Alice Cooper - The Life And Crimes Of Alice Cooper (CD) (NM or M-, VG+)

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Alice Cooper - The Life And Crimes Of Alice Cooper (CD) (NM or M-, VG+)

Alice Cooper - The Life And Crimes Of Alice Cooper (CD) (NM or M-, VG+)

  • Compilation
  • Club Edition

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: CDs are in NM condition. Plays without issue. Insert booklet is not included. Outer box is in strong VG+ condition.

DESCRIPTION & TRACKLIST

DESCRIPTION

With 80-page booklet 

Track 1-1 - Santa Cruz single #SCR-10.003 (9/66). (Single release only). Recorded at Copper State Recording Studios, Tuscon, AZ.
Track 1-2 - Mascot single #M-112 (9/65).
Track 1-3 - Mascot single #M-112 (9/65). 
Tracks 1-2 & 1-3/(Single release only). Recorded at Audio Recorders Of Arizona, Phoenix.
Track 1-4 - Very single #S-001 (1967). (Single release only). Recorded at Viv Recording Studios, Phoenix.
Track 1-5 - Previously unreleased (1968). Recorded at The Cooper Topanga Canyon Home, Fernwood, CA. 
Track 1-6 - Previously unreleased (1968). Recorded at Whitney Studios, Glendale, CA.
Track 1-7 - From the album "Pretties For You". Straight #STS-1051/Warner Bros. #WS-1849 (6/69). Recorded at Whitney Studios, Glendale, CA.
Tracks 1-8 & 1-9 - From the album "Easy Action". Straight/Warner Bros. #WS-1845 (3/70). Recorded at Sunwest Studios, Hollywood.
Track 1-10 - Warner Bros. single #7490 (4/27/71).
Track 1-11 - Warner Bros. single #7449 (11/11/70). Titled as "Eighteen".
Track 1-12 - Warner Bros. single #7449 (11/11/70). Titled as "Body".
Tracks 1-10 to 1-13 - From the album "Love It To Death". Straight/Warner Bros. #WS-1883 (2/71). Recorded at RCA Mid-America Recording Center, Chicago.
Track 1-14 - Warner Bros. single #7529 (9/28/71).
Track 1-15 - Warner Bros. single #WB-7568 (2/8/72).
Track 1-16 - Warner Bros. single #7529 (9/28/71).
Tracks 1-14 to 1-18 - From the album "Killer". Warner Bros. #BS-2567 (11/71). Recorded at RCA Mid-America Recording Center, Chicago.
Track 1-19 - Previously unreleased (1971). Recorded at The Cooper Mansion, Greenwich, CT.
Track 1-20 - An edited version was issued as Warner Bros. single #WB-7596 (4/26/72). Titled as "Gutter Cat".
Track 1-21 - Warner Bros. single #WB-7596 (4/26/72). 
Tracks 1-20 & 1-21 - From the album "School's Out". Warner Bros. #BS-2623 (7/72). Recorded at Record Plant, New York; The Copper Mansion, Greenwich, CT.

Track 2-1 - An edited version was issued as Warner Bros. single #WB-7673 (1/3/73).
Track 2-2 - Warner Bros. single #WB-7631 (9/6/72).
Track 2-3 - An edited version was issued as Warner Bros. single #WB-7724 (7/11/73).
Track 2-4 - Warner Bros. single #WB-7691 (3/16/73).
Tracks 2-1 to 2-5 - From the album "Billion Dollar Babies". Warner Bros. #BS-2685 (2/25/73). Recorded at The Coope Mansion, Greenwich, CT; Morgan Studios, London; Record Plant, New York.
Track 2-6 - Lyntone/Warner Bros. (UK) #LYN-2585 (flexi-disc included with New Musical Express magazine) (2/17/73).
Track 2-7 - Previously unreleased: preproduction rehearsal recording of the song "Muscle Of Love" (1973). Recorded at Michael Bruce Home Studio, Greenwich, CT.
Track 2-8 - An edited version was issued as Warner Bros. single #WB-7783 (1/25/74).
Track 2-9 - An edited version was issued as Warner Bros. single #WB-7762 (11/28/73).
Tracks 2-8 to 2-11 - From the album "Muscle Of Love". Warner Bros. #BS-2748 (11/73). Recorded at Sunset Sound Recorders, Hollywood; Record Plant, New York; The Cooper Mansion, Greenwich, CT; A&R Recording Studios, New York.
Tracks 2-12 & 2-13 - From the album "Flash Fearless Vs. The Zorg Women, Parts 5 & 6" (Various Artists). Chrysalis #CHR-1072 (2/75).
Track 2-14 - Atlantic single #45-3298 (10/75).
Track 2-15 - Atlantic single #45-3254 (3/75). Titled as "Only Women".
Track 2-16 - Atlantic singles #45-3254 (3/75) & #45-3298 (10/75).
Track 2-17 - An edited version was issued as Atlantic single #45-3280 (7/75).
Tracks 2-14 to 2-18 - From the album "Welcome To My Nightmare". Atlantic #SD-18130 (2/75). Recorded at The Soundstage, Toronto; Record Plant, New York; Electric Lady, New York; A&R Recording Studios, New York.
Track 2-19 - Warner Bros. single #WBS-8228 (6/7/76).
Track 2-20 - Warner Bros. single #WBS-8228 (6/7/76).
Tracks 2-19 & 2-20 - From the album "Alice Cooper Goes To Hell". Warner Bros. #BS-2896 (6/25/76). Recorded at Soundstage, Toronto; Record Plant, New York; RCA Recording Studios, Los Angeles.

Track 3-1 - Warner Bros. single #WBS-8349 (3/9/77).
Track 3-2 - Warner Bros. single #WBS-8349 (3/9/77).
Tracks 3-1 & 3-2 - From the album "Lace And Whiskey". Warner Bros. #BSK-3-27 (4/77). Recorded at Soundstage, Toronto; Cherokee Recording Studios, Los Angeles; Record Plant, New York; RCA Recording Studios, Los Angeles; Producer's Workshop, Hollywood.
Track 3-3 - From the album "Battle Axe". Polydor #PD-1-6100 (5/77). Recorded at Record Plant, New York.
Track 3-4 - Previously unreleased: recorded for (but not used in) the motion picture "Sextette" (1977). Recorded at Music Recorders, Hollywood.
Track 3-5 - From the album "Sgt. Pepper's Lonely Hearts Club Band" (original soundtrack/various artists). RSO #RS-2-4100 (7/78). Recorded at Cherokee Recording Studios, Los Angeles; Air Studios, London; EMI Studios/Abbey Road, London; Record Plant, New York; Northstar Studios, Boulder, CO.
Track 3-6 - Warner Bros. single #WBS-8760 (2/79).
Track 3-7 - Warner Bros. single #WBS-8695 (10/78).
Tracks 3-6 to 3-8 - From the album "From The Inside". Warner Bros. #BSK-3263 (11/78). Recorded at Davlen Sound Studios, Universal City, CA; Cherokee Recording Studios, Hollywood; Hollywood Sound Recorders, Hollywood; Kendun Recorders, Hollywood; Studio 55, Hollywood; Sound City, Van Nuys, CA; Sunset Sound Recorders, Hollywood; Crystal Sound, Hollywood.
Track 3-9 - Warner Bros. single #WBS-8695 (10/78). (Single release only/B-side). Recorded at Davlen Sound Studios, Universal City, CA.
Track 3-10 - From the album "Roadie" (original soundtrack/various artists). Warner Bros. #2HS-3441 (5/80). Recorded at Cherokee Recording Studios, Hollywood.
Track 3-11 - Warner Bros. single #WBS-42904 (4/2/80).
Tracks 3-11 & 3-12 - From the album "Flush The Fashion". Warner Bros. #BSK-3436 (4/28/80). Recorded at Cherokee Recording Studios, Hollywood.
Track 3-13 - Warner Bros. single #WBS-49780 (8/81). From the album "Special Forces". Warner Bros. #BSK-3581 (8/81). Recorded at American Recording Co., Studio City, CA.
Track 3-14 - Previously unreleased (1981). Recorded at American Recording Co., Studio City, CA.
Track 3-15 - Warner Bros. (U.K.) single #K-17940 (4/82). (U.K. release only). Recorded at Air Studios, London; Record One, Los Angeles.
Track 3-16 - From the Motion Picture "Class Of '84". Warner Bros. single #7-29828 (11/82).
Track 3-17 - Warner Bros. single #7-29828 (11/82).
Tracks 3-16 & 3-17 - From the album "Zipper Catches Skin". Warner Bros. #1-23719 (8/25/82). Recorded at Cherokee Recording Studios, Hollywood.
Tracks 3-18 & 3-19 - From the album "DaDa". Warner Bros. #1-23969 (9/28/83). Recorded at Phase One Studios, Toronto; E.S.P. Studios, Buttonville, ONT.
Track 3-20 - From the Motion Picture "Monster Dog".
Tracks 3-21 - From the Motion Picture "Monster Dog".
Tracks 3-20 & 3-21 - Previously unreleased (1984). Recorded in Madrid, Spain.
Track 3-22 - From the Motion Picture "Friday The 13th, Part VI: Jason Lives". (Previously unreleased) (1986). Recorded at Amigo Studios, North Hollywood, CA.

Track 4-1 - Previously unreleased (1986). Recorded at Amigo Studios, North Hollywood, CA.
Track 4-2 - Theme from the Motion Picture "Friday The 13th, Part VI: Jason Lives". An edited version of the album mix was issued as MCA single #MCA-52904 (7/28/86).
Tracks 4-2 & 4-3 - From the album "Constrictor". MCA #MCA-5761 (9/22/86). Recorded at Atlantic Recording Studios, New York; Amigo Studios, North Hollywood, CA.
Track 4-2 - Recorded at Amigo Studios, North Hollywood, CA.
Track 4-4 - An edited version was issued as MCA single #MCA-53212 (10/26/87).
Tracks 4-4 & 4-5 - From the album "Raise Your Fist And Yell". MCA #MCA-42091 (9/28/87). Recorded at Amigo Studios, North Hollywood, CA.
Track 4-6 - From the album "The Decline Of Western Civilization Part II: The Metal Years" (original soundtrack/various artists). I.R.S./Capitol #C1-90205 (7/88). Recorded at White Crow Audio, Burlington, VT; Rumbo Recorders, Canoga Park, CA.
Track 4-7 - From the album "Iron Eagle II" (original soundtrack/various artists). Epic #SE-45006 (11/88). Recorded at One On One Studios, North Hollywood, CA.
Track 4-8 - Epic single #68958 (7/89).
Track 4-9 - Epic single #68958 (7/89).
Track 4-10 - Epic single #73268 (3/90).
Tracks 4-8 to 4-10 - From the album "Trash". Epic #E-45137 (7/89). Recorded at Bearsville Recording Studio, Bearsville, NY; Power Station, New York; Right Track Recording, New York; Sigma Sound Studios, New York; Mediasound, New York; Grog Kill Studio, New York; Village Recorder, Los Angeles; The Complex, Los Angeles; Record Plant, Los Angeles; Blue Jay Studios, Carlisle, MA; Sanctuary Sound Studios, Rumson, NJ.
Track 4-11 - Epic single #73845 (6/91).
Tracks 4-11 & 4-12 - From the album "Hey Stoopid". Epic #EK-46786 (6/91). Recorded at Bearsville Recording Studio, Bearsville, NY; The Complex, Los Angeles; A&M Studios, Hollywood.
Track 4-13 - Epic single #73983 (10/91). (Single release only/B-side). Recorded at Bearsville Recording Studio, Bearsville, NY; The Complex, Los Angeles.
Tracks 4-14 & 4-15 - From the album "The Last Temptation". Epic #EK-52771 (7/94). 
Track 4-14 - Recorded at Record One Studios, Sherman Oaks, CA; Sony Recording Studios, Santa Monica, CA; Chaton Recordings, Scottsdale, AZ.
Track 4-15 - Recorded at Devonshire Studios, North Hollywood, CA; Music Grinder, Hollywood; Quantum Studios, Jersey City, NJ; Soundtrack Facility, New York.
Track 4-16 - Previously unreleased mix (1999). Original version from the album "The X-Files/Songs In The Key Of X" (various artists). Warner Bros. #9-46079 (3/26/96). Recorded at Control Studios, New Orleans; Rockin' Hoarse Studios, Los Angeles; NRG Studios, Los Angeles; Platinum Post Studios, Orlando, FL.
Track 4-17 - From the album "A Fistful Of Alice". Guardian #33080 (7/29/97). Recorded at A&M Studios, Los Angeles; Phase Four Recording, Tempe, AZ; Image Recording, Los Angeles.
Track 4-18 - From the album "The Last Temptation". Epic #EK-52771 (7/94). Recorded at Music Grinder, Hollywood; Sony Recording Studios, Santa Monica, CA.

NOTE: All selections are full-length album versions, except where indicated otherwise. Dates in parentheses denote original release dates, except for previously unissued titles, in which case it is the year recorded.
Some of the recordings included in this collection were drawn from sources that, to varying degrees, do not meet contemporary technical standards. Every effort has been made to upgrade their quality, and substantial improvement has been achieved. It is believed that the recordings' existing technical deficiencies are outweighed by their musical and historical significance.

All selections ℗ 1972, 1973, 1974, 1976, 1977, 1978, 1979, 1980, 1981, 1982, 1983, 1996 & 1999 Warner Bros. Records Inc., except:

"Don't Blow Your Mind" licensed from Forster Cayce.
"Hitch Hike" and "Why Don't You Love Me" under license from Jack Curtis.
"Lay Down And Die, Goodbye", "Nobody Likes Me" and "Levity Ball" ℗ 1999 The Alice Cooper Group, courtesy of The Alice Cooper Group.
"I'm Flash" and "Space Pirates" ℗ 1975 Chrysalis Records.
"Under My Wheels " (version with Axl, Slash & Izzy) ℗ 1988 Capitol Records, Inc.
"Is Anyone Home?" ℗ 1997 Guardian Records, under license from EMI-Capitol Music Special Markets.
"Welcome To My Nightmare", "Only Women Bleed", "Cold Ethyl", "Department Of Youth" and "Escape" ℗ 1975 Atlantic Records, produced under license from Atlantic Recording Corp.
"I Miss You" ℗ 1977 Polydor Incorporated, and "Because" ℗ 1978 RSO Records, Inc., under license from PolyMedia, a Division of PolyGram Group Distribution, Ltd.
"No Time For Tears" ℗ 1999 Briggs & Sullivan, licensed from Briggs & Sullivan.
"Identity Crisises" and "See Me In The Mirror" ℗ 1984 Nightmare, Inc., licensed from Nightmare, Inc.
"Hard Rock Summer" ℗ 1986 MCA Records, Inc.; "He's Back (Demo)" ℗ 1999 MCA Records, Inc.; "He's Back (The Man Behind The Mask)" and "Teenage Frankenstein" ℗ 1986 MCA Records, Inc.; "Freedom" and "Prince Of Darkness" ℗ 1987 MCA Records, Inc., under license from Universal Music Special Markets, Inc.
"I Got A LIne On You" ℗ 1988 Sony Music Entertainment Inc.; "Poison", "Trash" and "Only My Heart Talkin'" ℗ 1989 Sony Music Entertainment Inc.; "Hey Stoopid", "Feed My Frankenstein" and "Fire" Sony Music Entertainment Inc.; 1991 Sony Music Entertainment Inc.; "Lost In America", "It's Me" and "Stolen Prayer" Sony Music Entertainment Inc.; 1994 Sony Music Entertainment Inc., under license from Sony Music Special Products, a Division of Sony Music, a Group of Sony Music Entertainment Inc.

This compilation ℗ 1999 Warner Bros. Records Inc. & Rhino Entertainment Company.
© 1999 Warner Bros. Records Inc. & Rhino Entertainment Company.

TRACKLIST

1-1. Spiders - Don't Blow Your Mind 2:36
1-2. Spiders - Hitch Hike 2:01
1-3. Spiders - Why Don't You Love Me 1:57
1-4. The Nazz - Lay Down And Die, Goodbye (Original Version) 2:07
1-5. Alice Cooper - Nobody Likes Me (Demo Version) 3:23
1-6. Alice Cooper - Levity Ball (Studio Version) 4:45
1-7. Alice Cooper - Reflected 3:14
1-8. Alice Cooper - Mr. And Misdemeanor 3:00
1-9. Alice Cooper - Refrigerator Heaven 1:54
1-10. Alice Cooper - Caught In A Dream (Single Version) 2:55
1-11. Alice Cooper - I'm Eighteen 2:58
1-12. Alice Cooper - Is It My Body 2:39
1-13. Alice Cooper - Ballad Of Dwight Fry 6:34
1-14. Alice Cooper - Under My Wheels 2:47
1-15. Alice Cooper - Be My Lover 3:21
1-16. Alice Cooper - Desperado 3:29
1-17. Alice Cooper - Dead Babies 5:42
1-18. Alice Cooper - Killer 7:05
1-19. Alice Cooper - Call It Evil (Demo) 3:28
1-20. Alice Cooper - Gutter Cat Vs. The Jets 4:39
1-21. Alice Cooper - School's Out (Single Version) 3:31
2-1. Alice Cooper - Hello Hooray 4:15
2-2. Alice Cooper - Elected (Single Version) 3:43
2-3. Alice Cooper - Billion Dollar Babies 3:39
2-4. Alice Cooper - No More Mr. Nice Guy 3:07
2-5. Alice Cooper - I Love The Dead 5:07
2-6. Alice Cooper - Slick Black Limousine 4:20
2-7. Alice Cooper - Respect For The Sleepers (Demo) 3:48
2-8. Alice Cooper - Muscle Of Love 3:45
2-9. Alice Cooper - Teenage Lament '74 3:52
2-10. Alice Cooper - Working Up A Sweat 3:31
2-11. Alice Cooper - Man With The Golden Gun 4:09
2-12. Alice Cooper (2) - I'm Flash 3:11
2-13. Alice Cooper (2) - Space Pirates 3:13
2-14. Alice Cooper (2) - Welcome To My Nightmare (Single Version) 2:47
2-15. Alice Cooper (2) - Only Women Bleed (Single Version) 3:30
2-16. Alice Cooper (2) - Cold Ethyl 2:54
2-17. Alice Cooper (2) - Department Of Youth 3:17
2-18. Alice Cooper (2) - Escape 3:14
2-19. Alice Cooper (2) - I Never Cry 3:43
2-20. Alice Cooper (2) - Go To Hell 5:12
3-1. Alice Cooper (2) - It's Hot Tonight 3:21
3-2. Alice Cooper (2) - You And Me (Single Version) 3:25
3-3. Billion Dollar Babies - I Miss You 3:31
3-4. Alice Cooper (2) - No Time For Tears 2:59
3-5. Alice Cooper (2), Bee Gees - Because 2:45
3-6. Alice Cooper (2) - From The Inside (Single Version) 3:30
3-7. Alice Cooper (2) - How You Gonna See Me Now 3:53
3-8. Alice Cooper (2) - Serious 2:41
3-9. Alice Cooper (2), Betty Wright - No Tricks 4:15
3-10. Alice Cooper (2) - Road Rats 2:43
3-11. Alice Cooper (2) - Clones (We're All) 2:51
3-12. Alice Cooper (2) - Pain (Flush The Fashion Version) 4:10
3-13. Alice Cooper (2) - Who Do You Think We Are (Single Version) 3:05
3-14. Alice Cooper (2) - Look At You Over There, Ripping The Sawdust From My Teddybear (Demo) 3:18
3-15. Alice Cooper (2) - For Britain Only 3:02
3-16. Alice Cooper (2) - I Am The Future (Single Version) 3:45
3-17. Alice Cooper (2) - Tag, You're It 2:52
3-18. Alice Cooper (2) - Former Lee Warmer 4:07
3-19. Alice Cooper (2) - I Love America 3:47
3-20. Alice Cooper (2) - Identity Crisises 2:50
3-21. Alice Cooper (2) - See Me In The Mirror 3:12
3-22. Alice Cooper (2) - Hard Rock Summer 2:31
4-1. Alice Cooper (2) - He's Back (Demo) 3:20
4-2. Alice Cooper (2) - He's Back (The Man Behind The Mask) (Movie Mix) 3:44
4-3. Alice Cooper (2) - Teenage Frankenstein 3:32
4-4. Alice Cooper (2) - Freedom 4:04
4-5. Alice Cooper (2) - Prince Of Darkness 5:09
4-6. Alice Cooper (2), Axl Rose, Slash (3), Izzy Stradlin - Under My Wheels 3:10
4-7. Alice Cooper (2) - I Got A Line On You 2:59
4-8. Alice Cooper (2) - Poison 4:27
4-9. Alice Cooper (2) - Trash 3:58
4-10. Alice Cooper (2) - Only My Heart Talkin' 4:44
4-11. Alice Cooper (2) - Hey Stoopid (Single Version) 4:15
4-12. Alice Cooper (2) - Feed My Frankenstein 4:42
4-13. Alice Cooper (2) - Fire 3:00
4-14. Alice Cooper (2) - Lost In America 3:54
4-15. Alice Cooper (2) - It's Me 4:40
4-16. Alice Cooper (2), Rob Zombie - Hands Of Death (Spookshow 2000 Mix) 3:53
4-17. Alice Cooper (2) - Is Anyone Home? 4:10
4-18. Alice Cooper (2) - Stolen Prayer 5:35

Barcode and Other Identifiers:

Matrix / Runout X7624 3R2 75680-2.1 01
Matrix / Runout X7625 3R2 75680-2.2 01
Matrix / Runout Y7338 3R2 75680-2.3 01
Matrix / Runout X7580 3R2 75680-2.4 01

Phonographic Copyright (p) Warner Bros. Records Inc.
Phonographic Copyright (p) Rhino Entertainment Company
Copyright (c) Warner Bros. Records Inc.
Copyright (c) Rhino Entertainment Company
Recorded At Copper State Recording Studios
Recorded At Audio Recorders, Arizona
Recorded At Viv Recording Studios
Distributed By BMG Direct Marketing, Inc.

Data provided by Discogs

RELEASE DATE: 20 Apr 1999

LABEL: Rhino Records (2)

36683690

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.