Various - Scream 2 (Music From The Dimension Motion Picture) (CD) (NM or M-, VG+)

$7.00 CAD

  • Various : Scream 2 (Music From The Dimension Motion Picture) (Compilation)
  • Various : Scream 2 (Music From The Dimension Motion Picture) (Compilation)
$7.00 CAD
$7.00 CAD
Shipping calculated at checkout.

Various - Scream 2 (Music From The Dimension Motion Picture) (CD) (NM or M-, VG+)

Various - Scream 2 (Music From The Dimension Motion Picture) (CD) (NM or M-, VG+)

  • Compilation

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: CD is in NM condition. Plays without issue. Includes insert booklet.

DESCRIPTION & TRACKLIST

DESCRIPTION

Track 1 produced for Beats by the Pound. Published by Big P Music (BMI). Courtesy of No Limit Records.
Track 2 published by Daddy X Music (BMI)/EMI Virgin Music (ASCAP).
Track 3 recorded at Image Recording. Published by Sugar Ray/McG/Warner-Tamerlane Publishing Corp. (BMI). Courtesy of Lava/Atlantic Recording Corporation. ℗1997 Atlantic Recording Corporation
Track 4 mixed and recorded at Electric Lady Studios, N.Y.C. Mastered at Powers House of Sound, N.Y. Published by Controversy Music (admin. by WB Music Corp.) (ASCAP). Rapheal Saadiq appears courtesy of Mercury Records. ?uestlove appears courtesy of Geffen Records.
Track 5 produced at The Plant Recording Studio, Sausalito, CA. Published by Colden Grey, Ltd. (ASCAP). Courtesy of The RCA Records Label. ℗1997 BMG Entertainment
Track 6 engineered and mixed at A&M Studios, Los Angeles, CA. Recorded at Triclops Recording, Atlanta, GA. Published by Sugarfuzz Music, Inc. (admin. by Warner-Tamerlane Publishing Corp.) (BMI). Courtesy of Atlantic Recording Corporation. ℗1997 Atlantic Recording Corporation
Track 7 studio: R.P.M. Published by Walden Music, Inc./Cauldron Music (admin. by WB Music Corp.) (ASCAP)
Track 8 recorded at Grand Master Recorders, Ltd., Hollywood, CA. Mixed at Skip Saylor Recorders, Los Angeles, CA. Mastered at Gateway Mastering, Portland, ME. Published by M.J.-Twelve Music (BMI). Courtesy of Roswell Records, Inc. ℗1997 Roswell Records, Inc.
Track 9 recorded at Woodland Studios, Nashville, TN. Published by EMI Blackwood Music Inc./Crazy Owl Music (BMI). Courtesy of Polydor Records, a PolyGram company. ℗1997 PolyGram Records, Inc.
Track 10 published by Evergleam Music/Montalupis Music/Commongreen Music/Irving Music (admin. by Irving Music, Inc.) (BMI).
Track 11 recorded at Mirror Image, Gainesville, FL. Published by Screen Gems-EMI Music (BMI).
Track 12 published ©1996 Almo Music Corp. and Sexy Grandpa Music (ASCAP)/Longitude Music Co. and Faux Music (BMI) (all rights admin. by Almo Music Corp. on behalf of Sexy Grandpa Music for the world). Courtesy of Dreamworks Records, under license from Universal Music Special Markets. ℗1996 SKG Music LLC
Track 13 published by Longitude dba Dying Art Music Ltd. o/b/o Mute Songs. Courtesy of Mute Records Ltd. U.K. By arrangement with Warner Special Products. ℗1994 Mute Records U.K. Ltd.
Track 14 produced for Red Eye Records. Mixed at Pasifique Studios. Recorded at Soundcastle Studios, Hollywood, CA. Published by T Smoov Music/Big Slim Music (ASCAP). Courtesy of Red Eye/Priority Records. ℗1997 Priority Records LLC.
Track 15 published by Ear2000 (ASCAP).

TRACKLIST

1. Master P, Silkk The Shocker - Scream 3:30
2. Kottonmouth Kings - Suburban Life 3:35
3. Sugar Ray (2) - Rivers 2:51
4. D'Angelo - She's Always In My Hair 6:19
5. Dave Matthews Band - Help Myself 4:31
6. Collective Soul - She Said 4:51
7. The Jon Spencer Blues Explosion - Right Place Wrong Time 3:17
8. Foo Fighters - Dear Lover 4:33
9. Tonic (2) - Eyes Of Sand 4:17
10. Everclear - The Swing 3:00
11. Less Than Jake - I Think I Love You 2:03
12. Eels - Your Lucky Day In Hell 4:26
13. Nick Cave & The Bad Seeds - Red Right Hand 8:23
14. R. Kelly - One More Chance 4:13
15. Ear2000 - The Race 2:19

Barcode and Other Identifiers:

Barcode 7 2438-21911-2 4
ASIN B000002TLV
Mastering SID Code IFPI L043
Mould SID Code ifpi 1621
Mould SID Code ifpi 165D
Mould SID Code ifpi 1639
Mould SID Code ifpi 1675
Matrix / Runout 724 382191124RE1 1-1-6 MASTERED BY EMI MFG.
Matrix / Runout 724 382191124RE1 1-1-20 MASTERED BY EMI MFG.
Matrix / Runout 724 382191124RE1 1-1-4 MASTERED BY EMI MFG.
Matrix / Runout 724 382191124RE1 1-1-16 MASTERED BY EMI MFG.

Licensed From Universal Music Special Markets
Manufactured By Capitol Records, Inc.
Phonographic Copyright (p) Capitol Records, Inc.
Phonographic Copyright (p) Miramax Film Corp.
Phonographic Copyright (p) Atlantic Recording Corporation
Phonographic Copyright (p) BMG Entertainment
Phonographic Copyright (p) Mute Records Ltd.
Phonographic Copyright (p) PolyGram Records, Inc.
Phonographic Copyright (p) Priority Records LLC
Phonographic Copyright (p) Roswell Records, Inc.
Phonographic Copyright (p) SKG Music LLC
Copyright (c) Miramax Film Corp.
Published By Almo Music Corp.
Published By Big P Music
Published By Big Slim Music
Published By Cauldron Music (2)
Published By Colden Grey, Ltd.
Published By Commongreen Music
Published By Controversy Music
Published By Crazy Owl Music
Published By Daddy X Music
Published By Dying Art Ltd.
Published By Ear2000
Published By EMI Blackwood Music Inc.
Published By EMI Virgin Music
Published By Evergleam Music
Published By Faux Music
Published By Irving Music
Published By Irving Music, Inc.
Published By Longitude Music Co.
Published By M.J. Twelve Music
Published By McG (2)
Published By Montalupis Music
Published By Mute Song
Published By Sexy Grandpa Music
Published By Screen Gems-EMI Music
Published By Sugar Ray
Published By Sugarfuzz Music, Inc.
Published By T Smoov Music
Published By Walden Music Inc.
Published By Warner-Tamerlane Publishing Corp.
Published By WB Music Corp.
Recorded At Electric Lady Studios
Recorded At Grandmaster Recorders
Recorded At Image Recording Studios
Recorded At Mirror Image Studios, Gainesville, FL
Recorded At RPM Studios
Recorded At Soundcastle
Recorded At Triclops Recording
Recorded At Woodland Studios
Engineered At A&M Studios
Produced At Record Plant, Sausalito
Mixed At A&M Studios
Mixed At Electric Lady Studios
Mixed At Pacifique Studios
Mixed At Skip Saylor Recording
Mastered At Capitol Mastering
Mastered At Gateway Mastering
Mastered At Powers House Of Sound
Glass Mastered At EMI MFG.
Produced For Beats By The Pound
Produced For Red Eye Records

Data provided by Discogs

RELEASE DATE: 18 Nov 1997

LABEL: Capitol Records

724382191124

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.