By Embassy Music Corp.
Published By Latersville Music
Published By Bug Music
Published By Jobete Music Co., Inc.
Published By Stone Agate Music
Published By EMI Music Publishing
Published By Gary Nicholson Music LLC
Published By Sony / ATV Music Publishing
Published By Breton Crossing Music
Published By Universal Music Corp.
Published By Sweetest Gal Music
Published By Leibraphone Music
Published By Universal - Songs Of Polygram International, Inc.
Published By EMI Longitude Music
Published By Jonware Music Company
Published By Olivia Pub. Co.
Published By Mr. Squiggles Music
Published By Barrère Music
Published By Roger Cole Music
Published By Jeff Paris Music
Published By Drewness Music
Published By Night Kitchen Music
Published By Wb Music Corp.

Data provided by Discogs

RELEASE DATE: 2010

LABEL: Ruf Records

710347115328

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.