Erykah Badu - Mama's Gun (Vinyl) (M, VG+)

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Erykah Badu - Mama's Gun (Vinyl) (M, VG+)

Erykah Badu - Mama's Gun (Vinyl) (M, VG+)

  • LP
  • Album

MEDIA CONDITION: Mint (M)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: Sealed in original packaging. Never opened or played. 2x LP red transparent vinyl.

DESCRIPTION & TRACKLIST

DESCRIPTION

Released in a black sleeve with sticker on front. Tracklist on labels.

A1
Produced by e. badu, James Poyser The Soulquarian for The Axis Music Group
Co-produced by Ahmir (? Luv) Thompson for Grand Wizards and Pino Palladino
Divine Pimp Publishing/Tribes of Kedar/BMG Songs (ASCAP); Jajapo Music/BMG International (ASCAP); Grand Nigaz/BMG Careers (BMI); Bug Music

A2
Produced by Jay Dee The Soulquarian for Payjay Productions, Inc. & e. badu
Divine Pimp Publishing/Tribes of Kedar/BMG Songs (ASCAP)
This composition contains an interpolation of "Dream Flower" written by  Philip Clendeninn published by Clendeninn Music (BMI)

A3
Produced by e. badu, James Poyser The Soulquarian for The Axis Music Group
Co-produced by Jay Dee The Soulquarian for for Payjay Productions, Inc.
Divine Pimp Publishing/Tribes of Kedar/BMG Songs (ASCAP); Jajapo Music/BMG International (ASCAP); Exquisitely Rich Music/Tribes of Kedar/BMG Songs (ASCAP)

B1
Produced by Jah Born for GX9
Divine Pimp Publishing/Tribes of Kedar/BMG Songs (ASCAP); McNooter Publishing/MCA Publishing (ASCAP); Shunwun (ASCAP); Jajapo Music/BMG International (ASCAP)

B2
Produced by e. badu, James Poyser The Soulquarian for The Axis Music Group 
Divine Pimp Publishing/Tribes of Kedar/BMG Songs (ASCAP); Jajapo Music/BMG International (ASCAP); Shunwun (ASCAP)

B3
Divine Pimp Publishing/Tribes of Kedar/BMG Songs (ASCAP);

B4
Co-produced by James Poyser The Soulquarian for The Axis Music Group
Divine Pimp Publishing/Tribes of Kedar/BMG Songs (ASCAP)

C1
Co-produced by Jay Dee The Soulquarian for Payjay Productions, Inc. and James Poyser The Soulquarian for The Axis Music Group
Divine Pimp Publishing/Tribes of Kedar/BMG Songs (ASCAP); Jajapo Music/BMG International (ASCAP); E.P.H.C.Y. Music (ASCAP); DeJohnette Music (BMI)

C2
Co-produced by James Poyser The Soulquarian for The Axis Music Group, Ahmir (? Luv) Thompson for Grand Wizards, Pino Palladino
Divine Pimp Publishing/Tribes of Kedar/BMG Songs (ASCAP); Miami Spice Music Publishing (ASCAP)

C3
Divine Pimp Publishing/Tribes of Kedar/BMG Songs (ASCAP); Shunwun Music (ASCAP); Lil Chocolate Stahr Music (ASCAP); Novojo Music (ASCAP)

C4
Divine Pimp Publishing/Tribes of Kedar/BMG Songs (ASCAP); ZNS Publishing/EMI Virgin (ASCAP)

D1
Divine Pimp Publishing/Tribes of Kedar/BMG Songs (ASCAP); Shunwun Music (ASCAP); Irving Music/WB Music Corp.; Ain't Nothing Goin On But F****n Music/Sony Music Publishing (ASCAP); Phat Cat Music (ASCAP); Loot On Loose Leaves/Big Yacht Publishing (ASCAP); Antraphil Music/Sharon Hill Music (BMI); Nate Dogg Music (BMI)
This compilation contains an interpolation of "Xxplosive" performed by Dr. Dre, written by A. Young, B. Bailey, C. Longmiles, R. Brown, N. Hale used courtesy of WB Music Corp./Ain't Nothing Goin On But F****n Music (ASCAP)/Loot On Loose Leaves/Big Yacht Publishing (ASCAP)/Sony Music Publishing/Phat Cat Music (ASCAP)/Antraphil Music/Sharon Hill Music (BMI)/Nate Dogg Music (BMI)
This compilation contains elements of "Bumpy's Lament" written by I. Hayes administered used courtesy of Irving Music, Inc. (BMI). Used by permission.

D2
Divine Pimp Publishing/Tribes of Kedar/BMG Songs (ASCAP); Shunwun Music (ASCAP)

D3
Produced by e. badu, James Poyser The Soulquarian and Vikter Duplaixfor The Axis Music Group
Divine Pimp Publishing/Tribes of Kedar/BMG Songs (ASCAP); Jajapo Music/BMG International (ASCAP); Enertia Creations (ASCAP)

TRACKLIST

A1. Penitentiary Philosophy 6:09
A2. Didn't Cha Know 3:58
A3. My Life 3:59
B1. ... & On 3:34
B2. Cleva 3:45
B3. Hey Sugah 0:51
B4. Booty 4:04
C1. Kiss Me On My Neck 5:34
C2. A.D. 2000 4:51
C3. Orange Moon 7:10
C4. In Love With You 5:21
D1. Bag Lady 5:48
D2. Time's A Wastin 6:40
D3. Green Eyes 10:04

Barcode and Other Identifiers:

Barcode 6 01215 32591 1
Other 012 153 287-1
Other 012 153 288-1
Matrix / Runout 012-153-287-1A RJ
Matrix / Runout 012-153-287-1B RJ
Matrix / Runout 012-153-288-1A RJ
Matrix / Runout 012-153-288-1B RJ
Matrix / Runout STERLING

Phonographic Copyright (p) Motown Record Company, L.P.
Copyright (c) Motown Record Company, L.P.
Distributed By Universal Music & Video Distribution, Inc.
Produced For Axis Music Group
Produced For Grand Wizards
Produced For Pay Jay Productions, Inc.
Produced For GX9
Mastered At Sterling Sound
Published By Divine Pimp Publishing
Published By Tribes Of Kedar
Published By BMG Songs
Published By Jajapo Music
Published By BMG International
Published By Grand Negaz
Published By BMG-Careers
Published By Bug Music
Published By Exquisitely Rich Music
Published By McNooter Publishing
Published By MCA Publishing
Published By Shunwun
Published By EPHCY Music
Published By DeJohnette Music
Published By Miami Spice Music Publishing
Published By Shunwun Music
Published By Lil Chocolate Stahr Music
Published By Novojo Music
Published By ZNS Publishing
Published By EMI Virgin
Published By Irving Music
Published By WB Music Corp.
Published By Ain't Nuthin' Goin' On But F****n Music
Published By Sony Music Publishing
Published By Phat Cat Music
Published By Loot On Loose Leaves
Published By Big Yacht Publishing
Published By Antraphil Music
Published By Sharon Hill Music
Published By Nate Dogg Music
Published By Irving Music, Inc.
Published By Enertia Creations
Lacquer Cut At Sterling Sound

Data provided by Discogs

RELEASE DATE: 2000

LABEL: Motown

601215325911

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.