Everlast - Whitey Ford Sings The Blues (CD) (VG+, VG+)

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Everlast - Whitey Ford Sings The Blues (CD) (VG+, VG+)

Everlast - Whitey Ford Sings The Blues (CD) (VG+, VG+)

  • Album

MEDIA CONDITION: Very Good Plus (VG+)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: cd is in VG+ condition. includes insert booklet. Minor signs of use plays without issue.

DESCRIPTION & TRACKLIST

DESCRIPTION

Track 18 is listed as a 'CD bonus cut'.

Dante Ross and John Gamble also written as 'The Stimulated Dummies'.

Tracks 1 to 7, 10, 12 to 18 produced for SD50.
Track 8 produced for DTX Recordings.
Track 9 produced for La Vibe Productions.
Track 11 produced for Likwit Productions.

Special thanks to Albee!!

℗© 1998 Tommy Boy Music.

Track 1: Cover of The Fat Boys Are Back. Published by Full Keel Music/Kuwa Music (Admin. by Full Keel Music Co.) (ASCAP)/Longitude Music Co./Fat Brothers Music (Admin. by Longitude Music Co.) (BMI). Recorded at Erik's crib/SD West.

Track 2 published by Irish Intellect Music/T-Boy Music LLC/Pearl Clyde Music (ASCAP)/Gaucho Music, Admin. by Next Decade Entertainment (BMI)/Def Jam Music (ASCAP)/Burlington/Uncle Doris (ASCAP). Contains an interpolation of "Money (Dollar Bill Y'All)". Contains a sample of "Drag It Over Here" performed by The Olympic Runners under license from PolyMedia, a division of PolyGram Group Distribution, Inc. Recorded at Erik's crib/SD West. Mixed at Riversound NYC.

Track 3 published by Irish Intellect Music/T-Boy Music/Pearl Clyde Music (ASCAP). Sample from "C.R.E.A.M." performed by Wu Tang Clan under license from Loud Records/The RCA Records Label, a unit of BMG Entertainment. 1993 Vareers-BMG Music Publishing, Inc. (BMI)/Wu-Tang Publishing, BMG Songs, Inc. (ASCAP)/Irving Music, Inc. (BMI). All rights on behalf of Wu-Tang Publishing admin. by Careers-BMG Music Publishing, Inc. (ASCAP). C.R.E.A.M. samples "As Long As I've Got You", published by Irving Music, Inc. (BMI). Track 3 recorded at Erik's Crib/SD West.

Track 4 published by Irish Intellect Music/T-Boy Music LLC (ASCAP). Recorded at SD50. Mixed at Sony Studios. Strings recorded at Paramount Studios.

Track 5 published by Irish Intellect Music/T-Boy Music LLC (ASCAP). Mixed at Sony Studios.

Track 7 published by Irish Intellect Music/T-Boy Music LLC/Pearl Clyde Music (ASCAP). Recorded at Erik's Crib/SD West.

Track 8 published by Irish Intellect Music/T-Boy Music LLC/Divine Creations (ASCAP). Recorded at Erik's Crib/SD West. Mixed at Sony Studios.

Track 9 published by Irish Intellect Music/T-Boy Music LLC (ASCAP). Recorded at SD50. Mixed at River Sound NYC.

Track 11 published by Irish Intellect Music/T-Boy Music LLC (ASCAP), EMI April Music, Inc., Gifted Pearl Music, Nice And Smooth Music (ASCAP). All rights admin. by the Clyde Otis Music Group, Inc. Contains excerpts of 'Dwyck' by Gang Starr. Used under license from Capitol Records, a division of Capitol Records, Inc. Recorded at Erik's Crib/SD West. Mixed at Sony Studios.

Track 12 published by Irish Intellect Music/T-Boy Music LLC (ASCAP). Recorded at SD West. Mixed at Sony Studios.

Track 14 published by Taking Care Of Business Music (BMI), Irish Intellect Music/T-Boy Music LLC, Pearl Clyde Music (ASCAP). Contains elements of "Gotta Learn How To Dance". Recorded at SD West. Mixed at Sony Studios.

Track 15 published by Irish Intellect Music/T-Boy Music LLC/Pearl Clyde Music/Protoons/Wild Cowboys/Eighty Second Sound (ASCAP). Contains a replay of "Beat Bop". Recorded at SD50. Mixed at Sony Studios. Casual appears courtesy of Stimulated/Loud Records. Brand Nubian appears courtesy of Arista Records.

Track 16 published by Irish Intellect Music/T-Boy Music LLC/Pearl Clyde Music (ASCAP). Recorded at SD50. Mixed at River Sound NYC.

Track 17 published by Irish Intellect Music/T-Boy Music LLC/Pearl Clyde Music (ASCAP). Recorded at SD50. Mixed at Sony Studios.

Track 18 published by Irish Intellect Music/T-Boy Music LLC/Pearl Clyde Music (ASCAP). Recorded at SD50. Mixed at River Sound NYC.

All overdubs done at the Cutting Room.

Everlast plays Guild Guitars, Fender Guitars and Ernie Ball Strings.

Glass master date: March 14, 1999

TRACKLIST

1. The White Boy Is Back 0:45
2. Money (Dollar Bill) 3:14
3. Ends 4:33
4. What It's Like 5:03
5. Get Down 3:59
6. Sen Dog 0:15
7. Tired 2:22
8. Hot To Death 3:49
9. Painkillers 3:23
10. Prince Paul 0:59
11. Praise The Lord 3:05
12. Today (Watch Me Shine) 5:02
13. Guru 0:17
14. Death Comes Callin' 4:16
15. Funky Beat 4:03
16. The Letter 2:06
17. 7 Years 4:04
18. Next Man 3:52

Barcode and Other Identifiers:

Barcode 0 16998 12362 1
Matrix / Runout #990314EE TBCD1236 MFG BY CINRAM32
Mastering SID Code IFPI L382

Phonographic Copyright (p) Tommy Boy Music
Copyright (c) Tommy Boy Music
Manufactured By Tommy Boy Music
Distributed By Tommy Boy Music
Produced For SD50 Inc
Produced For DTX Recordings
Produced For La Vibe Productions
Produced For Likwit Productions
Manufactured By Cinram

Data provided by Discogs

RELEASE DATE: 1998

LABEL: Tommy Boy

016998123621

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.