Various - America Is Dying Slowly (Vinyl) (VG+, VG+)

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Various - America Is Dying Slowly (Vinyl) (VG+, VG+)

Various - America Is Dying Slowly (Vinyl) (VG+, VG+)

  • LP
  • Compilation
  • Stereo

MEDIA CONDITION: Very Good Plus (VG+)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: Records are in VG+ condition, minimal use. Sleeve is still in shrink wrap with hype sticker.

DESCRIPTION & TRACKLIST

DESCRIPTION

Created and developed by Grace Harry

A1: Recorded at Paul's Coffee Shop, L.I. and Sorcerer Studios, NYC. Mixed at Sorcerer Sound, New York.
A2: Recorded and mixed at Greene Street Recording, New York.
A3: Engineered at Chung King Recording Studios, Inc. and Battery Studios, New York.
A4: Recorded at Curtom Recording Studio, Tree Sound Recording Studio & Bosstown Recording Studio. Mixed at Bosstown Recording Studio.
B1: Recorded at Skip Saylor Recording, Los Angeles.
B2: Recorded at Jiame Workshop, San Antonio, TX.
B3: Recorded in New York City at Platinum Island Recording Studios, Unique Recording Studios and Battery Studios.
B4: Recorded in New York City at Unique Recording Studios.
C1: Recorded and mixed at Spark Studio.
C2: Recorded at United Technique. Mixed at Chicago Recording Company.
C3: Recorded at Unique Recording Studios, Inc.
C4: Recorded at Platinum Island. Mixed at Battery Studios.
D1: Recorded at Battery Studios.
D2: Recorded at Soundtrack Recording Studios. Additional recording at Chung King Recording Studios. Mixed at The Crackhouse.
D3: Recorded at Blue Palm Studios. Mixed at Skip Saylor Recording Studio.
D4: Recorded at Let's Do This Studio, Seattle, WA. All interviews edited at Bellevue Bound Sounds.

This is the eighth in a series of AIDS awareness
and fundraising projects by The Red Hot Organization.

A1 contains elements of "Just Rhymin' With The Biz" by Biz Markie and "Christmas Is Coming" by James Brown
B2 contains a sample of "Cell Therapy" performed by Goodie Mob
B4 contains a sample of "Suite Revenge" written and performed by Herbie Hancock
C2 contains a sample of "J Beez Comin' Through" performed by the Jungle Brothers and a sample of "Rising To The Top" performed by Keni Burke
C4 contains a sample from "Fence Walk" by Mandrill And The Wilson Brothers
D1 contains a sample of "Glamour & Glitz" by A Tribe Called Quest and a sample of "Love & Affection" by Ike White

TRACKLIST

A1. Biz Markie, Chubb Rock, Prince Paul - No Rubber, No Backstage Pass 3:27
A2. Pete Rock, Lost Boyz - The Yearn 4:33
A3. Wu-Tang Clan - America 5:34
A4. Goodie Mob, Big Rube - Blood 6:05
B1. Coolio - I Breaks Em Off 3:27
B2. Eightball & M.J.G. - Listen To Me Now 5:42
B3. Mobb Deep, L.E.S., ACD - Street Life 4:34
B4. Money Boss Players - Games 2:39
C1. Spice 1, Celly Cel, 187 Fac, Ant Banks, Gangsta P - Check Ya Self 6:10
C2. Common, Sean Lett - (Lately) I've Been Thinking 3:10
C3. Organized Konfusion - Decisions 3:54
C4. De La Soul, Da Beatminerz - The Hustle 3:53
D1. O.C., Buckwild - What I Represent 4:27
D2. Sadat X, Fat Joe, Diamond D - (Stay Away From The) Nasty Hoes 3:35
D3. Domino - Sport That Raincoat 3:47
D4. Mac Mall - Suckas P.H. 4:26

Barcode and Other Identifiers:

Barcode 075596192514
Barcode 0 7559-61925-1 4
Matrix / Runout ST-E 61925-1A
Matrix / Runout ST-E 61925-1B
Matrix / Runout ST-E 61925-1C
Matrix / Runout ST-E 61925-1D
Matrix / Runout 61925-A-1 [SRC logo]
Matrix / Runout ST-ED-61925-B-2 [SRC logo]
Matrix / Runout [SRC logo] 61925-C 1
Matrix / Runout 61925-D1 [SRC logo]
Pressing Plant ID SRC

Phonographic Copyright (p) The Red Hot Organization
Copyright (c) The Red Hot Organization
Distributed By Elektra Entertainment Group
Distributed By WEA International Inc.
Mastered At Sterling Sound
Manufactured By Atlantic Recording Corporation
Record Company Time Warner
Pressed By Specialty Records Corporation
Produced For Soul Brother Number 1 Productions
Produced For Wu-Tang Productions
Produced For Total Package Productions
Produced For Diggin' In The Crates Productions
Produced For Ghetto Jam Productions
Produced For Winetime Productions
Recorded At Paul's Coffee Shop
Recorded At Greene St. Recording
Recorded At Chung King Studios
Recorded At Tree Sound Studios
Recorded At Curtom Recording Studio
Recorded At Bosstown Recording Studios
Recorded At Skip Saylor Recording
Recorded At Jiame Workshop
Recorded At Platinum Island Studios
Recorded At Unique Recording
Recorded At Battery Studios, New York
Recorded At Spark Studio, Oakland, CA
Recorded At United Technique Recording
Recorded At Soundtrack Studios
Recorded At Blue Palm Studios
Recorded At Let's Do This Studio
Mixed At Sorcerer Sound
Mixed At Greene St. Recording
Mixed At Bosstown Recording Studios
Mixed At Spark Studio, Oakland, CA
Mixed At Chicago Recording Company
Mixed At Battery Studios, New York
Mixed At Crackhouse Studios
Mixed At Skip Saylor Recording
Engineered At Chung King Studios
Engineered At Battery Studios, New York
Published By Biz Markie Music
Published By Getaloadoffatso Music
Published By Prinse Pawl Musick
Published By Pete Rock Publishing
Published By L.B. Fam Publishing
Published By Romecca Publishing
Published By Wu-Tang Publishing
Published By GZA Music Publishing
Published By Death To The Fakers Music
Published By Goodie Mob Music, Inc.
Published By Organized Noize Music
Published By Stiff Shirt Music, Inc.
Published By Boo Daddy Music
Published By T-boy Music, Inc
Published By Wino Funk Music
Published By Money-N-The-Pocket
Published By Juvenile Hell Music
Published By Mawkeens Music
Published By Old Nigga Spirituals
Published By Celly Cel Publishing
Published By No Love Music
Published By Zomba Music Publishing
Published By Stress Mode Music
Published By Medicine Men Publishing
Published By Daisy Age Music
Published By Tee Girl Music
Published By Shades Of Brooklyn
Published By Organismz Music
Published By Still Diggin' Music, Inc.
Published By BMG Songs
Published By Dusty Fingers Music
Published By Tex Gram Music
Published By Joseph Cartegena Music
Published By Chrysalis Music
Published By Ghetto Jam Music
Published By All Intit Music
Published By Overkill Publishing
Published By Winetime Music

Data provided by Discogs

RELEASE DATE: 1996

LABEL: EastWest and EastWest Records

075596192514

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.