Aimee Mann - Magnolia - Music From The Motion Picture (CD) (NM or M-, VG+)

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Aimee Mann - Magnolia - Music From The Motion Picture (CD) (NM or M-, VG+)

Aimee Mann - Magnolia - Music From The Motion Picture (CD) (NM or M-, VG+)

  • Compilation

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: CD is in VG+ condition. Plays without issue. Includes insert booklet.

DESCRIPTION & TRACKLIST

Aimee Mann - Magnolia - Music From The Motion Picture 

Compilation

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Very Good Plus (VG+)

Condition Details: CD is in VG+ condition. Plays without issue. Includes insert booklet.
 

RELEASE DATE: 07 Dec 1999

DESCRIPTION

Track 1 recorded at Q Division and Konk Studios. Track 2 recorded at Q Division. Track 3 recorded at Q Division, Bearsville and MixThis! Track 4 recorded at Q Division and Mad Dog Studios. Tracks 6, 7, 9 recorded at Mad Dog Studios. Track 8 recorded at Audities. 1. ©1968 (Renewed) Golden Series Music BMI. Recorded at Q Division and Konk Studios. 2. ©1994 Aimee Mann ASCAP. Recorded at Q Division. 3. ©1990 Aimee Mann ASCAP/You Can't Take It With You ASCAP. Recorded at Q Division, Bearsville, and MixThis! Assisted at MixThis! 4. ©1999 Aimee Mann ASCAP. Recorded at and Mad Dog Studios. 5. ©1999 Aimee Mann ASCAP/Monotune Musak ASCAP. 6. ©1999 Aimee Mann ASCAP. Recorded at Mad Dog Studios. 7. Aimee Mann ASCAP. Recorded at Mad Dog Studios. 8. ©1996 Aimee Mann ASCAP. Recorded at Audities. Courtesy of DGC Records. Under license from Universal Music Special Markets. As featured in the Tristar motion pictured "Jerry Maguire". ℗1996 DGC Records. 9. ©1999 Aimee Mann ASCAP. Recorded at Mad Dog Studios. 10. ©1979 Almo Music Corp. and Delicate ASCAP. Almo Music Corp. ASCAP administers on behalf of Delicate Music for the world. Courtesy of A&M. Under license from Universal Music Special Markets. ℗1979 A&M Records, Inc. 11. ©1979 Almo Music Corp. and Delicate ASCAP. Almo Music Corp. ASCAP administers on behalf of Delicate Music for the world. Courtesy of A&M. Under license from Universal Music Special Markets. ℗1979 A&M Records, Inc. 12. Zomba Enterprises Inc. ASCAP/SPZ Music Inc. BMI. Mixed at Maison Rouge. Courtesy of Go! Beat Records. Under license from Universal Music Special Markets. The copyright in this sound recording is owned by Go Discs Ltd. ©1993 Go Discs Ltd. ℗1993 Go Discs Ltd. 13. ℗1999 New Line Productions, Inc. Michael Penn appears courtesy of Epic Records. Jon Brion appears courtesy of his own free will. ©℗1999 Reprise Records, a Time Warner Company. Motion Picture Artwork, TM & Copyright ©1999 New Line Productions, Inc. Matrix variant 4 has two mother stamper codes, M1S1 and M1S2, crossed out with a series of "X's".

TRACKLIST

1. Aimee Mann - One 2:53
2. Aimee Mann - Momentum 3:27
3. Aimee Mann - Build That Wall 4:25
4. Aimee Mann - Deathly 5:28
5. Aimee Mann - Driving Sideways 3:47
6. Aimee Mann - You Do 3:41
7. Aimee Mann - Nothing Is Good Enough (Instrumental) 3:10
8. Aimee Mann - Wise Up 3:31
9. Aimee Mann - Save Me 4:35
10. Supertramp - Goodbye Stranger 5:50
11. Supertramp - Logical Song 4:07
12. Gabrielle - Dreams 3:43
13. Jon Brion - Magnolia 2:12

LABEL: Reprise Records

Barcode and Other Identifiers:

Barcode 0 9362-47583-2 7
Barcode 093624758327
Rights Society BMI
Rights Society ASCAP
Matrix / Runout [wea mfg. OLYPHANT logo] Y10018 1 47583-2 02 M1S8
Mastering SID Code ifpi L903
Mould SID Code IFPI 2U7H
Matrix / Runout [wea mfg. OLYPHANT logo] Y10018 1 47583-2 02 M1S11
Mastering SID Code ifpi L903
Mould SID Code IFPI 2U3M
Matrix / Runout [wea mfg. OLYPHANT logo] Y10018 1 47583-2 02 M1S6
Mastering SID Code ifpi L903
Mould SID Code IFPI 2U4U
Matrix / Runout [wea mfg. OLYPHANT logo] Y10018 1 47583-2 02 XXXX XXXX M1S4
Mastering SID Code ifpi L903
Mould SID Code IFPI 2U2Y
Matrix / Runout [wea mfg. OLYPHANT logo] Y10018 1 47583-2 02 M1S9
Mastering SID Code ifpi L903
Mould SID Code IFPI 2U3I

 

Record Company Time Warner
Phonographic Copyright (p) Reprise Records
Copyright (c) Reprise Records
Copyright (c) Aimee Mann
Phonographic Copyright (p) New Line Productions, Inc.
Copyright (c) New Line Productions, Inc.
Phonographic Copyright (p) A&M Records, Inc.
Phonographic Copyright (p) Go! Discs Ltd.
Copyright (c) Go! Discs Ltd.
Recorded At Q Division Studios
Recorded At Konk Studios
Recorded At Bearsville Studios
Recorded At Mix This!
Recorded At Mad Dog Studios
Recorded At Audities
Mixed At Maison Rouge
Published By Golden Syrup Music
Published By Aimee Mann
Published By You Can't Take It With You
Published By Monotune Musak
Published By Almo Music Corp.
Published By Delicate Music
Published By Zomba Enterprises, Inc.
Licensed From Universal Music Special Markets
Manufactured By WEA Manufacturing
Glass Mastered At WEA Mfg. Olyphant
Pressed By WEA Mfg. Olyphant

Data provided by Discogs

RELEASE DATE: 07 Dec 1999

LABEL: Reprise Records

093624758327

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.