P!NK - Can't Take Me Home (CD) (NM or M-, VG+)

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P!NK - Can't Take Me Home (CD) (NM or M-, VG+)

P!NK - Can't Take Me Home (CD) (NM or M-, VG+)

  • Album
  • Stereo

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: CD is in NM condition. Plays without issue. Includes insert booklet.

DESCRIPTION & TRACKLIST

DESCRIPTION

Issued in a standard jewel case and clear disc tray with 6-panel fold out insert.

Manufactured in the U.S.A. for Arista Records, Inc.
Printed in U.S.A.
℗ & © 1999 (Track 4), 2000 LaFace Records.

Track 1:
© 2000 Pink Panther Music, LLC/EMI(ASCAP), Babytalk(ASCAP), ECAF Music, Inc./Sony/ATV, LLC (BMI)
Produced for Silent Partner Productions, Inc.
Recorded at Brandon's Way, Los Angeles, CA
Mixed at Conway Recording Studios, Hollywood, CA

Track 2: 
© 2000 Shak'em Down Music/Hitco South (ASCAP), Kandacy Music, Inc./Air Control Music, Inc./EMI-April, Inc. (ASCAP), Pink Panther Music, LLC/EMI (ASCAP), All "D" More/Air Control Music, Inc./EMI-April, Inc. (ASCAP)
Produced for She'kspere Productions, Inc.
Recorded for She'kspere Productions at Triangle Sound Studios, Atlanta, GA
Mixed at Larrabee North Studios, Universal City, CA
Midi & Sound for She'kspere Productions & Boob Tube Productions in association with She'kspere Productions

Track 3:
© 2000 ECAF Music, Inc./Sony/ATV, LLC (BMI), DemisSongs/E2Music/EMI April Music (ASCAP)
Recorded at Brandon's Way Recording, Los Angeles, CA
Mixed at The TracKen Place, Hollywood, CA

Track 4:
© 1999 Shek'em Down Music/Hitco South (ASCAP) Kandacy Music, Inc./Air Control Music, Inc./EMI-April, Inc. (ASCAP) Pink Panther Music, LLC/EMI (ASCAP)
Produced for She'kspere Productions, Inc.
Recorded for She'kspere Productions at Triangle Sound Studios, Atlanta, GA
Mixed at Larrabee North Studios, Los Angeles, CA

Track 5:
© 2000 Me & Chuma Music/E2/EMI, Ainzworth Amil Music/E2/EMI, Woodfella Muzic (ASCAP)
Produced for Presidential Campaign
Recorded at Brandon's Way Recording, Los Angeles, CA
Mixed at The TracKen Place, Hollywood, CA

Track 6:
© 2000 Famous Music Corp.(ASCAP), Mo Better Grooves Music, Gimme Some Hot Sauce Music, Tunes On The Verge Of Insanity(ASCAP), I Like 'Em Thicke Music (ASCAP), Bengrad Enterprises, Inc. (BMI)
Produced For Red Zone Ent and SOZO! Ent.
Recorded at Boss Productions, Atlanta, GA
Mixed at Silent Sound Studios, Atlanta, GA
Contains elements from "Cease The Bombing". Bengard Entertainment, Inc. (BMI)

Track 7:
© 2000 Kalinmia Music, C Sills Music, Stro Music (ASCAP) Jungle Juice Music (ASCAP)
Produced for Da 12 Productions, Inc.
Recorded at Doppler Studios, Atlanta, GA
Mixed for NHP Sound at DARP Studios, Atlanta, GA

Track 8:
© 2000 Jungle Fever Music/EMI Blackwood Music, Inc. (BMI), Soulvang Music/EMI Blackwood Music, Inc. (BMI), GC Publishing (ASCAP), Ghetto Fabulous Songs (ASCAP)
Produced for Soulpower Productions
Recorded at Record Plant, Los Angeles, CA
Mixed at Record Plant, Los Angeles, CA

Track 9:
© 2000 Pink Panther Music, LLC/EMI (ASCAP), Anniaya Publishing/EMI (BMI), Thunderstone/EMI (BMI)
Produced for Specialists Entertainment, Inc. & Thunderstone, Inc.
Recorded at Soundtrack Recording Studios, NYC
Mixed for NHP Sound, Inc. at Silent Sound Studio, Atlanta, GA

Track 10:
© 2000 Pink Panther Music, LLC/EMI (ASCAP), Hit Street Music (BMI), Hitco Music/Windswept (BMI)
Produced for Hit Street Ave., Inc.
Recorded at Doppler Studios and Purple Dragon Studios, Atlanta, GA
Mixed for NHP Sound, Inc. at Silent Sound Studios, Atlanta, GA

Track 11:
© 2000 Ghetto Street Funk Music / Hitco South adm. by Windswept Pacific (ASCAP), Ezeke International Music / Hitco Music (BMI)
Produced for Ghetto Street Funk Music
Recorded at Patchwerk Recording Studio & Doppler Studio, Atlanta, GA
Mixed at Encore Recording Studio, Burbank, CA

Track 12:
© 2000 Pink Panther Music, LLC/EMI (ASCAP), Debra and Gracie's Boy Music (ASCAP), Anniaya Publishing/EMI (BMI), Thunderstone (BMI)
Produced for Specialists Entertainment, Inc. & Thunderstone, Inc.
Recorded at Soundtrack Recording Studios, NYC
Mixed for NHP Sound, Inc. at Tree Sound Studios, Atlanta, GA

Track 13:
© 2000 Pink Panther Music, LLC/EMI (ASCAP), EMI Music Publishing (ASCAP), Anniaya Publishing / EMI (BMI), Thunderstone, Inc. (BMI)
Produced for Thunderstone Productions, Inc./Timeless Entertainment
Recorded for NHP Sound, Inc. & Ratpack Entertainment, Inc. at Unique Recording Studio, New York, NY
Mixed for Ratpack Entertainment, Inc. at Unique Recording Studio, New York, NY

TRACKLIST

1. Split Personality 3:58
2. Hell Wit Ya 2:58
3. Most Girls 4:58
4. There You Go 3:24
5. You Make Me Sick 4:10
6. Let Me Let You Know 4:44
7. Love Is Such A Crazy Thing 5:13
8. Private Show 4:14
9. Can't Take Me Home 3:38
10. Stop Falling 5:52
11. Do What U Do 3:58
12. Hiccup 3:32
13. Is It Love 3:36

Barcode and Other Identifiers:

Barcode 7 3008-26062-2 6
Barcode 730082606226
Rights Society ASCAP
Rights Society BMI
Matrix / Runout B1 *2D* 73008260622 IFPI L431 B
Matrix / Runout A5 *2D* 73008260622 B
Matrix / Runout A8 *2D* 73008260622 B
Matrix / Runout A2 *3D* 73008260622 B
Mastering SID Code IFPI L431
Mould SID Code IFPI 7496
Mould SID Code IFPI 7499
Mould SID Code none

Distributed By Arista Records, Inc.
Manufactured By Arista Records, Inc.
Phonographic Copyright (p) LaFace Records
Copyright (c) LaFace Records
Recorded At Brandon's Way Recording
Recorded At Triangle Sound Studios
Recorded At Boss Productions
Recorded At Doppler Studios
Recorded At Record Plant, Los Angeles
Recorded At Soundtrack Studios
Recorded At Purple Dragon Studios
Recorded At Patchwerk Recording Studios
Recorded At Unique Recording
Mixed At Record Plant, Los Angeles
Mixed At Conway Studios
Mixed At Larrabee North
Mixed At The TracKen Place
Mixed At Silent Sound Studios
Mixed At DARP Studios
Mixed At Encore Studios
Mixed At Tree Sound Studios
Mixed At Unique Recording
Mastered At Powers House Of Sound
Glass Mastered At Denon Digital Industries

Data provided by Discogs

RELEASE DATE: Apr 2000

LABEL: LaFace Records

730082606226

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.