Various - Men In Black (The Album) (CD) (NM or M-, VG+)

$6.00 CAD

  • Various : Men In Black (The Album) (Album,Compilation,Stereo)
  • Various : Men In Black (The Album) (Album,Compilation,Stereo)
  • Various : Men In Black (The Album) (Album,Compilation,Stereo)
  • Various : Men In Black (The Album) (Album,Compilation,Stereo)
$6.00 CAD
$6.00 CAD
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Various - Men In Black (The Album) (CD) (NM or M-, VG+)

Various - Men In Black (The Album) (CD) (NM or M-, VG+)

  • Album
  • Compilation
  • Stereo

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: CD is in NM condition. Plays without issue. Includes insert booklet.

DESCRIPTION & TRACKLIST

DESCRIPTION

Packaged in a clear jewel case with a clear disc tray.

Mixed at Powers House Of Sound Studios, New York, NY
Manufactured by Columbia Records

"Men In Black"
• Published by New Columbia Pictures Music, Inc., administered by Sony/ATV Tunes LLC / Treyball Music / Baby Fingers Music / Yamina Music (ASCAP) / Freddie Dee Music (BMI)
• Produced for Track Masters Entertainment
• Recorded & mixed at The Hit Factory, New York, NY, & Pacifique Studios, Los Angeles, CA
• Features a sample from "Forget Me Nots" (Patrice Rushen, Terry McFadden & Fred Washington), published by Baby Fingers Music / Yamina Music (ASCAP) / Freddie Dee Music (BMI), performed by Patrice Rushen, courtesy of Elektra Entertainment Group, by arrangement with Warner Special Products, Inc.  Used By Permission & All Rights Reserved
℗ 1997 Columbia Pictures Industries, Inc.

"We Just Wanna Party With You"
• Published by So So Def / EMI April Music / SUGE Publishing / WB Music Corp. (ASCAP) / Warner-Tamerlane Publishing Corp. (BMI)
• Produced for So So Def Productions
• Recorded at Krosswire Studios & Larrabee Studios, West Hollywood, CA
• Mixed at Studio Lacoco, Atlanta, GA
• Contains portions of "Get Down On It" (R. Bell, J. Taylor, G. Brown, R. Bell, C. Smith, R. Mickens, E. Deodato), published by Warner-Tamerlane Publishing Copr. (BMI) / WB Music Cop. (ASCAP), performed by Kool & The Gang, under license from PolyGram Special Markets, a Division of PolyGram Group Distribution, Inc. Used By Permission & All Rights Reserved
℗ 1997 Sony Music Entertainment, Inc.

"I'm Feelin' You"
• Published by Mook-Papa Music, administered by Zomba Enterprises, Inc. (ASCAP)
• Produced for Souf Coast Productions & Intelligent Music Inc.
• Recorded at Que Recordings, MD
• Mixed at Parc Recordings, Orlando, FL
℗ 1997 Sony Music Entertainment, Inc.

"Dah Dee Dah (Sexy Thing)"
• Published by Lellow Music Publishings / EMI Music Publishings (ASCAP) / I Declare Music / Sony/ATV Songs LLC (BMI)
• Produced for DBI Productions, Inc.
• Recorded at Horizon Studios, Washington, D.C.
• Mixed at Sony Music Studios, New York, NY
℗ 1997 Sony Music Entertainment, Inc.

"Just Cruisin'"
• Published by Treyball Music / Ill Will Music / Jobete Music Co., Inc. (ASCAP)
• Produced for Track Masters Entertainment
• Recorded & mixed at The Hit Factory Studios, New York, NY
• Contains a sample of "I'm Back For More" (Kenneth Stover) published by Jobete Music Co, Inc. (ASCAP), performed by Al Johnson, courtesy of Sony Music Entertainment, Inc. Used By Permission & All Rights Reserved 
℗ 1997 Columbia Pictures Industries, Inc.

"The 'Notic"
• Published by Grand Megaz Music / Careers-BMG Music Publishing, Inc. (BMI) / Jajapo Music / EMI-April Music, Inc. (ASCAP)
• Mixed for For Stray Dog Music, Inc. & For Underground Lunatics
• Contains replayed elements from "Shining Star" (Larry Dunn, Maurice White, & Philip Bailey), published EMI-April Music, Inc. (ASCAP) Used By Permission & All Rights Reserved
℗ 1997 Geffen Records, Inc.

"Make You Happy"
• Published by Smitty Son Music / Sony/ATV LLC (ASCAP) / Croon Tunes Publishing / Sony/ATV LLC / Rye Songs / Cori-Tiffani Publishing / Sony/ATV LLC (BMI)
• Recorded at The Hit Factory Studios, New York, NY; Crave Studios, NY; and Doppler Studios, Atlanta, GA
• Mixed at Crave Studios, NY
℗ 1997 Sony Music Entertainment, Inc.

"Escobar '97"
• Published by Ill Will Music / Slam u well Productions / Jelly's James, LLC / Dandy Ditty's (ASCAP) / 12 & Under Music / Jumping Bean Songs, LLC (BMI)
• Produced for Track Masters Entertainment
• Recorded at Doppler Studios, Atlanta, GA
• Mix engineered at The Hit Factory, New York, NY
• Contains a sample of "I'll Move You No Mountain" (Jerry Ragovoy & Aaron Schroeder) published by Dandy's Ditty (ASCAP), performed by The Love Unlimited Orchestra, under license from PolyGram Special Markets, a Division of PolyGram Group Distribution, Inc. Used By Permission & All Rights Reserved
℗ 1997 Sony Music Entertainment, Inc.

"Erotik City"
• Published by UP/NXT Music (BMI)
• Recorded & mixed at UP/NXT Studios, Los Angeles, CA
℗ 1997 Sony Music Entertainment, Inc.

"Same Ol' Thing"
• Published by Zomba Enterprises, Inc. / Jazz Merchant Music & administered by Zomba Enterprises, Inc. (ASCAP)
• Recording engineered at Battery Studios, New York, NY
• Mix engineered at Soundtrack Studios, New York, NY
• Contains a sample of "Miles Beyond" (J. McLaughlin) performed by The Mahavishnu Orchestra, under license from Warner-Tamerlane Publishing Corporation on behalf of itself and Basque Music, Inc. (BMI), used courtesy of Sony Music Entertainment, Inc.Used By Permission & All Rights Reserved
℗ 1997 Zomba Recording Corp.

"Killing Time"
• Published by Tony Toné Toni Music / PolyGram Music Publishing (ASCAP) / Soul Finga Muzic (BMI)
• Recorded at House Of Music & Pajama Studios, Oakland, CA
• Mixed at Coast Recording, San Francisco, CA
℗ 1997 Sony Music Entertainment, Inc.

"Waiting For Love"
• Published by Irving Music, Inc. / Nu Soul Music (BMI)
• Mixed at Aire LA Studios, Los Angeles, CA
℗ 1997 Sony Music Entertainment, Inc.

"Chanel No. Fever"
• Published by Daisy Age Music (BMI)
• Recorded & mixed at Battery Studios, New York, NY

"Some Cow Fonque (More Tea, Vicar?)"
• Published by Steeplone (ASCAP)
• Recorded at Sony Music Studios & Signet Sound Studio, Los Angeles, CA; Ocean Way Recording, Inc., Hollywood, CA; The Process Recording Studios, Inc., Greensboro, NC
• Mixed at Signet Sound Studio, Los Angeles, CA
℗ 1994 Sony Music Entertainment, Inc.

"M.I.B. Main Theme"
• Published by Colpix Music, Inc. & administered by Sony/ATV LLc (BMI)
℗ 1997 Sony Music Entertainment, Inc.

"M.I.B. Closing Theme"
• Published by Colpix Music, Inc. & administered by Sony/ATV LLc (BMI)
℗ 1997 Sony Music Entertainment, Inc.

3T appears courtesy of MJJ Music
Tichina Arnold appears courtesy of Will Smith Enterprises, Inc
A Tribe Called Quest appears courtesy of Jive Records
Erykah Badu appears courtesy of Kedar Entertainment / Universal Records
Coko appears courtesy of RCA Records
D'Angelo appears courtesy of EMI Records
De La Soul appears courtesy of Tommy Boy Music
Jermaine Dupri appears courtesy of So So Def Recordings
Emoja appears courtesy of WUT/NXT Records
Ginuwine appears courtesy of 550 Music
Alicia Keys appears courtesy of M.B.K. / Columbia Records
Trey Lornez appears courtesy of So So Def Recordings
James Poyser appears courtesy of "Tu-Bubber"
The Roots appear courtesy of DGC Records
Snoop Doggy Dogg appears courtesy of Death Row / Interscope Records

© 1997 Sony Music Entertainment, Inc.

TRACKLIST

1. Will Smith - Men In Black 3:45
2. Snoop Dogg - We Just Wanna Party With You 4:33
3. Ginuwine - I'm Feelin' You 4:40
4. Alicia Keys - Dah Dee Dah (Sexy Thing) 4:11
5. Will Smith - Just Cruisin' 3:59
6. The Roots - The 'Notic 5:21
7. Trey Lorenz - Make You Happy 4:06
8. Nas - Escobar '97 3:32
9. Emoja - Erotik City 4:34
10. A Tribe Called Quest - Same Ol' Thing 4:27
11. Destiny's Child - Killing Time 5:07
12. 3T - Waiting For Love 3:48
13. De La Soul - Chanel No. Fever 3:23
14. Buckshot LeFonque - Some Cow Fonque (More Tea, Vicar?) 5:10
15. Danny Elfman - M.I.B. Main Theme 2:58
16. Danny Elfman - M.I.B. Closing Theme 2:38

Barcode and Other Identifiers:

Barcode 0 7464-68169-2 9
Barcode 074646816929
Matrix / Runout CTDP-000093 F3 1C 14
Matrix / Runout CTDP-000093 F3 1C 09
Matrix / Runout CTDP-000093 F3 1C 19
Matrix / Runout CTDP-000093 F3 1C 14
Mastering SID Code IFPI L423
Mould SID Code IFPI 7281
Mould SID Code IFPI 7206
Mould SID Code IFPI 7210
Mould SID Code IFPI 7240
Pressing Plant ID P 94
Pressing Plant ID P 96
Pressing Plant ID P 137
Pressing Plant ID P 103

Copyright (c) Columbia Pictures Industries, Inc.
Copyright (c) Sony Music Entertainment Inc.
Phonographic Copyright (p) Sony Music Entertainment Inc.
Manufactured By Columbia Records
Glass Mastered At DADC
Pressed By DADC, Pitman

Data provided by Discogs

RELEASE DATE: 1997

LABEL: Columbia and Sony Music Soundtrax

074646816929

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.