Various - Paint It, Blue - Songs Of The Rolling Stones (CD) (NM or M-, VG+)

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Various - Paint It, Blue - Songs Of The Rolling Stones (CD) (NM or M-, VG+)

Various - Paint It, Blue - Songs Of The Rolling Stones (CD) (NM or M-, VG+)

  • HDCD

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: CD is in NM condition. Plays without issue. Includes insert booklet.

DESCRIPTION & TRACKLIST

Various - Paint It, Blue - Songs Of The Rolling Stones 

HDCD

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Very Good Plus (VG+)

Condition Details: CD is in NM condition. Plays without issue. Includes insert booklet.
 

RELEASE DATE: 1997

DESCRIPTION

This recording is dedicated to the memory of two great blues legends who recently left us - Luther Allison and Johnny Copeland. The tracks by Luther Allison and Johnny Copeland were the last performances recorded by these blues greats. Includes 20 page booklet with a page of notes on each performer. Track 1 recorded July 3 and 7, mixed July 7, 1997 at Ardent Studios, Memphis, Tennessee. Track 2 recorded June 12, 1997 at Chung King Studios, New York City. Track 3 recorded June 17, 1997 at Chicago Recording Corp, Chicago, IL. Track 4 recorded June 16, 1997 at Chicago Recording Corp., Chicago, IL. Additional recording on July 16, 1997 at Sound-on-Sound Recording Studio, New York City. Track 5 recorded July 25, 1997 at BMG Studios, New York City. Track 6 recorded June 27, 1997 at Russian Hill Recording, San Francisco. Track 7 recorded July 16, 1997 at Dockside Studios, Maurice, LA. Track 8 recorded June 20, 1997 at Chung King Studios, New York City. Track 9 recorded March 13, 1997 at PR Music, Detroit, MI. Track 10 recorded June 30, 1997 at the Village Recorder, Los Angeles, CA. Additional recording July 16, 1997 at Sound-on-Sound Studios, New York City, and July 25, 1997 at BMG Studios, New York City. Track 11 recorded June 16, 1997 at Chicago Recording Corp., Chicago, IL. Additional recording July 16, 1997 at Sound-on-Sound Recording Studio, New York City. Track 12 recorded June 27, 1997 at Russian Hill Recording, San Francisco. Track 13 recorded July 11, 1997 at Russian Hill Recording, San Francisco, CA.

TRACKLIST

1. Luther Allison - You Can't Always Get What You Want 4:37
2. Johnny Copeland - Tumblin' Dice 4:15
3. Junior Wells - (I Can't Get No) Satisfaction 6:30
4. Otis Clay - Wild Horses 4:40
5. Taj Mahal - Honky Tonk Women 6:12
6. Alvin Youngblood Hart - Sway 6:12
7. Clarence "Gatemouth" Brown - Ventilator Blues 4:46
8. The Holmes Brothers - Beast Of Burden 4:46
9. Lucky Peterson - Under My Thumb 4:22
10. Bobby Womack - It's All Over Now 3:14
11. Larry McCray - Midnight Rambler 4:19
12. Joe Louis Walker - Heart Of Stone 5:54
13. Alvin Youngblood Hart - Moonlight Mile 4:28

LABEL: House Of Blues

Barcode and Other Identifiers:

Barcode 751416131528
Barcode 7 51416-1315-2 8
Matrix / Runout :MASTERED: :BY NIMBUS: 5141613152 :·:
Mastering SID Code IFPI L125
Mould SID Code IFPI 2413
Mould SID Code IFPI 2431

 

Phonographic Copyright (p) Platinum Entertainment, Inc.
Copyright (c) Platinum Entertainment, Inc.
Record Company House Of Blues Music Company
Distributed By PolyGram Group Distribution
Recorded At Ardent Studios
Mixed At BMG Studios
Mastered At BMG Studios
Mixed At Ardent Studios
Recorded At Chung King Studios
Recorded At Chicago Recording Company
Recorded At Sound On Sound, New York
Recorded At BMG Studios
Recorded At Russian Hill Recording
Recorded At Dockside Studio
Recorded At PR Music (3)
Recorded At The Village Recorder
Glass Mastered At Nimbus

Data provided by Discogs

RELEASE DATE: 1997

LABEL: House Of Blues

751416131528

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.