Who, The - The Kids Are Alright (DVD) (VG+, VG+)

$13.00 CAD

  • Who, The : The Kids Are Alright (DVD-Video,NTSC,Reissue)
  • Who, The : The Kids Are Alright (DVD-Video,NTSC,Reissue)
  • Who, The : The Kids Are Alright (DVD-Video,NTSC,Reissue)
  • Who, The : The Kids Are Alright (DVD-Video,NTSC,Reissue)
  • Who, The : The Kids Are Alright (DVD-Video,NTSC,Reissue)
$13.00 CAD
$13.00 CAD
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Who, The - The Kids Are Alright (DVD) (VG+, VG+)

Who, The - The Kids Are Alright (DVD) (VG+, VG+)

  • DVD-Video
  • NTSC
  • Reissue

MEDIA CONDITION: Very Good Plus (VG+)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: Minor signs of use. Plays without issues.

DESCRIPTION & TRACKLIST

DESCRIPTION

Special DVD Edition
"Rockumentary" film about the English rock band The Who, including live performances, promotional films, and interviews from 1965 to 1978.

<b>Reel One<font size=1>
Locations, Dates and Programs</b>
<b>Track 1:</b> Smothers Brothers Comedy Hour, CBS Studios, Los Angeles, September 15, 1967.
<b>Track 2:</b> Shindig!, Twickenham Film Studios, Middlesex, August 3, 1965.  Broadcast in the US, October 2.
<b>Track 3:</b> Russell Harty Plus, Londond Weekend Television, South Bank, London, January 3, 1973.
<b>Track 4:</b> B Stage, Shepperton Film Studios, Middlesex, May 25, 1978.
<b>Track 5:</b> The Fifth National Jazz and Blues Festival, Richmond Athletic Grounds, Surrey, August 6, 1965.
<b>Track 6:</b> Russell Harty Plus, LWT, South Bank, London, January 3, 1973.
<b>Track 7:</b> The Londond Coliseum, Covent Garden, London, December 14, 1969.
<b>Track 8:</b> 2nd House, BBC 2, BBC Televison Centre, Shepherds Bush, London, August 29, 1974.
<b>Track 9:</b> 8mm Film, Music Hall, Donston, Massachusetts, August 6, 1968.
<b>Track 10a:</b> Keith's Home, Malibu, California, August 12, 1977.
<b>Track 10b:</b> The Pleasure Chest, Los Angeles, August 10, 1977.
<b>Track 10c:</b> Russell Harty, LWT, Sound Bank, London, March 27, 1975.
<b>Track 11:</b> Beat Club, Radio Bremen Studios, Hamburg, Germany, August 26 and 28, 1969 (Audio pre-recorded).
<b>Track 12:</b> Keith's Home, Malibu, California, August 12, 1977.
<b>Track 13:</b> Woodstock Music and Art Fair, Bethel, New York, August 17, 1969.
<b>Track 14:</b> Beat Club, Radio Bremen, Hamburg, Germany, August 26 or 28, 1969.
<b>Track 15:</b> Woodstock Music and Art Fair, Bethel, New York, August 17, 1969.
<b>Track 16:</b> 2nd House, BBC 2, BBC Televison Centre, Shepherds Bush, London, August 29, 1974.
<b>Track 17:</b> Woodstock Music and Art Fair, Bethel, New York, August 17, 1969.
<b>Track 18:</b> Ready, Steady, Go!, Studio 1, Rediffusion Television Studios, Empire Way, Wembley, July 1, 1965.
<b>Track 19:</b>Russell Harty Plus, LWT, South Bank, London, January 3, 1973.
<b>Track 20:</b> John;s home, Stow-on-the-Wold, Gloucestershire, January 5-6, 1978 (audio pre-recorded).
<b>Track 21:</b> A Whole Scene Going, BBC 1, Studio 7, BBC Television Centre, London, January 5, 1966.
<b>Track 22a:</b> Promotional video, rented studio, Covent Garden, London, March 21, 1966 (audio pre-recorded).
<b>Track 22b:</b> Berat Club, Fernsehstudio, Osterholz, Germany, April 19, 1967 (audio pre-recorded).
<b>Track 22c:</b>Beat Club, Radio Bremen Studios, Bremen Germany, October 7, 1968 (audio pre-recorded).
<b>Track 23:</b> New Arction Ltd, Caroline House, 6 Chesterfield Gardens, Mayfair, London, December 19, 1966 (audio pre-recorded).
<b>Track 24a:</b> Roger's ome, Burwash, Sussex, September 1971.
<b>Track 24b:</b> 2nd House, BBC 2, BBC Television Centre, London, August 29, 1974.
<b>Track 25:</b> The Rolling Stones Rock'n'Roll Curcus, Stonebridge Park Studios, Wembley, London, December 10, 1968.
<b>Track 26a:</b> Roger's home, Burwash, Sussex, September 1971.
<b>Track 26b:</b> A Whole Scene Going, BBC 1, Studio 7, BBC Television Centre, London, January 5, 1966.
<b>Track 27:</b> Keith's Home, Malibu, California, August 12, 1977.
<b>Track 28:</b> Promotional film for "Call Me Lightning", Hollywood, California, February 27, 1968.
<b>Track 29:</b> Russell Harty Plus, LWT, South Bank, London, January 3, 1973.
<b>Track 30:</b> Keith's home, Malubu, California, Augst 12, 1977.
<b>Track 31:</b> Tonight, BBC 1, Pete's home, Twickenham, Middlesex, October 1977.
<b>Track 32:</b> Woodstock Music and Art Fair, Bethel, New York, August 17, 1969.
<b>Track 33:</b> J Stage, Shepperton Film Studios, Middlesex, Jaly 21, 1977.
<b>Track 34:</b> Metropolitan Stadium, Pontiac, Michigan, December 6, 1975.
<b>Track 35a:</b> Where The Action Is, ABC-TV, Pete's flat, Wardour Street, Soho, London, June 21, 1966.
<b>Track 35b:</b> Shepperton Film Studios, Middlesex, July 21, 1977.
<b>Track 36a:</b> Russell Harty Plus, LWT, South Bank, London, January 3, 1973.
<b>Track 36b:</b> A Whole Scene Going, BBC 1, BBC Television Centre, London, January 5, 1966.
<b>Track 36c:</b> Gaumont State Theatre, Kilburn, London, December 15, 1977.
<b>Track 36d:</b> Stow-on-the-Wold, Gloucestershire, January 5-6, 1978 (audio pre-recorded).
<b>Track 36e:</b> All You Need Is Love, LWT, Keith's home, Sherma Oask, California, September 1975.
<b>Track 36f:</b> Tonight, BBC 1, Pete's home, Twickenham, Middlesex, October 1977.
<b>Track 37:</b> Promotional video, Ramport Studios, Battersea, London, May 9, 1978.
<b>Track 38:</b> Russell Harty Plus, LWT, South Bank, London, January 3, 1973.
<b>Track 39:</b> Monterey International Pop Festival, Monterey, California, June 18, 1967.
<b>Track 40a:</b> John's home, Stow-on-the-Wold, Gloucestershire, January 5-6, 1978.
<b>Track 40b:</b> Shepperton Studios, 1977.
<b>Track 40c:</b> Roger's home, Burwash, Sussex, September 1971.
<b>Track 40d:</b> Tonight, BBC 1, Pete's home, Twickenham, Middlesex, October, 1977.
<b>Track 41:</b> B Stage, Shepperton Film Studios, Middlesex, May 25, 1978.
<b>Track 42:</b> Audio pre-recorded.
<b>Track 43:</b> Audio pre-recorded.</font>
<b>Reel Two</b><font size=1>
In addition to the footage listed below in the tracklisting, the second DVD features two quizes:
1. Pure & Easy: A Warm Up For The Casual Fan.
2. It's Hard: 21 Correct Answers Wins The Prize.

© 1979 The Who Group limited.
© 2003 Pioneer Entertainment (USA) Inc.
</font>

Easter Egg :  To hear " Who Are You " in 5.1, go to Disc 2, Choose "It's Hard," click left arrow 6 times.

TRACKLIST

. Reel One
1-1. My Generation 5:35
1-2. I Can't Explain 2:28
1-3. Russell Harty Plus 0:59
1-4. Baba O'Riley 5:28
1-5. Shout And Shimmy 2:09
1-6. Russell Harty Plus 1:06
1-7. Young Man Blues 3:46
1-8. Pete Townshend 1:11
1-9. Keith Moon 0:27
1-10a. Ringo Starr 0:23
1-10b. Keith 0:26
1-10c. Ken Russell 0:25
1-11. Tommy, Can You Hear Me? 1:34
1-12. Ringo And Keith 0:34
1-13. Pinball Wizard 2:30
1-14. Pete 0:48
1-15. See Me, Feel Me 5:23
1-16. Pete 35:12
1-17. My Generation (Conclusion) 2:18
1-18. Anyway, Anyhow, Anywhere 3:02
1-19. The Who 0:30
1-20. Success Story 1:33
1-21. Pete 0:35
1-22a. Substitute 0:31
1-22b. Pictures Of Lily 0:23
1-22c. Magic Bus 3:51
1-23. Happy Jack 2:39
1-24a. Pete 1:42
1-25. A Quick One, While He's Away 7:36
1-26a. Pete (With Beard) 0:35
1-26b. Pete (Without Beard) 0:12
1-27. Keith And Ringo 0:46
1-28. Cobwebs And Strange 2:38
1-29. The Who 1:29
1-30. Keith And Ringo 0:40
1-31. Pete 0:44
1-32. Sparks 4:48
1-33. Barbara Ann 2:54
1-34. Road Runner / My Generation Blues 5:26
1-35a. Pete 0:36
1-35b. Pete And Keith 0:34
1-36a. The Who 0:47
1-36b. Pete 0:08
1-36c. Pete With Guitar 0:13
1-36d. John 0:08
1-36e. Keith 0:21
1-36f. Pete 0:07
1-37. Who Are You 5:09
1-38. The Who 1:12
1-39. My Generation 3:52
1-40a. John 0:04
1-40b. Roger 0:12
1-40c. Keith 0:04
1-40d. Pete 0:33
1-41. Won't Get Fooled Again 9:06
1-42. Long Live Rock (Original End Credits) 4:01
1-43. The Rids Are Alright (Restoration End Credits) 1:25
. Reel Two
2-1. Miricle Cure: Restoring The Film For DVD 40:26
2-2. Getting In Tune: Audio Showdown 6:13
2-3. Trick Of The Light: Picture Showdown 5:05
2-4a. The Ox: An IsolatedTrack Of John's Bass Feed (Baba O'Riley 6:42
2-4b. The Ox: An IsolatedTrack Of John's Bass Feed (Won't Get Fooled Again 11:39
2-5. The Who's London: Tour Of Important Who Places In London 8:44
2-6. Behind Blue Eyes: Q&A With Roger Daltrey 25:38
2-7a. Anytime You Want Me: Multiple Camera Angles (Baba O'Riley) 6:42
2-7b. Anytime You Want Me: Multiple Camera Angles (Won't Get Fooled Again) 11:39
2-8. See My Way: Q&A With Jeff Stein 29:33

Barcode and Other Identifiers:

Barcode 0 13023 21039 4
Matrix / Runout P01129 1 5005512.9.A0.A09 [deluxe (R)/AR logo]
Mastering SID Code IFPI LT16
Matrix / Runout P01129-1 5005513.9.A1.A02 [deluxe (R)/AR logo]
Mastering SID Code IFPI LT12
Mould SID Code IFPI UR05
Other DELUXE/AR
Mould SID Code IFPI UR04
Other DELUXE/AR
Matrix / Runout P01129 2 5005514.9.A0.A02 [deluxe (R)/AR logo]
Mastering SID Code IFPI LT17
Matrix / Runout P01129-2 5005515.9.A1.A01 [deluxe (R)/CA logo]
Mastering SID Code IFPI LT16
Mould SID Code IFPI UR33
Other DELUXE/AR

Copyright (c) Pioneer Entertainment (USA) Inc.
Filmed At Twickenham Film Studios
Filmed At Shepperton Studios
Filmed At National Jazz & Blues Festival, Richmond
Filmed At London Coliseum
Filmed At Boston Music Hall
Filmed At Beat-Club
Filmed At Woodstock Festival
Filmed At Ready Steady Go! (2)
Filmed At Pontiac Silverdome
Filmed At Monterey Pop Festival

Data provided by Discogs

RELEASE DATE: 30 Sep 2003

LABEL: Pioneer (3)

013023210394

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.