ABBA - The Best Of ABBA (CD) (VG+, VG+)

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ABBA - The Best Of ABBA (CD) (VG+, VG+)

ABBA - The Best Of ABBA (CD) (VG+, VG+)

  • Compilation
  • Remastered

MEDIA CONDITION: Very Good Plus (VG+)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: CD is in VG+ condition. Plays without issue. Includes insert booklet.

DESCRIPTION & TRACKLIST

DESCRIPTION

On the innerring of the CD is mentioned:
℗ 2000 POLAR MUSIC INTERNATIONAL AB © 2000 UNIVERSAL RECORDS, a Division of UMG Recordings, Inc. 314 543 948-2

CD Insert text:

Only a handful of acts in the history of popular music have scaled the lofty heights of worldwide renown that characterized the overwhelming success of the Swedish supergroup ABBA.

They dominated the 1970s with a string of chart-topping singles and platinum-selling albums that showcased one of the most infectious sounds ever captured on record. Some considered their music to be the apotheosis of "bubblegum pop," but there's no denying that ABBA's masterful blend of beguiling melodies, beautiful harmony singing and flawless studio production resulted in performances with daunting commercial appeal (in 982 they were Sweden's single largest earner of foreign currency!). In addition to transcending international borders, their music performed the even more impressive feat of bridging the generation gap, and devoted fans of all ages eagerly snapped up each new release and flocked to their elaborately choreographed concerts. Today, nearly two decades after their breakup, ABBA's mystique doesn't merely endure. It continues to grow.

  The name ABBA is an acronym using the first initials of four performers who were already well established in the music business before they ever came together as a group. In the '60s, Benny Anderson played piano and sang with a popular Swedish beat group known as the Hep Stars. Toward decade's end, he struck up a songwriting partnership with Bjorn Ulvaeus, who played guitar and sang with a folk group called the Hootenanny Singers. Both men landed jobs as house producers at Polar Records, an outfit owned by songwriter Stig Anderson (whose mentoring would later make him ABBA's "fifth member'). In 1970, they recorded an album together that featured background vocals by their respective romantic partners. Bjorn was involved with Agnetha Fältskog, who'd enjoyed a number one Swedish pop hit as a solo artist in 1968. Benny was seeing Anni-Fried Lyngstad (who later went by 'Frida'). She was born in Norway but had been performing on the Swedish pop scene as a vocalist since her early teenage years.

The foursome formed a quartet with the uninspiring name of Bjorn, Benny, Agnetha & Frida. In 1973 they entered the annual Eurovision song contest and placed third. The following year they returned as ABBA and won the competition with their performance of "Waterloo." The group decided to write and sing their material in English in order to maximize their impact in the lucrative U.S. and British markets (they would eventually record their hits in a variety of languages for different audiences). "Waterloo," the title track of their debut album, became a top ten hit throughout Europe and earned ABBA a deal with Atlantic in the U.S., where the single rose to #6. Their self-titled second album yielded massive hits with "SOS," "l Do, I Do, I Do, I Do, I Do" and "Mamma Mia," songs that topped the charts in many countries (and were all top forty hits in the U.S.). Benny and Bjorn penned all of the group's major successes, which were relentlessly sunny and upbeat. The appeal of their romantic ballads was heightened by the fact that both couples within the group eventually married, though they subsequently divorced.

ABBA was disappointed that their impact in America hadn't quite measured up to the rapturous reception accorded them elsewhere in the world, but in 1976 they finally managed to capture the top spot on the U.S. charts with their recording of the disco era anthem "Dancing Queen." They nearly replicated this achievement Two years later when "Take A Chance On Me" went to #3. In 1978 they enjoyed international success with the film ABBA — The Movie, and by the dawn of the '80s there few worlds left for the group to conquer. In 1980 they scored their last U.S. top ten hit with "The Winner Take All," which also topped the adult contemporary chart. ABBA made its final live appearance at a concert in Stockholm in 1982 and had informally disbanded by the end of the year.

—	Joseph F. Laredo

TRACKLIST

1. Waterloo 2:45
2. SOS 3:23
3. I Do, I Do, I Do, I Do, I Do 3:17
4. Mamma Mia 3:34
5. Fernando 4:15
6. Dancing Queen 3:52
7. Knowing Me, Knowing You 4:03
8. The Name Of The Game 4:01
9. Take A Chance On Me 4:05
10. Chiquitita 5:28
11. The Winner Takes It All 4:53

Barcode and Other Identifiers:

Barcode 731454394826
Barcode 7 31454 39482 6
Other MADE IN USA BY UML
Matrix / Runout 314 543 9482 01@ R
Mastering SID Code IFPI L006
Mould SID Code IFPI 0345
Matrix / Runout 314 543 9482 01@ W
Mastering SID Code IFPI L006
Mould SID Code IFPI 0382

Phonographic Copyright (p) Polar Music International AB
Copyright (c) Universal Records
Distributed By Universal Music & Video Distribution, Inc.
Mastered At Universal Mastering Studios
Made By UML

Data provided by Discogs

RELEASE DATE: 26 Sep 2000

LABEL: Polydor

731454394826

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.