Various - Sing It High, Sing It Low: Tumbleweed Records 1971-1973 (Vinyl) (NM or M-, NM or M-)

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Various - Sing It High, Sing It Low: Tumbleweed Records 1971-1973 (Vinyl) (NM or M-, NM or M-)

Various - Sing It High, Sing It Low: Tumbleweed Records 1971-1973 (Vinyl) (NM or M-, NM or M-)

  • LP
  • Compilation

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Near Mint (NM or M-)

DETAILS: Record and sleeve are in NM condition. Minimal use. Sleeve is still in shrink wrap.

DESCRIPTION & TRACKLIST

DESCRIPTION

This is the black vinyl version.
Here the 3-color vinyl version: [r=10338470

comes with 12-page booklet.

From the Obi Strip: 
"In 1971, ABC-Dunhill label men Larry Ray and Bill Szymczyk fled an earthquake and a debauched LA music scene to claim their own slice of utopia in Denver, Colorado.  In Denver, they realized their dreams of an "artist-oriented" label and settle on the name Tumbleweed Records.  Through industry connections they secured multi-million dollar financing from Gulf + Western, whose head honchos believed they were bankrolling the hippie movement's next big thing.
But instead of producing the next Janis or Jimi, Ray and Szymczyk turned their sights on idiosyncratic wunderkinds like Peter McCabe, moody songwriters Robb Kunkel and Danny Holien, astral cowboy Arthur Gee, while launching the career of Michael Stanley and providing a platorm for more established artists like Albert Collins and Dewey Terry.
It was the best of times, it was the worst of times, and, per Szymczyk, it was a "bitchin' disco time".  Drugs, parties, poetry, celebrities, money - Tumbleweed had it all, except airplay and distribution.  Two years after its storied start, the label was finished.  So begins a major reappraisal of Tumbleweed's catalog by bringing these songs out of the shadow of the Rocky Mountains and back into the spotlight."

TRACKLIST

A1. Danny Holien - Colorado
A2. Dewey Terry - Sweet As Spring
A3. Robb Kunkel - Turn Of The Century
A4. Arthur Gee-Whizz Band - Sunday Sherry
A5. Michael Stanley - Rosewood Bitters
B1. Dewey Terry - Do On My Fee (What I Did In The Street)
B2. Danny Holien - Hick
B3. Arthur Gee - Plain Talk
B4. Robb Kunkel - Abyss
B5. Pete McCabe - Late Letter

Barcode and Other Identifiers:

Barcode 826853015417

Lacquer Cut At Golden Mastering

Data provided by Discogs

RELEASE DATE: 2017

LABEL: Light In The Attic

826853015417

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.