Antonio Vivaldi, Anner Bylsma, Tafelmusik Baroque Orchestra, Jeanne Lamon - Eleven Concertos (CD) (NM or M-, NM or M-)

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Antonio Vivaldi, Anner Bylsma, Tafelmusik Baroque Orchestra, Jeanne Lamon - Eleven Concertos (CD) (NM or M-, NM or M-)

Antonio Vivaldi, Anner Bylsma, Tafelmusik Baroque Orchestra, Jeanne Lamon - Eleven Concertos (CD) (NM or M-, NM or M-)

  • CD
  • Album

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Near Mint (NM or M-)

DETAILS: Excellent condition. Like new.

DESCRIPTION & TRACKLIST

Antonio Vivaldi, Anner Bylsma, Tafelmusik Baroque Orchestra, Jeanne Lamon - Eleven Concertos 

CD, Album

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)

Condition Details: Excellent condition. Like new.
 

RELEASE DATE: 1997

DESCRIPTION

This recording has been processed using 20-bit technology to maximize sound quality. SBM Super Bit Mapping ™ logo © 1997 Sony Music Entertainment Inc./ ℗ 1997 Sony Classical, a division of Sony Entertainment Holdings GmbH. VIVARTE is a trademark of Sony Music Entertainment Inc. [Sony Classical logo and SONY CLASSICIAL are trademarks of Sony Corporation. Manufactured by Sony Music Entertainment Inc./ 550 Madison Avenue, New York, NY 10022-3211 / Warning: All rights reserved, including all rights of the producer and of the owner of the recorded work. Unauthorized copying, public performance, broadcasting, hiring or rental of this recording prohibited, as provided by applicable law. Distribution: Sony Music. Made in USA. ℗ 1997 Sony Classical, a division of Sony Entertainment Holdings GmbH [Sony Classical logo and SONY CLASSICIAL are Trademarks of Sony Corporation 1 (g-moll / en sol mineur) 2 (D-Dur / en ré majeur) 3 (g-moll / en sol mineur) 4 (h-moll / en si mineur) 5 (d-moll / en ré mineur) 6 (D-Dur / en ré majeur) 7 (d-moll / en ré mineur) 8 (a-moll / en la mineur) 9 (e-moll / en mi mineur) 10 (C-Dur / en ut majeur) 11 (G-Dur / en sol majeur) Total Time: 76'39 Track 10.2 [Transcribed by TAFELMUSIK for 2 violins and basso continuo from the original orchestration for 2 recorders and bassoon Tafelmusik on period instruments. Instrument Makers Violin / Violine / Violon I Santo Serafin, c1730 Denis Cormier, 1981 Nicolo Amati, 1670 Antonio Mariani, 1650 Anon. Mirecourt, c1750 Violin / Violine / Violon II Douglas C. Cox, 1986 David Rubio, 1990 Carlo G. Testore, 1690 Carlo A. Testore, 1720 Viola / Alto Otto Erdesz, 1962 Marilyn J. Wallin, 1993 Joseph Hill, 1760 Violoncello / Violoncelle Paris School, c1750 Dominik Zuchowicz, 1994 Double Bass / Kontrabaß / Contrebasse P. Meneghesso, 1892 Oboe / Hautbois H. A. Vas Dias, after T. Stansby Sr., c1700 Sand Dalton, after J. H. Eichentopf, c1730 Bassoon / Fagott / Basson Peter de Koningh, after Wijine, c1730 Archlute / Erzlaute / Archiluth Andreas Holst, after Magno Tieffenbruchar, 1607 Harpsichord / Cembalo / Clavecin Willard Martin, 1980 Organ / Orgel / Orgue Karl Wilhelm, 1986 Pitch: a' = 415 Hertz Recording: Humbercrest United Church, Toronto, Canada, May 16 - 18, 1996. Cover Art: "The Grand Canal in Venice" (c1723) by Antonio Canal, known as Canaletto (1697-1768); Ca' Rezzonico, Venice; Courtesy: AKG Berlin This recording has been processed using 20-bit technology to maximize sound quality. SBM © 1997 Sony Music Entertainment Inc. ℗ 1997 Sony Classical, a division of Sony Entertainment Holdings GmbH © 1997 Michael Stegemann Traduction © 1997 Odile Demange 62719 (on inlay) Contains 24-page booklet. Jewel case with a clear tray.

TRACKLIST

. Concerto For Strings In G Minor, RV 157 5:49
. Concerto For Violoncello And Strings In D Major, RV 403 6:48
. Concerto For Strings In G Minor, RV 152 5:16
. Concerto For Violoncello And Strings In B Minor, RV 424 9:16
. Concerto For Strings In D Minor, RV 127 3:53
. Concerto For 2 Violins, 2 Violoncellos And Strings In D Major, RV 564 9:43
. Concerto For 2 Oboes And Strings In D Minor, RV 535 8:49
. Concerto For Violoncello And Strings In A Minor, RV 419 7:52
. Concerto For Violoncello, Bassoon And Strings In E Minor, RV 409 5:51
. Concerto For 2 Oboes, 2 Violins, Bassoon And Strings In C Major, RV 557 8:37
. Concerto For Strings In G Major "Alla Rustica", RV 151 3:51

LABEL: Sony Classical,Sony Classical

Barcode and Other Identifiers:

Barcode 0 7464-62719-2 6
Barcode 07464-62719-26
Barcode 074646271926
SPARS Code DDD
Other SBM
Matrix / Runout DIDP-091762 3 [1 2 8 target symbols] A04 074646271926
Mastering SID Code IFPI L323
Mould SID Code IFPI 50F5

 

Recorded At Humbercrest United Church, Toronto
Copyright (c) Michael Stegemann
Copyright (c) Odile Demange
Copyright (c) Sony Music Entertainment Inc.
Phonographic Copyright (p) Sony Classical
Record Company Sony Entertainment Holdings GmbH
Manufactured By Sony Music Entertainment Inc.
Distributed By Sony Music
Made By DADC

Data provided by Discogs

RELEASE DATE: 1997

LABEL: Sony Classical and Sony Classical

074646271926

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.