Phish - At The Roxy (CD) (NM or M-, VG+)

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Phish - At The Roxy (CD) (NM or M-, VG+)

Phish - At The Roxy (CD) (NM or M-, VG+)

  • Album

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: CDs are in NM condition. Plays without issue. Includes insert and outer slip case.

DESCRIPTION & TRACKLIST

DESCRIPTION

Recorded live February 19th, 20th & 21st, 1993.

℗ © 1993, 2008 Phish.
Made in the USA.

Track 8-11 ("Sweet Adeline") is credited as "Traditional", but in fact it's Armstrong/Gerard tune.

Cardboard box, every disc in separate cardboard sleeve, 4 page booklet.

TRACKLIST

. February 19th, 1993 The Roxy Theatre, Atlanta, GA
1-1. Loving Cup 6:39
1-2. Rift 6:07
1-3. Split Open And Melt 8:49
1-4. Fee 5:11
1-5. Maze 8:53
1-6. Colonel Forbin's Ascent 5:35
1-7. Fly Famous Mockingbird 13:29
1-8. Sparkle 4:08
2-1. My Friend, My Friend 6:50
2-2. Poor Heart 2:34
2-3. David Bowie / Moby Dick 15:49
2-4. Runaway Jim 8:12
2-5. It's Ice 7:44
2-6. Paul And Silas 3:02
2-7. You Enjoy Myself 21:17
2-8. Ya Mar 6:34
3-1. Big Ball Jam 2:55
3-2. Lawn Boy 3:26
3-3. Funky Bitch 6:36
3-4. My Sweet One 3:38
3-5. Hold Your Head Up / Love You / Hold Your Head Up 9:46
3-6. Llama 6:20
3-7. Amazing Grace 3:21
3-8. AC/DC Bag 6:50
. February 20th, 1993 The Roxy Theatre, Atlanta, GA
4-1. Golgi Apparatus 5:19
4-2. Foam 8:50
4-3. The Sloth 3:43
4-4. Possum 10:21
4-5. Weigh 5:04
4-6. All Things Reconsidered 2:48
4-7. The Divided Sky 13:33
4-8. The Horse 1:38
4-9. Silent In The Morning 5:09
4-10. Fluffhead 14:20
4-11. Cavern 4:44
5-1. Wilson 7:21
5-2. Reba 13:35
5-3. Tweezer 5:29
5-4. Walk Away 3:41
5-5. Tweezer 1:44
5-6. Glide 4:43
5-7. Mike's Song 7:57
5-8. My Mind's Got A Mind Of Its Own 1:09
5-9. Mike's Song 0:49
5-10. I Am Hydrogen 0:28
5-11. Vibration Of Life 0:59
5-12. Kung 1:38
5-13. I Am Hydrogen 2:59
5-14. Weekapaug Groove 2:58
5-15. Have Mercy 1:54
5-16. Weekapaug Groove 1:01
5-17. Rock And Roll All Nite 0:53
5-18. Weekapaug Groove 1:32
6-1. Fast Enough For You 5:09
6-2. Big Ball Jam 2:46
6-3. Hold Your Head Up / Terrapin / Hold Your Head Up 12:37
6-4. Harry Hood 13:10
6-5. Tweezer Reprise 3:51
6-6. Sleeping Monkey 6:32
. February 21st, 1993 The Roxy Theatre, Atlanta, GA
7-1. Suzy Greenberg 6:10
7-2. Buried Alive 2:58
7-3. Punch You In The Eye 7:14
7-4. Uncle Pen 4:06
7-5. Horn 3:36
7-6. Chalk Dust Torture 7:23
7-7. Esther 10:44
7-8. Dinner And A Movie 3:16
7-9. Bouncing Around The Room 3:34
7-10. Run Like An Antelope 12:41
8-1. Axilla 4:43
8-2. The Curtain 6:17
8-3. Stash 10:38
8-4. Manteca 0:45
8-5. Stash 0:55
8-6. The Lizards 10:58
8-7. Bathtub Gin 6:16
8-8. Hold Your Head Up / Cracklin' Rosie / Hold Your Head Up 9:34
8-9. The Squirming Coil 8:44
8-10. Big Black Furry Creature From Mars 5:47
. Encore
8-11. Sweet Adeline 3:17
8-12. Good Times, Bad Times 3:55
8-13. Paul And Silas 2:22
8-14. Pig In A Pen 3:24

Barcode and Other Identifiers:

Barcode 8 25084 98732 6
Barcode 825084987326
Rights Society BMI
Rights Society ASCAP
Rights Society SESAC
Matrix / Runout JEMP1041-CD1 + + HQ71301
Mastering SID Code IFPI L028
Mould SID Code IFPI 1058
Matrix / Runout JEMP1041-CD2 + + HQ71101
Mastering SID Code IFPI L028
Mould SID Code IFPI 10J6
Matrix / Runout JEMP1041-CD3 + + HQ71901
Mastering SID Code IFPI L028
Mould SID Code IFPI 10F1
Matrix / Runout JEMP1041-CD4 + + HQ71802
Mastering SID Code IFPI L028
Mould SID Code IFPI 10E7
Matrix / Runout JEMP1041-CD5 + + HQ75502
Mastering SID Code IFPI L028
Mould SID Code IFPI 10K1
Matrix / Runout JEMP1041-CD6 + + HQ69801
Mastering SID Code IFPI L028
Mould SID Code IFPI 10JF
Matrix / Runout JEMP1041-CD7 + + HQ69401
Mastering SID Code IFPI L028
Mould SID Code IFPI 10K2
Matrix / Runout JEMP1041-CD8 + + HQ68801
Mould SID Code IFPI 10J6
Mastering SID Code IFPI L028
Mould SID Code IFPI 10K3
Matrix / Runout JEMP1041-CD1 +A01+ HQ71301
Mastering SID Code IFPI L028
Mould SID Code IFPI 10E8
Matrix / Runout JEMP1041-CD2 + + HQ71101
Mastering SID Code IFPI L028
Matrix / Runout JEMP1041-CD3 +A02+ HQ70901
Mastering SID Code IFPI L028
Mould SID Code IFPI 10F1
Matrix / Runout JEMP1041-CD4 + + HQ70802
Mastering SID Code IFPI LB48
Mould SID Code IFPI 10E7
Matrix / Runout JEMP1041-CD5 + + HQ76502
Mastering SID Code IFPI L028
Mould SID Code IFPI 10K1
Matrix / Runout JEMP1041-CD6 +A01+ HQ69801
Mastering SID Code IFPI LB48
Mould SID Code IFPI 10J7
Matrix / Runout JEMP1041-CD7 +A01+ HQ69401
Mastering SID Code IFPI L028
Mould SID Code IFPI 10K2
Matrix / Runout JEMP1041-CD8 +A01+ HQ68801
Mastering SID Code IFPI L028
Mould SID Code IFPI 10K3

Copyright (c) Phish
Phonographic Copyright (p) Phish
Manufactured By Jemp Records
Recorded At Roxy Theatre, Atlanta
Mastered At Kevorkian Mastering
Published By ABKCO Music, Inc.
Published By Who Is She? Music, Inc.
Published By Superhype Publishing Inc.
Published By G.B.I. Recording Co. Ltd.
Published By Eyeball Music
Published By Mainstay Music
Published By Lupus Music Co. Ltd.
Published By Songs of Universal, Inc.
Published By Two Roads Music
Published By EMI Virgin Music, Inc.
Published By Cafe Americana, Inc.
Published By Hori Productions America, Inc.
Published By EMI Blackwood Music
Published By Sony/ATV Tunes LLC
Published By Anne-Rachel Music Corp.
Published By Music Sales Corp.
Published By Twenty-Eighth Street Music
Published By Prophet Music Inc.
Published By Flames Of Albion Music Inc.
Glass Mastered At Arvato Digital Services Bertelsmann, USA
Glass Mastered At Arvato Digital Services Bertelsmann, USA
Glass Mastered At Arvato Digital Services Bertelsmann, USA
Glass Mastered At Arvato Digital Services Bertelsmann, USA
Glass Mastered At Arvato Digital Services Bertelsmann, USA
Glass Mastered At Arvato Digital Services Bertelsmann, USA
Glass Mastered At Arvato Digital Services Bertelsmann, USA
Glass Mastered At Arvato Digital Services Bertelsmann, USA

Data provided by Discogs

RELEASE DATE: 18 Nov 2008

LABEL: Jemp Records

825084987326

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.