Taylor Swift - 1989 (Vinyl) (VG+, VG+)

$22.00 CAD

  • Taylor Swift : 1989 (LP,Album,Repress)
  • Taylor Swift : 1989 (LP,Album,Repress)
  • Taylor Swift : 1989 (LP,Album,Repress)
  • Taylor Swift : 1989 (LP,Album,Repress)
  • Taylor Swift : 1989 (LP,Album,Repress)
$22.00 CAD
$22.00 CAD
Shipping calculated at checkout.

Taylor Swift - 1989 (Vinyl) (VG+, VG+)

Taylor Swift - 1989 (Vinyl) (VG+, VG+)

  • LP
  • Album
  • Repress

MEDIA CONDITION: Very Good Plus (VG+)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: Some signs of use. Excellent condition overall. Small corner damage.

DESCRIPTION & TRACKLIST

DESCRIPTION

This version is distinguished by "VINYL MADE IN MEXICO" printed on back shrink. Otherwise, the jacket appears identical as some previous releases.

Gatefold jacket.
Both LPs have 'Side A' / 'Side B' on labels (but 'A' / 'B' / 'C' / 'D' on runouts).
Tracks are numbered sequentially across all 4 sides.

Welcome To New York:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), Write Me A Song Publishing (GMR) (Administered by Kobalt Songs Music Publishing, Inc.)
Recorded at Conway Studios (Los Angeles, CA).
Mixed at MixStar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).

Blank Space:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), MXM. (ASCAP) (Administered by Kobalt Songs Music Publishing, Inc.)
Produced for MXM Productions.
Recorded by Michael Ilbert at MXM Studios (Stockholm, Sweden).
Recorded by Sam Holland at Conway Studios (Los Angeles, CA); assisted by Cory Bice.
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).

Style:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), MXM. (ASCAP) (Administered by Kobalt Songs Music Publishing, Inc.) & Wolf Cousins/Warner/Chappell Music Scand AB (ASCAP)
Produced by Max Martin and Shellback for MXM Productions & Ali Payami for Wolf Cousins Productions.
Recorded by Michael Ilbert at MXM Studios (Stockholm, Sweden).
Recorded by Sam Holland at Conway Studios (Los Angeles, CA).
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).

Out Of The Woods:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI)
Recorded by Laura Sisk at Jungle City Studios (New York, NY). Assisted by Brendan Morawski.
Vocal production for MXM Productions.
Recorded by Sam Holland at Conway Studios (Los Angeles, CA). Assisted by Cory Bice.
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).

All You Had To Do Was Stay:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), MXM. (ASCAP) (Administered by Kobalt Songs Music Publishing, Inc.)
Produced by Max Martin and Shellback for MXM Productions, and by Mattman & Robin for Wolf Cousins Productions.
Recorded at Conway Studios (Los Angeles, CA).
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).

Shake It Off:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), MXM. (ASCAP) (Administered by Kobalt Songs Music Publishing, Inc.)
Produced for MXM Productions.
Recorded by Michael Ilbert at MXM Studios (Stockholm, Sweden).
Recorded by Sam Holland at Conway Studios (Los Angeles, CA); assisted by Cory Bice.
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).

I Wish You Would:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI)
Recorded by Jack Antonoff at Lamby's House Studios (Brooklyn, NY). Assisted by Brendan Morawski.
Vocal production for MXM Productions.
Recorded by Sam Holland at Conway Studios (Los Angeles, CA); assisted by Cory Bice.
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).

Bad Blood:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), MXM. (ASCAP) (Administered by Kobalt Songs Music Publishing, Inc.)
Produced for MXM Productions.
Recorded by Michael Ilbert at MXM Studios (Stockholm, Sweden).
Recorded by Sam Holland at Conway Studios (Los Angeles, CA); assisted by Cory Bice.
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).

Wildest Dreams:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), MXM. (ASCAP) (Administered by Kobalt Songs Music Publishing, Inc.)
Produced for MXM Productions.
Recorded by Michael Ilbert at MXM Studios (Stockholm, Sweden).
Recorded by Sam Holland at Conway Studios (Los Angeles, CA); assisted by Cory Bice.
Strings recorded and edited at Studio Elevator Nobody (Göteborg, Sweden).
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).

How You Get The Girl:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), MXM. (ASCAP) (Administered by Kobalt Songs Music Publishing, Inc.)
Produced for MXM Productions.
Recorded by Michael Ilbert at MXM Studios (Stockholm, Sweden).
Recorded by Sam Holland at Conway Studios (Los Angeles, CA); assisted by Cory Bice.
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).

This Love:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI)
Recorded at Pain in The Art Studio (Nashville, TN).
Mixed at Mixstar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).

I Know Places:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), Write Me A Song Publishing (GMR) (Administered by Kobalt Songs Music Publishing, Inc.)
Recorded at Conway Studios (Los Angeles, CA).
Mixed at MixStar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).

Clean:
© 2014 Sony/ATV Tree Publishing/Taylor Swift Music (BMI), Megaphonic Ltd, (PRS/ASCAP)
Recorded at The Hideaway Studio.
Mixed at MixStar Studios (Virginia Beach, VA).
Mastered at Sterling Sound (New York, NY).

Design for St8mnt.

TRACKLIST

A1. Welcome To New York
A2. Blank Space
A3. Style
B4. Out Of The Woods
B5. All You Had To Do Was Stay
B6. Shake It Off
C7. I Wish You Would
C8. Bad Blood
C9. Wildest Dreams
D10. How You Get The Girl
D11. This Love
D12. I Know Places
D13. Clean

Barcode and Other Identifiers:

Barcode 843930013548
Matrix / Runout 843930013548 A EC IM (1218934) 01010201
Matrix / Runout 843930013548 B EC IM (1218935) 01010205
Matrix / Runout 843930013548 C EC IM (1218936) 01010101
Matrix / Runout 843930013548 D EC IM (1218937) 01010109
Rights Society BMI
Rights Society GMR
Rights Society ASCAP
Rights Society PRS/ASCAP

Copyright (c) Big Machine Records, LLC
Phonographic Copyright (p) Big Machine Records, LLC
Distributed By Universal Music Distribution
Copyright (c) Sony/ATV Tree Publishing
Copyright (c) Taylor Swift Music
Copyright (c) Write Me A Song Publishing
Copyright (c) MXM
Copyright (c) Wolf Cousins
Copyright (c) Warner/Chappell Music Scandinavia AB
Copyright (c) Sony/ATV Songs LLC
Copyright (c) Ducky Donath Music
Copyright (c) Megaphonic Ltd
Recorded At Conway Studios
Recorded At MXM Studios
Recorded At Jungle City Studios
Recorded At Lamby's House Studios
Recorded At Studio Elevator Nobody
Recorded At Pain In The Art Studio
Recorded At The Hideaway Studio
Edited At Studio Elevator Nobody
Mixed At MixStar Studios
Produced For MXM Productions
Produced For Wolf Cousins Productions
Published By Kobalt Songs Music Publishing, Inc.
Published By Wolf Cousins
Published By Warner/Chappell Music Scandinavia AB

Data provided by Discogs

RELEASE DATE: 2023

LABEL: Big Machine Records

843930013548

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.