Jasmine Guy - Jasmine Guy (CD) (NM or M-, VG+)

$7.00 CAD

  • Jasmine Guy : Jasmine Guy (CD, Album)
  • Jasmine Guy : Jasmine Guy (CD, Album)
  • Jasmine Guy : Jasmine Guy (CD, Album)
  • Jasmine Guy : Jasmine Guy (CD, Album)
  • Jasmine Guy : Jasmine Guy (CD, Album)
$7.00 CAD
$7.00 CAD
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Jasmine Guy - Jasmine Guy (CD) (NM or M-, VG+)

Jasmine Guy - Jasmine Guy (CD) (NM or M-, VG+)

  • CD
  • Album

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: Excellent condition.

DESCRIPTION & TRACKLIST

Jasmine Guy - Jasmine Guy 

CD, Album

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Very Good Plus (VG+)

Condition Details: Excellent condition.
 

RELEASE DATE: 1990

DESCRIPTION

Track 1 [published by Forceful Music Inc. / Willesden Music (BMI). Written, produced and arranged for Full Force Productions. Engineered at Sound Lab, New York City and at Record Plant, Hollywood, CA. Track 2 [published by Tim Tim Music / Wokie Music (ASCAP). Recorded at M'Bila Recording Studio, Hollywood, CA. Track 3 [published by Virgin Music, Inc. / Oliver Leiber Music (ASCAP). Produced for The Noise Club, Inc. Recorded at Oliver's House, Minneapolis, Minnesota and Paisley Park Studios, Chanhassen, Minnesota. Mixed at Larrabee Sound Studios, Los Angeles, CA. Track 4 [published by Who-Che-Choo Music / Amirfull Music Inc. (ASCAP). Produced and arranged for Full Force Productions. Remixed at Sound Lab, New York City. Recorded at Hit Factory and Unique Recordings, New York City. Track 5 [published by Steve Evans Lane Music / Creative Entertainment Music (BMI) / Pushy Publishing / Peter Brown Music / Rodsaul Songs (ASCAP). Recorded at The Sound Spa, Chester, Pennsylvania and Sound On Sound Recording, New York City. Mixed at The Sound Spa, Chester, Pennsylvania. Track 6 [published by Virgin Music, Inc. / Oliver Leiber Music (ASCAP). Produced for The Noise Club, Inc. Recorded at Oliver's House, Minneapolis, Minnesota; Paisley Park Studios, Chanhassen, Minnesota and JHL Studio, Pacific Palisades, California. Mixed at Larrabee Sound Studios, Los Angeles, CA. Track 7 [published by All That Jaz Music / Cree Summer Music (BMI) / Frank Nitty Publishing / Velle International, administered by Ness, Nitty & Capone (ASCAP). Produced for Untouchables Music. Recorded at Soundtrack, New York City. Vocals recorded at Studio 56, Los Angeles. Track 8 [published by Ensign Music Corporation / Caltone Music (BMI). Produced for Racer-Ex Productions. Recorded at Aire LA Studios. Mixed at Aire LA Studios. Track 9 [published by Science Lab Music, Inc. / EMI April Music, Inc. (ASCAP) / Whole Nine Yards / E-Day Music Group, Inc. (BMI). Produced for Hypnogenesis. Recorded at Science Lab Studios, New York. Vocals recorded at Sunset Sound. Mixed at Science Labs Studios, New York. Track 10 [published by Zubaidah Music / MCA Music Publishing, a division of MCA, Inc. (ASCAP). Produced for ZMI. Recorded at Alchemy Recording Studio, Woodland Hills, California. Recorded at Studio 56, Los Angeles, California and at Wings West, Northridge, California. Mixed at Studio 56, Los Angeles. [a41266 and Cheryl "Pepsii" Riley appear courtesy of Full Force Productions and Columbia Records. Ex-Girl Friend appears courtesy of Forceful Records and Full Force Productions. [a27803 appears courtesy of Columbia Records, Inc. [a53261 appears courtesy of Atlantic Records. [a80019 appears courtesy of Arista Records. Kevin "Kipper" Jones appears courtesy of Virgin America Records. [a31012 appears courtesy of Atlantic Records. Warner Bros. Records Inc., a Warner Communications company. © 1990 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside of the U.S. ℗ 1990 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside of the U.S. Made in U.S.A.

TRACKLIST

1. Try Me 4:56
2. Another Like My Lover 4:10
3. Don't Want Money 4:03
4. Johnny Come Lately 4:48
5. More Love 4:50
6. Tuff Boy 4:27
7. Everybody Knows My Name 5:00
8. Just Want To Hold You 4:10
9. I Don't Have To Justify 4:23
10. I Wish You Well 4:45

LABEL: Warner Bros. Records

Barcode and Other Identifiers:

Barcode 0 7599-26021-2 9
Barcode 075992602129
Rights Society ASCAP
Rights Society BMI
SPARS Code AAD
Matrix / Runout 1 26021-2 RE-1 SRC+01
Matrix / Runout 1 26021-2 RE-1 SRC=02

 

Copyright (c) Warner Bros. Records Inc.
Copyright (c) WEA International Inc.
Phonographic Copyright (p) Warner Bros. Records Inc.
Phonographic Copyright (p) WEA International Inc.
Record Company Warner Communications
Record Company MCA Inc.
Pressed By Specialty Records Corporation
Produced For Full Force Productions
Produced For The Noise Club, Inc.
Produced For Untouchables Music Inc.
Produced For Hypnogenesis
Produced For RaceR-ex Productions
Produced For ZMI
Recorded At M'Bila Studios
Recorded At Oliver Leiber's House
Recorded At Paisley Park Studios
Recorded At The Hit Factory
Recorded At Unique Recording
Recorded At Sound Spa Studios
Recorded At Sound On Sound, New York
Recorded At JHL Sound
Recorded At Soundtrack Studios
Recorded At Studio 56
Recorded At Aire L.A. Studios
Recorded At Science Lab
Recorded At Sunset Sound
Recorded At Alchemy Recording Studios
Recorded At Wings West Recording
Mixed At Larrabee Sound Studios
Mixed At Sound Spa Studios
Mixed At Aire L.A. Studios
Mixed At Science Lab
Mixed At Studio 56
Remixed At Sound Lab Studios
Engineered At Sound Lab Studios
Engineered At Record Plant, Los Angeles
Published By Forceful Music Inc.
Published By Willesden Music
Published By Tim Tim Music
Published By Wokie Music
Published By Virgin Music, Inc.
Published By Oliver Leiber Music
Published By Who-Che-Choo Music
Published By Amirful Music
Published By Steve Evans Lane Music
Published By Creative Entertainment Music
Published By Pushy Publishing
Published By Peter Brown Music
Published By Rodsaul Songs
Published By All That Jaz Music
Published By Cree Summer Music
Published By Frank Nitty Publishing
Published By Velle International
Published By Ness, Nitty & Capone
Published By Ensign Music Corp.
Published By Caltone Music
Published By Science Lab Music
Published By EMI April Music Inc.
Published By Whole Nine Yards Music
Published By E-Day Music Group, Inc.
Published By Zubaidah Music
Published By MCA Music Publishing

Data provided by Discogs

RELEASE DATE: 1990

LABEL: Warner Bros. Records

075992602129

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.