George Crumb - Complete Crumb Edition Volume Six: Lux Aeterna / Pastoral Drone / Four Nocturnes / Gnomic Variations / Echoes Of Time And The River (CD) (VG+, VG+)

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George Crumb - Complete Crumb Edition Volume Six: Lux Aeterna / Pastoral Drone / Four Nocturnes / Gnomic Variations / Echoes Of Time And The River (CD) (VG+, VG+)

George Crumb - Complete Crumb Edition Volume Six: Lux Aeterna / Pastoral Drone / Four Nocturnes / Gnomic Variations / Echoes Of Time And The River (CD) (VG+, VG+)

MEDIA CONDITION: Very Good Plus (VG+)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: CD is in VG+ condition. Plays without issue. Includes insert booklet.

DESCRIPTION & TRACKLIST

DESCRIPTION

Released in clear tray jewel case with 24-page booklet including liner notes & credits.

Echoes of Time and the River: Four Processionals for Orchestra (Echoes II) (1967).
Gnomic Variations, for Piano (1981).
Four Nocturnes (Night Music II) (1964).
Lux Aeterna, for Five Masked Musicians (1971).
Pastoral Drone, for Organ (1982).

Echoes of Time and the River was recorded on August 27-30, 2002 at Philharmonic Hall, Warsaw, Poland.
Gnomic Variations was recorded in July, 2002 at KAS Studios, Astoria, NY.
Four Nocturnes was recorded in June, 2001, at the Academy of Arts and Letters, New York City.
Lux Aeterna was recorded on January 10, 1975 at 30th St. Studio, New York City and originally released as Odyssey Y 35201 © 1978.
Pastoral Drone was recorded on December 11, 2001 at the Madison Avenue Presbyterian Church, New York City.

Total Time: 68:53
 
The music of George Crumb is published by C.F. Peters Corp. (BMI)
Echoes of Time and the River is published by Belwin-Mills Publishing Corp.

(Rear cover)
℗ and © 2003 Bridge Records, Inc.
Manufactured in Canada · Produced in USA

Label catalog number reads BRIDGE 9127 on front cover, spine & disc label, Bridge 9127 on rear cover.

TRACKLIST

. Echoes Of Time And The River 18:49
. Gnomic Variations 20:10
. Four Nocturnes 9:17
13. Lux Aeterna 13:36
14. Pastoral Drone 6:55

Barcode and Other Identifiers:

Barcode 0 90404 91272 6
SPARS Code DDD ADD
Matrix / Runout 2R671<1200>BRIDGE9127 MADE IN CANADA BY AMERIC DISC
Mastering SID Code IFPI L481
Mould SID Code IFPI8124

Phonographic Copyright (p) Bridge Records, Inc.
Copyright (c) Bridge Records, Inc.
Published By C.F. Peters Corp.
Published By Belwin-Mills Publishing Corp.
Recorded At Warsaw Philharmonic Hall
Recorded At Kaufman Astoria Studios
Recorded At American Academy Of Arts And Letters
Recorded At Columbia 30th Street Studio
Recorded At Madison Avenue Presbyterian Church
Made By Americ Disc

Data provided by Discogs

RELEASE DATE: 2003

LABEL: Bridge Records (4) and Bridge Records (4)

090404912726

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.