Fugees - The Score (Edited) (CD) (VG+, VG+)

$4.00 USD

  • Fugees : The Score (Edited) (Album)
  • Fugees : The Score (Edited) (Album)
  • Fugees : The Score (Edited) (Album)
  • Fugees : The Score (Edited) (Album)
  • Fugees : The Score (Edited) (Album)
$4.00 USD
$4.00 USD
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Fugees - The Score (Edited) (CD) (VG+, VG+)

Fugees - The Score (Edited) (CD) (VG+, VG+)

  • Album

MEDIA CONDITION: Very Good Plus (VG+)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: CD is in VG+ condition. Plays without issue. Includes insert booklet.

DESCRIPTION & TRACKLIST

DESCRIPTION

Main artist appears as "Fugees (Refugee Camp)" on the CD inlay and spine

Released in a standard jewel case with clear CD tray and with a 5-panel 10-page insert booklet with credits and photos.

Track duration not present on release, it was taken from Windows Media Player.

title on cover: The Score
title on spine: THE SCORE (Edited)
title on disc: The Score (Edited)

CK 67639 appears on spine and cd label
67639 appears on booklet

[back cover
© 1996 Sony Music Entertainment Inc. / ℗ 1996 Sony Music Entertainment Inc.
Manufactured by Columbia Records

[cd label
CK 67639 © 1996 Sony Music Entertainment Inc. / ℗ 1996 Sony Music Entertainment Inc.
DIDP 089282

[booklet
67639 © 1996 Sony Music Entertainment Inc. / ℗ 1996 Sony Music Entertainment Inc.
Manufactured by Columbia Records


Track 2:
Produced for R.C.E.
Co-produced for R.C.E.
Recorded and mixed for R.C.E. at Booga Basement Studio, NJ
Engineered for R.C.E.
Sony/ATV Tunes, LLC / Tete San Ko Publishing / Obverse Creation Music (ASCAP)

Track 3: 
Produced for R.C.E.
Co-produced for R.C.E.
Mixed at Booga Basement Studio, NJ
Recorded for R.C.E. at Booga Basement Studio, NJ
Engineered for R.C.E.
Enya sample recorded at Aigle Studio
Contains a replayed sample from "Ready Or Not, Here I Come" (Can't Hide From Love) (Hart/Bell). Nickel Shoe Music / Warner-Tamerlane Publishing Corp. (admin. by Nickel Shoe Music). Used by permission.
We are greatful to [a9807 for her kindness and consideration in allowing us the use of her track "Boadicea" taken from the album The Cets, which track appears on the title "Ready Or Not" and which was initially used without her permission.
Sony/ATV Tunes, LLC / Tete San Ko Publishing / Obverse Creation Music (ASCAP) / Warner-Tamerlane Publishing Corp. (admin. by Nickel Shoe Music) (BMI)

Track 4:
Produced for R.C.E.
Co-produced for R.C.E.
Recorded and mixed for R.C.E. at Booga Basement Studio, NJ
Engineered for R.C.E.
Contains elements from "I Only Have Eyes For You" (Warren Dubin). WB Music Corp. (ASCAP). Used courtesy of Rhino Records. By arrangement with Warner Special Products. Used courtesy of EMI Records, Ltd.
Sony/ATV Tunes, LLC / Tete San Ko Publishing / Obverse Creation Music (ASCAP)

Track 5:
Produced for R.C.E.
Co-produced for R.C.E.
Mixed at Booga Basement Studio, NJ
Recorded for R.C.E. at Booga Basement Studio, NJ
Engineered for R.C.E.
Sony/ATV Tunes, LLC / Tete San Ko Publishing / Obverse Creation Music (ASCAP)

Track 6:
Produced for Dashiki Productions, Inc.
Recorded and mixed at The Crib in NYC
Contains a replayed sample from "Ooh La La La" (McGrier/Marie), McNella Music/Midnight Music (ASCAP). Used by permission. All rights reserved.
Sony/ATV Tunes, LLC / Tete San Ko Publishing / Obverse Creation Music / McNella Music / Midnight Magnet Music / EMI April Music Inc. on behalf of itself and Salaam Remi Music Inc. (ASCAP)

Track 7:
Produced for R.C.E.
Co-produced for R.C.E.
Recorded and mixed for R.C.E. at Booga Basement Studio, NJ
Engineered for R.C.E.
Guest appearance by Forte & Omega for R.C.E.
Sony/ATV Tunes, LLC / Tete San Ko Publishing / Obverse Creation Music (ASCAP)

Track 8:
Produced for R.C.E.
Co-produced for R.C.E.
Recorded and mixed for R.C.E. at Booga Basement Studio, NJ
Engineered for R.C.E.
Fox - Gimble Productions, Inc. (BMI)

Track 9:
Produced for Diggin In Da Crates
Co-produced for R.C.E.
Recorded and mixed at Booga Basement Studio, NJ
Engineered for R.C.E.
Guest appearance by [a25777 courtesy of Diggin In Da Crates
Sony/ATV Tunes, LLC / Tete San Ko Publishing / Obverse Creation Music (ASCAP)

Track 10:
Produced for R.C.E.
Co-produced for R.C.E.
Mixed at Booga Basement Studio, NJ
Recorded and Engineered for R.C.E. 
Sony/ATV Tunes, LLC / Tete San Ko Publishing / Obverse Creation Music (ASCAP)

Track 11:
Produced for R.C.E.
Co-produced for R.C.E.
Recorded and mixed for R.C.E. at Booga Basement Studio, NJ
Engineered for R.C.E.
Guest appearance by Peace 1, Young Zee & Ra Digga
[a83097 appears courtesy of [l9100
Sony/ATV Tunes, LLC / Tete San Ko Publishing / Obverse Creation Music (ASCAP)

Track 12:
Produced for R.C.E.
Co-produced for R.C.E.
Recorded and mixed for R.C.E. at Booga Basement Studio, NJ
Engineered for R.C.E.
Drum Programming for R.C.E. 
Bob Marley Music, Inc. / PolyGram International Publishing, Inc. (ASCAP)

Track 13:
Produced for R.C.E.
Co-produced for R.C.E.
Recorded and mixed for R.C.E. at Booga Basement Studio, NJ
Engineered for R.C.E.
Sony/ATV Tunes, LLC / Tete San Ko Publishing / Obverse Creation Music (ASCAP)

Track 14:
Produced for R.C.E.
Co-produced for R.C.E.
Recorded and mixed for R.C.E. at Booga Basement Studio, NJ
Engineered for R.C.E.
Guest appearance by Forte & Omega for R.C.E.
Sony/ATV Tunes, LLC / Tete San Ko Publishing / Obverse Creation Music / McNella Music / Midnight Magnet Music / EMI April Music Inc. on behalf of itself and Salaam Remi Music Inc. (ASCAP)

Track 15:
Produced and Arranged for The Jamaican Groove Society
Mic Toaster: Garfield "Gus" Parkinson of The Stone Love Crew
Mixed at Quad Studios, NY
Recorded at Anchor Recording Studio, Kingston, Jamaica and Quad Studios, NY
Sony/ATV Tunes, LLC / Tete San Ko Publishing / Obverse Creation Music / McNella Music / Midnight Magnet Music / EMI April Music Inc. on behalf of itself and Salaam Remi Music Inc. (ASCAP)

R.C.E. = Refugee Camp Entertainment, Ltd.

Track 8 originally performed by Lori Lieberman
Track 12 originally performed by Bob Marley & The Wailers

TRACKLIST

1. Red Intro 1:52
2. How Many Mics 4:28
3. Ready Or Not 3:47
4. Zealots 4:20
5. The Beast 5:37
6. Fu-Gee-La 4:19
7. Family Business 5:43
8. Killing Me Softly With His Song 4:58
9. The Score 4:07
10. The Mask 4:50
11. Cowboys 5:23
12. No Woman, No Cry 4:33
13. Manifest/Outro 5:16
. Bonus Tracks
14. Fu-Gee-La (Refugee Camp Remix) 4:23
15. Fu-Gee-La (Sly & Robbie Mix) 5:27

Barcode and Other Identifiers:

Barcode 0 7464-67639-2 6
Barcode 074646763926
Rights Society ASCAP
Rights Society BMI
Matrix / Runout CK-67639 F2 1A 08
Mastering SID Code IFPI L422
Mould SID Code IFPI 7243
Matrix / Runout CK-67639 F2 1A 08
Mastering SID Code IFPI L422
Mould SID Code IFPI 7207

Copyright (c) Sony Music Entertainment Inc.
Phonographic Copyright (p) Sony Music Entertainment Inc.
Manufactured By Columbia Records
Licensed From Warner Special Products
Distributed By Sony Music
Produced For R.C.E.
Produced For Refugee Camp Entertainment, Ltd.
Produced For Dashiki Productions, Inc.
Produced For Diggin In Da Crates
Produced For The Jamaican Groove Society
Recorded At Booga Basement Studio
Recorded At Aigle Studio
Recorded At The Crib
Recorded At Anchor Recording Studio
Recorded At Quad Recording Studios
Mixed At Booga Basement Studio
Mixed At The Crib
Mixed At Quad Recording Studios
Published By Sony/ATV Tunes LLC
Published By Tete San Ko Publishing, Inc.
Published By Obverse Creation Music, Inc.
Published By Nickel Shoe Music
Published By Warner-Tamerlane Publishing Corp.
Published By Nickel Shoe Music Co., Inc.
Published By Wb Music Corp.
Published By McNella Music
Published By Midnight Music (7)
Published By Midnight Magnet Music
Published By EMI April Music Inc.
Published By Salaam Remi Music Inc.
Published By Fox-Gimbel Productions, Inc.
Published By Bob Marley Music, Inc.
Published By PolyGram International Publishing, Inc.

Data provided by Discogs

RELEASE DATE: 1996

LABEL: Columbia, Ruffhouse Records, Columbia, Ruffhouse Records, Columbia, and Ruffhouse Records

074646763926

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.