Led Zeppelin - Mothership (CD) (NM or M-, VG+)

$14.00 CAD

  • Led Zeppelin : Mothership (Compilation,Remastered)
  • Led Zeppelin : Mothership (Compilation,Remastered)
$14.00 CAD
$14.00 CAD
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Led Zeppelin - Mothership (CD) (NM or M-, VG+)

Led Zeppelin - Mothership (CD) (NM or M-, VG+)

  • Compilation
  • Remastered

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: CDs are in NM condition. Plays without issue. Includes insert booklet.

DESCRIPTION & TRACKLIST

DESCRIPTION

Comes in a 6-panel digifile with a 22 page booklet.

Sticker Description:
The Very Best Of Led Zeppelin Remastered on 2 CDs
Featuring
kashmir ▪ stairway to heaven
whole lotta love ▪ rock and roll
immigrant song ▪ black dog
communication breakdown
dazed and confused
RR2 313148

Recorded At/Mixed At Companies:
Tracks 1-1 to 1-4: Recorded and mixed in October 1968 at Olympic Studios, London
Track 1-5: Recorded in 1969 at Olympic Studios, London • Mixed at A&R Studios, New York, with Eddie Kramer
Track 1-6: Recorded in 1969 at Juggy Sound Studio, New York • Mixed at A&R Studios, New York, with Eddie Kramer
Track 1-7: Recorded in 1969 at A&R Studios, New York • Mixed at A&R Studios, New York, with Eddie Kramer
Track 1-8: Recorded in 1970 at Headley Grange, Hampshire, with The Rolling Stones Mobile Studio • Mixed at Island Studios, London, with Andy Johns
Track 1-9: Recorded in 1970 at Island Studios, London • Mixed at Island Studios, London, with Andy Johns
Track 1-10: Recorded in 1971 at Headley Grange, Hampshire, with The Rolling Stones Mobile Studio • Mixed at Island Studios and Olympic Studios, London, with Andy Johns
Track 1-11: Recorded in 1971 at Headley Grange, Hampshire, with The Rolling Stones Mobile Studio • Mixed at Island Studios, London, with Andy Johns
Track 1-12: Recorded in 1971 at Headley Grange, Hampshire, with The Rolling Stones Mobile Studio • Mixed at Sunset Sound, Los Angeles, with Andy Johns
Track 1-13: Recorded in 1971 at Island Studios, London • Mixed at Island Studios, London, with Andy Johns
Track 2-1: Recorded in 1972 at Stargroves with The Rolling Stones Mobile Studio • Mixed at Olympic Studios, London, with Keith Harwood
Tracks 2-2, 2-3: Recorded in 1972 at Stargroves with The Rolling Stones Mobile Studio • Mixed at Electric Lady, New York, with Eddie Kramer
Track 2-4: Recorded in 1972 at Island Studios, London • Mixed at Olympic Studios, London, with Andy Johns
Tracks 2-5, 2-7: Recorded in 1974 at Headley Grange, Hampshire, with Ronnie Lane's Mobile Studio and at Olympic Studios, London • Mixed at Olympic Studios, London with Keith Harwood
Track 2-6: Recorded in 1972 at Olympic Studios, London • Mixed at Electric Lady, New York, with Eddie Kramer
Tracks 2-8, 2-9: Recorded and mixed in November/December 1975 at Musicland Studios, Munich
Tracks 2-10, 2-11: Recorded and mixed in November/December 1978 at Polar Studios, Stockholm • Mixed at Plumpton Studio

Engineered By:
Tracks 2-5, 2-7: Engineered by Ron Nevison (Mobile) and Keith Harwood (Olympic)

Originally released dates:
Tracks 1-1 to 1-4: Originally released on January 12, 1969, on "LED ZEPPELIN"
Tracks 1-5 to 1-7: Originally released on October 22, 1969, on "LED ZEPPELIN II"
Tracks 1-8, 1-9: Originally released on October 5, 1970, on "LED ZEPPELIN III"
Tracks 1-10 to 1-13: Originally released on November 8, 1971, on the group's untitled fourth album
Tracks 2-1 to 2-4: Originally released on March 23, 1973, on "HOUSES OF THE HOLY"
Tracks 2-5 to 2-7: Originally released on February 24, 1975, on "PHYSICAL GRAFFITI"
Tracks 2-8, 2-9: Originally released on March 31, 1976, on "PRESENCE"
Tracks 2-10, 2-11: Originally released on August 15, 1979, on "IN THROUGH THE OUT DOOR"

Released as a single dates:
Tracks 1-1, 1-2: Released as a single on 3/10/69
Track 1-5: Released as a single on 11/7/69
Track 1-8: Released as a single on 11/5/70
Track 1-10: Released as a single on 2/21/72
Track 1-11: Released as a single on 12/2/71
Track 2-2: Released as a single on 5/24/73
Track 2-3: Released as a single on 9/17/73
Track 2-5: Released as a single on 4/2/75

CDs 1 & 2: Made in U.S.A.

This Compilation ℗ 2015 Atlantic Recording Corporation. a Warner Music Group Company.
© 2015 Mythgem, Ltd. Manufactured & Marketed by Warner Music Group.
3400 W. Olive Ave., Burbank, CA 91505-4614. Printed in U.S.A. FBI Anti-Piracy Warning: Unauthorized
Copying Is Punishable Under Federal Law. RR2 313148

TRACKLIST

1-1. Good Times Bad Times 2:48
1-2. Communication Breakdown 2:29
1-3. Dazed And Confused 6:28
1-4. Babe I'm Gonna Leave You 6:42
1-5. Whole Lotta Love 5:33
1-6. Ramble On 4:22
1-7. Heartbreaker 4:16
1-8. Immigrant Song 2:27
1-9. Since I've Been Loving You 7:24
1-10. Rock And Roll 3:41
1-11. Black Dog 4:55
1-12. When The Levee Breaks 7:10
1-13. Stairway To Heaven 8:02
2-1. The Song Remains The Same 5:32
2-2. Over The Hills And Far Away 4:49
2-3. D'Yer Mak'er 4:24
2-4. No Quarter 7:00
2-5. Trampled Under Foot 5:36
2-6. Houses Of The Holy 4:04
2-7. Kashmir 8:30
2-8. Nobody's Fault But Mine 6:16
2-9. Achilles Last Stand 10:23
2-10. In The Evening 6:51
2-11. All My Love 5:54

Barcode and Other Identifiers:

Barcode 0 8122 79509 3 4
Barcode 081227950934
Mastering SID Code ifpi L902
Mould SID Code IFPI LT36
Matrix / Runout 3 RR2 313148.3-2.1 TEXT AF02
Mastering SID Code ifpi L909
Mould SID Code IFPI LT36
Matrix / Runout 3 RR2 313148.3-2.2 TEXT AF02

Phonographic Copyright (p) Atlantic Recording Corporation
Copyright (c) Mythgem, Ltd.
Manufactured By Warner Music Group
Marketed By Warner Music Group
Recorded At Olympic Studios
Mixed At Olympic Studios
Mixed At A&R Studios
Recorded At Juggy Sound Studio
Recorded At A&R Studios
Recorded At Headley Grange
Mixed At Island Studios
Recorded At Rolling Stones Mobile
Recorded At Island Studios
Mixed At Sunset Sound
Recorded At Stargroves
Mixed At Electric Lady Studios
Recorded At Ronnie Lane's Mobile Studio
Recorded At Musicland Studios
Mixed At Musicland Studios
Recorded At Polar Studios
Mixed At Polar Studios
Mixed At Plumpton Studio

Data provided by Discogs

RELEASE DATE: 2015

LABEL: Swan Song and Atlantic

081227950934

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.