Usher - 8701 (CD) (NM or M-, VG+)

$12.00 CAD

  • Usher : 8701 (Album)
  • Usher : 8701 (Album)
  • Usher : 8701 (Album)
$12.00 CAD
$12.00 CAD
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Usher - 8701 (CD) (NM or M-, VG+)

Usher - 8701 (CD) (NM or M-, VG+)

  • Album

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: CD is in NM condition. Plays without issue. Includes insert booklet. Australian import pressing.

DESCRIPTION & TRACKLIST

Usher - 8701 

Album

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Very Good Plus (VG+)

Condition Details: CD is in NM condition. Plays without issue. Includes insert booklet. Australian import pressing.
 

RELEASE DATE: 30 Jul 2001

DESCRIPTION

Tracks 1, 10 Published by UR IV Music/EMI-April Music, Inc. (ASCAP) Produced for US Productions Co-produced/vocals arranged for Flyte Tyme Productions, Inc. Recorded & mixed at The Hit Factory, NYC Track 2 Published by Smooth C. Publishing/Butterman's Land (BMI)/Guccizm Music/Universal Publishing (ASCAP) Produced for Butterman Productions Inc./ByStorm Ent. (Edmund "Eddie Hustle" Clement) & for Flyte Tyme Productions, Inc. (Jimmy Jam & Terry Lewis) Recorded at Stankonia Recording Studios, Atlanta, GA & Tree Sound Studios, Norcross, GA Mixed at Larrabee Sound North, Universal City, CA Track 3 Published by Waters Of The Nazareth Publishing/EMI Blackwood Music Inc. (BMI)/Drayton Gross publishing designee Recorded at The Record Plant, LA, CA Mixed for No Question Entertainment/Loreal Management at Right Track Recording, NYC All instruments arranged & performed for The Neptunes P. Diddy appears courtesy of Bad Boy Records Pharrell Williams & Chad Hugo appear courtesy of Virgin Records America, Inc. Track 4 Published by UR IV Music/EMI-April Music, Inc/Flyte Tyme Tunes/EMI-April Music, Inc. (ASCAP) Produced & arranged for Flyte Tyme Productions, Inc. Recorded & mixed at Flyte Tyme Studios, Edina, MN Stokley of Mint Condition appears courtesy of Elektra Entertainment Group Tracks 5, 16 Published by UR IV Music/EMI-April Music, Inc./So So Def/EMI-April Music, Inc. (ASCAP)/Babyboy's Little Publishing Co./Noontime South (SESAC) Produced for So So Def Productions, Inc. Co-produced for Blackbaby, Inc./Noontime Music, Inc. Recorded/mixed at SouthSide Studios, Atlanta, GA Track 6 Published by UR IV Music/EMI-April Music, Inc./Shak'em Down Music/Hitco South/Kandacy Music, Inc./Air Control Music, Inc./EMI-April Music, Inc. (ASCAP) Produced/all instruments/midi & sound for She'kspere Productions Recorded for She'kspere Productions (She'kspere) at Triangle Sound Studio, Atlanta, GA Mixed at Chung King Studios, NYC Additional programming for Boob Tube Productions, in association with She'kspere Productions Vocal production for She'kspere Productions (She'kspere) Track 7 Published by UR IV Music/EMI-April Music, Inc. (ASCAP)/ECAF Music, Inc./Sony/ATV Songs, LLC (BMI)/So So Def/EMI-April Music, Inc. (ASCAP)/Babyboy's Little Publishing/Noontime South (SESAC)/Big Poppa Music, Justin Combs Publishing, adm. by EMI-April Music, Inc./B Mo EZ Publishing, adm. by EMI-April Music, Inc. (ASCAP)/Saja Music Co./Songs of Lastrada/Rubber Band Music (BMI) Produced for So So Def Productions, Inc. Co-produced for Blackbaby, Inc./Noontime Music, Inc. Recorded at Brandon's Way Studio, LA, CA Mixed at SouthSide Studios, Atlanta, GA Contains excerpts from "Going Back To Cali", written by C. Wallace, O. Harvey & R. Troutman, published by Big Poppa Music, Justin Combs Publishing, adm. by EMI-April Music, Inc./B Mo EZ Publishing, adm. by EMI-April Music, Inc. (ASCAP)/Saja Music Co./Songs of Lastrada/Rubber Band Music (BMI). Contains samples of "Going Back To Cali", performed by The Notorious B.I.G., used courtesy of Arista Records, Inc. Jermaine Dupri appears courtesy of So So Def Recordings, Inc./Columbia Records Tracks 8, 15 Published by UR IV Music/EMI-April Music, Inc./So So Def/EMI-April Music, Inc. (ASCAP)/Babyboy's Little Publishing Co./Noontime South (SESAC) Produced for So So Def Productions, Inc. Co-produced for Blackbaby Music/Noontime Music, Inc. Recorded/mixed at SouthSide Studios, Atlanta, GA Jermaine Dupri appears courtesy of So So Def Recordings, Inc./Columbia Records Track 9 Published by Waters Of The Nazareth Publishing/EMI-Blackwood Music Inc. (BMI) Recorded at The Record Plant, LA, CA Mixed for No Question Entertainment/Loreal Management at Right Track Recording, NYC & Criteria, Miami, FL All instruments arranged & performed for The Neptunes Pharrell Williams & Chad Hugo appear courtesy of Virgin Records America, Inc. Kelis appears courtesy of Virgin Records America, Inc. Track 11 Published by UR IV Music/EMI-April Music, Inc/Flyte Tyme Tunes/EMI-April Music, Inc. (ASCAP) Produced & arranged for Flyte Tyme Productions, Inc. Recorded at The Record Plant, LA & Flyte Tyme Studios, Edina, MN Mixed at Flyte Tyme Studios, Edina, MN Track 12 Published by UR IV Music/EMI-April Music, Inc/Flyte Tyme Tunes/EMI-April Music, Inc. (ASCAP) Produced & arranged for Flyte Tyme Productions, Inc. Co-produced for Flyte Tyme Productions, Inc. Recorded & mixed at Flyte Tyme Studios, Edina, MN Stokley of Mint Condition appears courtesy of Elektra Entertainment Group Track 13 Published by Mike City Music (BMI) Produced for Unsung Entertainment, Inc./Beat Brokas, Inc. Recorded at Hitland Studios, Alpharetta, GA Mixed at The Mix Room, Burbank, CA Track 14 Published by So So Def/EMI-April Music, Inc./UR IV Music/EMI-April Music, Inc. (ASCAP)/Babyboy's Little Publishing Co./Noontime South (SESAC) Produced for So So Def Productions, Inc. Co-produced for Blackbaby Music, Inc./Noontime Music, Inc. Recorded/mixed at SouthSide Studios, Atlanta, GA Track 17 Published by UR IV Music/EMI-April Music, Inc/PYJ Publishing (ASCAP)/The Hit Catalog (BMI) Produced & arranged for Flyte Tyme Productions, Inc. (Jimmy Jam & Terry Lewis), for DPS Productions, Inc. (Daron Jones) & for Chyna Skye Entertainment, Inc. (Cedric Moore) Recorded at Hitland Studio, Atlanta, GA, The Record Plant, LA, CA & Flyte Tyme Studios, Edina, MN Mixed at Flyte Tyme Studios, Edina, MN Mastered for PM Entertainment at Hit Factory Mastering ℗ 2000, 2001 © 2000 Arista Records, Inc. Distributed by BMG Australia Limited, a unit of BMG Entertainment. Made in Australia.

TRACKLIST

1. Intro-Lude 8701 0:45
2. U Remind Me 4:27
3. I Don't Know 4:27
4. Twork It Out 4:58
5. U Got It Bad 4:13
6. Pop Ya Collar 3:39
7. If I Want To 3:53
8. I Can't Let U Go 3:35
9. U Don't Have To Call 4:42
10. Without U (Interlude) 0:56
11. Can U Help Me 5:51
12. How Do I Say 6:23
13. Hottest Thing 3:50
14. Good Ol' Ghetto 4:01
15. U-Turn 3:12
16. T.T.P. 3:38
17. Separated 4:24

LABEL: Arista

Barcode and Other Identifiers:

Barcode 0743218747120
Barcode 7 43218 74712 0

 

Phonographic Copyright (p) Arista Records, Inc.
Copyright (c) Arista Records, Inc.
Made By SSD
Distributed By BMG Australia Limited
Record Company BMG Entertainment
Published By UR IV Music
Published By EMI April Music Inc.
Produced For U.S. Productions
Produced For Flyte Tyme Productions, Inc.
Recorded At The Hit Factory
Mixed At The Hit Factory
Published By Smooth C Publishing
Published By Butterman's Land
Published By Guccizm Music
Published By Universal Publishing
Produced For Butterman Productions Inc.
Produced For Bystorm Entertainment
Recorded At Stankonia Recording
Recorded At Tree Sound Studios
Mixed At Larrabee North
Published By Waters Of Nazareth Publishing
Published By EMI Blackwood Music Inc.
Recorded At Record Plant, Los Angeles
Mixed At Right Track Recording
Published By Flyte Tyme Tunes
Recorded At Flyte Tyme Studios
Mixed At Flyte Tyme Studios
Published By So So Def
Published By Babyboy's Little Publishing Company
Published By Noontime South
Produced For So So Def Productions, Inc.
Produced For Blackbaby, Inc.
Produced For Noontime Music, Inc.
Recorded At SouthSide Studios
Mixed At SouthSide Studios
Published By Shak'em Down Music
Published By Hitco South
Published By Kandacy Music, Inc.
Published By Air Control Music, Inc.
Produced For She'kspere Productions
Recorded At Triangle Sound Studios
Mixed At Chung King Studios
Published By ECAF Music Inc.
Published By Sony/ATV Songs LLC
Published By Babyboy's Little Publishing
Published By Big Poppa Music
Published By Justin Combs Publishing
Published By B Mo EZ Publishing
Published By Saja Music Co.
Published By Songs Of Lastrada
Published By Rubber Band Music
Recorded At Brandon's Way Recording
Produced For Blackbaby Music
Mixed At Criteria Recording Studios
Published By Mike City Music
Produced For Unsung Entertainment, Inc.
Produced For Beat Brokas, Inc.
Recorded At Hitland Studio
Mixed At The Mix Room
Produced For Blackbaby Music, Inc.
Published By PYJ Publishing
Published By The Hit Catalog
Produced For DPS Productions, Inc.
Produced For Chyna Skye Entertainment, Inc.
Mastered At Hit Factory Mastering

Data provided by Discogs

RELEASE DATE: 30 Jul 2001

LABEL: Arista

0743218747120

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.