Various - Home Alive - The Art Of Self Defense (CD) (NM or M-, VG+)

$8.00 CAD

  • Various : Home Alive - The Art Of Self Defense (Compilation)
  • Various : Home Alive - The Art Of Self Defense (Compilation)
  • Various : Home Alive - The Art Of Self Defense (Compilation)
  • Various : Home Alive - The Art Of Self Defense (Compilation)
  • Various : Home Alive - The Art Of Self Defense (Compilation)
$8.00 CAD
$8.00 CAD
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Various - Home Alive - The Art Of Self Defense (CD) (NM or M-, VG+)

Various - Home Alive - The Art Of Self Defense (CD) (NM or M-, VG+)

  • Compilation

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: CDs are in NM condition. Plays without issue. Includes insert booklet.

DESCRIPTION & TRACKLIST

Various - Home Alive - The Art Of Self Defense 

Compilation

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Very Good Plus (VG+)

Condition Details: CDs are in NM condition. Plays without issue. Includes insert booklet.
 

RELEASE DATE: 20 Feb 1996

DESCRIPTION

"All artists, writers, and musicians donated their time and talent to this project. The profits from the sale of this cd go to Home Alive, a non-profit collective dedicated to offering affordable self-defense training, personal safety resources and awareness about how to resist violence." Mastered at Masterdisk, NYC Volume 1 Track 1 excerpt from "Experts" from the album 'Beyond The Valley Of The Gift Police', Alternative Tentacles Records. Jello Biafra appears courtesy of Alternative Tentacles Records. © 1994 Maim That tune, Unltd. (BMI) Track 2 recorded at Word of Mouth. © 1995 Flanary/Colfelt/Mitchell Track 3 recorded at Hanzsek Audio, Seattle, WA. Fastbacks appear courtesy of Sub Pop. © 1981 Sparta Florida Music Group Ltd. Track 4 from the album 'Enter The Conquering Chicken', C/Z Records. The Gits appear courtesy of C/Z Records. © 1994 Fishheadhotdog Burrito Music (ASCAP). Track 5 recorded at John & Stu's Place, Seattle, WA. Green Apple Quick Step appears courtesy of The Medicine Label. © 1995 Warner-Tamerlane Publishing Corp./Alien Religion Music/Nordic Viking War Songs/Spider Girl Songs/Home Chicken Music/Back In Brown Music (BMI) All rights adm. by Warner-Tamerlane Publishing Corp. Track 6 from 'Fear Of Dreaming' by Jim Carroll, published by Penguin Books, used by permission from William Morris Agency. Recorded at Context Studios, NYC. © 1995 Dr. Benway Music Inc. and B. O'Cult Songs, Inc. (ASCAP) Track 7 recorded at House of Leisure, Seattle, WA. © 1995 Barnes/Bradley/Williams/Williams/Cole Track 8 recorded live February 18, 1994 at Le Summum, Grenoble, France. Nirvana appears courtesy of DGC Records. © 1993 EMI/Virgin Songs, Inc./The End of Music (BMI) Track 9 recorded at House of Leisure, Seattle, WA. Mixed at the Ranch, Seattle, WA. © 1995 Storm Track 10 from the album 'La Mano Cornuda', Sub Pop. Recorded at Egg Studios, Seattle, WA. Supersuckers appear courtesy of Sub Pop © 1995 Chrysalis Music/Muscle Car Music (BMI) Track 11 from the album 'Fist City', Alternative Tentacles Records. Recorded at House of Faith. Tribe 8 appears courtesy of Alternative Tentacles Records. © 1995 Maim That Tune Untld. (BMI) Track 12 recorded live at the Weathered Wall. © 1995 Miller Track 13 "In Tribute High Numbers" Recorded at Litho Studios, Seattle, WA. © 1963 Stone Agate Music (BMI) Track 14 recorded at The Ranch. 7 Year Bitch appears courtesy of Atlantic Records. © 1995 The Heathen Temptress (ASCAP) Track 15 recorded at Low Blood Studios. © 1995 Hall/Scarpantoni/Forte Track 16 from the documentary film 'Power of the Word', produced and directed by Jeanne Harco. © 1995 Forsaken Songs (BMI) admin. by BUG Music (BMI) Track 17 recorded at The Ranch, Seattle, WA. © 1995 Feel The Sting (ASCAP) Track 18 recorded at Avast! Recording Co., Seattle, WA. © 1995 Pas Palapatas (ASCAP) Track 19 recorded at Radioactive. The Posies appear courtesy of DGC Records. © 1995 BMG Songs, Inc. & Number 23 Songs (ASCAP)/Careers-BMG Music Publishing, Inc. & Fastmilk Music (BMI) Track 20 recorded at House of Leisure, Seattle, WA. © 1995 Linehan Robinson Track 21 recorded after hours at COCA. Jesse Bernstein appears courtesy of Trigger Recordings and the Estate of Steven J. Bernstein © 1995 Bernstein Track 22 recorded at House of Leisure, Seattle, WA. © 1995 Ainsworth/Ropkins Track 23 recorded live at the Weathered Wall. Michael Nichols appears courtesy of Fairhaven College. © 1995 Nichols Volume 2 Track 1 recorded at Egg Studios, Seattle, WA. The Presidents Of The United States Of America appear courtesy of Popllama/Columbia Records. © 1995 Raw Poo Music & David M. Dederer Publishing/EMI Music Publishing (ASCAP) Track 2 recorded at Studio 57, Woodinville, WA. Ann & Nancy Wilson appear courtesy of Capitol Records. © 1995 Strange Euphoria Music/Know Music/Spodie Music (ASCAP) Track 3 from 'Virtual Unreality' by Exene Cervenka, published by 2.13.61 Publishing. Recorded at Dickerson Studios, Chatworth, CA. Track 4 recorded at the Weathered Wall. © 1921 EMI Feist Catalog Inc. (ASCAP) Track 5 from the album 'Enter The Conquering Chicken', C/Z Records. Recorded live at the OK Hotel, November 1991. Mia Zapata appears courtesy of C/Z Records. © 1994 Fishheadhotdog Burrito Music (ASCAP) Track 6 © 1995 Jacobson Track 7 recorded at House of Leisure, Seattle, WA. Catfood appears courtesy of St. Francis Records. © 1995 Westover/Clayton/Henschen Track 8 recorded at Avast! Recording Co., Seattle, WA; Music Palace, Homestead, NY; Studio Works, Island Park, NY; RKCNDY, Seattle, WA. Mixed at Studio Works, Island Park, NY. Joan Jett appears courtesy of Blackheart/Warner Bros. Records. Kathleen Hanna appears courtesy of Kill Rock Stars. The Blackhearts and Kenny Laguna appear courtesy of Blackheart Records. Matt Dresdner, Steve Moriarty and Joe Spleen appear courtesy of Revenge Records. © 1995 EMI Virgin Songs, Inc.,/Lagunatic Music & Filmworks/House of Odin Music (BMI) Track 9 recorded at Love Studios, Seattle, WA. © 1995 Horwitz Track 10 recorded at Avast! Recording Co., Seattle, WA. Kristen Barry appears courtesy of Virgin Records America, Inc. Ben Shepherd and Matt Cameron appear courtesy of A&M Records, Inc. © 1995 EMI/Virgin Music Inc./Luliel Music (ASCAP) Track 11 recorded at Avast! Recording Co., Seattle, WA. Mixed at Bad Animals, Seattle, WA. Soundgarden appears courtesy of A&M Records, Inc. © 1994, 1995 In One Ear And Out Your Mother Music (ASCAP)/You Make Me Sick I Make Music (ASCAP) Track 12 recorded at Home. © 1995 Matik/Fence Track 13 from the album 'Powerline', Revenge Records. Recorded at Avast! Recording Co., Seattle, WA. © 1995 Dancing French Fries of '48/French Vengeance (ASCAP) Track 14 recorded at House of Leisure, Seattle, WA. © 1995 Monirob Music (ASCAP) Track 15 recorded at House of Leisure, Seattle, WA. © 1995 Kosmas Track 16 recorded at Egg Studios, Seattle, WA. Love Battery appear courtesy of Polydor/Atlas Records. © 1995 PolyGram International Publishing Inc./Excellent Main Street Music (ASCAP) Track 17 recorded at Avast! Recording Co., Seattle, WA. Alcohol Funnycar appears courtesy of C/Z Records. © 1995 Ethylene Music (ASCAP) Track 18 recorded at House of Leisure, Seattle, WA. © 1995 Paris/Rogers/Dunsmore/Cunneen Track 19 recorded at House of Leisure, Seattle, WA. Portrait of Poverty appears courtesy of Mother Records. © 1995 Del VIA (ASCAP) Track 20 © 1995 Murchie Track 21 recorded at House of Leisure, Seattle, WA. Mixed at Stepping Stone Studio, Seattle, WA. © 1995 Lane/Heiser/Milstead/Westerholm/Eifert/Durrill/Miller Track 22 recorded at Music Source, Seattle, WA. Contains sample of "The Drinking Song" from 'Enter The Conquering Chicken', C/Z Records, © 1994 Fishheadhotdog Burrito Music (ASCAP). © 1995 Streps & Rotors (ASCAP)

TRACKLIST

. Volume 1
1-1. Jello Biafra - Rob Now Pay Later 0:49
1-2. Shark Chum - W.C. 1:44
1-3. Fastbacks - Time & Matter 2:38
1-4. The Gits (2) - Guilt Within Your Head 2:27
1-5. Green Apple Quick Step - Party Dream 3:46
1-6. Jim Carroll - Nightclubbing 1:52
1-7. Monster Truck Driver - Time Is Dead 2:04
1-8. Nirvana - Radio Friendly Unit Shifter (Live) 4:25
1-9. Cristien Storm - I'm Sorry 2:13
1-10. Supersuckers - She's My Bitch 1:43
1-11. Tribe 8 - Frat Pig 3:45
1-12. Bobby Miller (3) - Keep Your Mouth Off My Sisters 2:10
1-13. Pearl Jam - Leaving Here 2:53
1-14. 7 Year Bitch - Mad Dash 2:17
1-15. The Body Has A Head - A Little Restraint 1:22
1-16. Lydia Lunch - Why We Murder 3:12
1-17. Los Hornets - Dig It! 1:25
1-18. Gretta Harley - Digging & Striking 3:34
1-19. The Posies - Limitless Expressions 4:04
1-20. Martha Linehan - Mary's Poem 4:36
1-21. Steven Jesse Bernstein - It's Just A Little Bit Of Everything (That's Brought Me Down To This) 5:08
1-22. North American Bison - Broken Dreams 5:00
1-23. Michael Nichols - Sensitive Guys Don't Go Home Alone 1:51
. Volume 2
2-1. The Presidents Of The United States Of America - Confusion 2:45
2-2. Ann & Nancy Wilson - Momma Why 6:13
2-3. Exene Cervenka - They Do Everything For Us 1:18
2-4. The VIVA Project - My Man 4:21
2-5. Mia Zapata - Social Love 2:40
2-6. Natalie Jacobson - Got What Was Coming 3:25
2-7. Catfood - Bruises 3:01
2-8. Joan Jett & The Blackhearts, Kathleen Hanna, Evil Stig - Go Home (Seattle Version) 2:34
2-9. Andrew Horwitz - 4th Of July 3:04
2-10. Kristen Barry - Joyride 4:38
2-11. Soundgarden - Kyle Petty (Son Of Richard) 4:07
2-12. Wendy-O Matik - Theory Of Mutation 1:46
2-13. Dancing French Liberals Of '48 - Spit In Your Eye 2:55
2-14. Maria Mabra - So Long 3:19
2-15. Kristen Kosmas - Untitled 3:07
2-16. Love Battery - Color Blind 3:13
2-17. Alcohol Funnycar - Overtaken 3:16
2-18. Tamara Paris - Scared Of Your Shadow 3:31
2-19. Portrait Of Poverty - Say So Long 2:15
2-20. Alison I. Murchie - Another Beer Soaked Night At The Comet Tavern 1:34
2-21. ¡TchKunG! - Solidarity 2:44
2-22. Christdriver - Clean Eyes 3:21

LABEL: Epic

Barcode and Other Identifiers:

Barcode 0 7464-67486-2 6
Other EK 67487
Matrix / Runout E2 1A EK67487 01
Mastering SID Code IFPI L422
Mould SID Code IFPI 7287
Other DIDP 088049
Other EK 67487
Matrix / Runout E2 1A EK67487 01
Mastering SID Code IFPI L422
Mould SID Code IFPI 7227
Other DIDP 088049
Other EK 67488
Matrix / Runout E1 1A EK67488 06
Mastering SID Code IFPI L421
Mould SID Code IFPI 7225
Other DIDP 088050
Other EK 67488
Matrix / Runout E3 1A EK67488 03
Mastering SID Code IFPI L423
Mould SID Code IFPI 7277
Other DIDP 088050

 

Copyright (c) Sony Music Entertainment Inc.
Phonographic Copyright (p) Sony Music Entertainment Inc.
Manufactured By Epic
Glass Mastered At Sony Music, Pitman

Data provided by Discogs

RELEASE DATE: 20 Feb 1996

LABEL: Epic

074646748626

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.