J. Geils Band, The - Anthology: Houseparty (CD) (NM or M-, VG+)

$12.50 USD

  • J. Geils Band, The : Anthology: Houseparty (Compilation,Remastered)
  • J. Geils Band, The : Anthology: Houseparty (Compilation,Remastered)
  • J. Geils Band, The : Anthology: Houseparty (Compilation,Remastered)
  • J. Geils Band, The : Anthology: Houseparty (Compilation,Remastered)
  • J. Geils Band, The : Anthology: Houseparty (Compilation,Remastered)
$12.50 USD
$12.50 USD
Shipping calculated at checkout.

J. Geils Band, The - Anthology: Houseparty (CD) (NM or M-, VG+)

J. Geils Band, The - Anthology: Houseparty (CD) (NM or M-, VG+)

  • Compilation
  • Remastered

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: CDs are in NM condition. Plays without issue. Includes insert booklet and slip case.

DESCRIPTION & TRACKLIST

DESCRIPTION

Tracks taken :
1-1 from LP " The J. Geils Band " ( 16 November 1970 ) [Atlantic ‎SD 8275 and single B-side of " Wait " (  23 April 1971 ) [Atlantic  45 2802
1-2 from LP " The J. Geils Band " ( 16 November 1970 ) [Atlantic ‎SD 8275 and single A-side ( 21 January 1971 ) [Atlantic ‎45 2784 
1-3 from LP " The Morning After " ( 2 October 1971 ) [Atlantic ‎SD 8297 and single A-side ( 28 October 1971 ) [Atlantic ‎45 2844
1-4 to 1-6 from LP " The Morning After " ( 2 October 1971 ) [Atlantic ‎SD 8297  
1-7 from single B-side of " I Don't Need You No More " ( 28 February 1972 ) [Atlantic ‎45 2843
1-8 from single A-side ( 15 March 1973 ) [Atlantic ‎45 2953
1-9 & 1-10 from LP " Bloodshot " ( 12 April 1973 ) [Atlantic ‎SD 7260 and single B and A-side ( 13 July 1973 ) [Atlantic ‎45 2974 
1-11 & 13 from single B and A-side ( 22 January 1975 ) [Atlantic ‎45 3251 and LP " Nightmares ...And Other Tales From The Vinyl Jungle " ( 25 September 1974 ) [Atlantic ‎SD 18107 Track 11 is edit, shorter than that on LP
1-12 from LP " Nightmares ...And Other Tales From The Vinyl Jungle " ( 25 September 1974 ) [Atlantic ‎SD 18107
1-14 from single A-side (  14 October 1974 ) [Atlantic ‎45 3214 and LP " Nightmares ...And Other Tales From The Vinyl Jungle " ( 25 September 1974 ) [Atlantic ‎SD 18107 This version is edit, shorter than that on LP 
1-15 & 1-16 from LP " Hotline " ( 9 September 1975 ) [Atlantic ‎SD 18147
1-17 from single A-side ( 24 February 1976 ) [Atlantic ‎45 3320
1-18 from single A-side ( 2 December 1976 ) [Atlantic ‎45 3378 
1-19 from LP " Monkey Island " ( 9 June 1977 ) [Atlantic ‎SD 19103 and single A-side ( 20 October 1977 ) [Atlantic ‎3438  
2-1, 2-2 and 2-7 to 2-9 from 2-LP " Live - Blow Your Face Out " ( 22 April 1976 ) [Atlantic ‎SD 2 507
2-3 & 2-6 from LP " "Live" Full House " ( 26 September 1972 ) [Atlantic ‎SD 7241 and single A and B-side ( 17 November 1972 ) [Atlantic ‎45 2929
2-4 & 2-5 from LP " "Live" Full House " ( 26 September 1972 ) [Atlantic ‎SD 7241
2-10 from single A-side ( 5 October 1982 ) [EMI America ‎B 8148 and LP " Showtime! " ( 12 November 1982 ) [EMI America ‎SO 17087 
2-11 from LP " Love Stinks " ( 28 January 1980 ) [EMI America ‎SOO 17016 and single A-side ( 16 June 1980 ) [EMI America ‎8047
2-12 from LP " Love Stinks " ( 28 January 1980 ) [EMI America ‎SOO 17016 and single A-side ( 31 March 1980 ) [EMI America ‎8039 
2-13 from LP " Love Stinks " ( 28 January 1980 ) [EMI America ‎SOO 17016 
2-14 & 2-16 from LP " Freeze-Frame " ( 26 October 1981 ) [EMI America ‎SOO 17062 and single B and A-side ( 8 February 1982 ) [EMI America ‎B 8108 
2-15 from LP " Freeze-Frame " ( 26 October 1981 ) [EMI America ‎SOO 17062 and single A-side ( 26 October 1981 ) [EMI America ‎A 8102 
2-17 & 2-19 from LP " Sanctuary, " ( November 1978 ) [EMI America ‎SO 17006
2-18 from LP " Sanctuary " ( November 1978 ) [EMI America ‎SO 17006 and single A-side ( 13 November 1978 ) [EMI America ‎8007 

Tracks recorded :
1-1 & 1-2 at A&R Studios, New York City
1-3 to 1-7 at Record Plant, Los Angeles, CA
1-8 to 1-10 at Jerry Ragovoy's Hit Factory, New York City
1-11 to 1-14 at Record Plant, N.Y.C., and The Hit Factory, New York City
1-15 & 1-16 at Record Plant, N.Y.C.
1-17 at Atlantic Recording Studios, New York City
1-18 & 1-19 at Record Plant, N.Y.C.
2-1, 2-2, and 2-7 to 2-9 at Boston Garden, Boston, MA, and Cobo Hall, Detroit, MI, November 1975
2-3 to 2-6 at Cinderella Ballroom, Detroit, MI, April 1972
2-10 at The Pine Knob Music Theater, Detroit, MI, September 1982
2-11 to 2-16 at Long View Farm Studios, North Brookfield, MA
2-17 to 2-19 at Long View Farm Studios, North Brookfield, MA, and Record Plant, N.Y.C.

Tracs licensed :
1-1 to 2-9 Atlantic Recording Corporation
2-10 to 2-19 CEMA Special Markets

The 2 CDs are housed ia a cardboard sleeve / slipcase with a 52 page booklet.
 
Part of the Rhino Records series of Atlantic & Atco remasters

TRACKLIST

1-1. Cruisin' For A Love 2:34
1-2. Homework 2:47
1-3. Looking For A Love 3:48
1-4. It Ain't What You Do (It's How You Do It) 5:17
1-5. The Usual Place 2:47
1-6. Cry One More Time 3:26
1-7. Dead Presidents 2:35
1-8. Give It To Me (Single Mix/Edit) 3:13
1-9. Southside Shuffle 3:45
1-10. Make Up Your Mind 3:34
1-11. Gettin' Out (Single Edit) 2:56
1-12. Detroit Breakdown 6:05
1-13. Givin' It All Up 3:47
1-14. Must Of Got Lost (Single Edit) 3:01
1-15. Believe In Me 4:46
1-16. Love-itis 4:43
1-17. Where Did Our Love Go 3:05
1-18. Peanut Butter 2:26
1-19. Surrender 3:53
2-1. Sno-Cone (Live) 3:28
2-2. Wait (Live) 3:44
2-3. Hard Drivin' Man (Live) 4:27
2-4. First I Look At The Purse (Live) 4:02
2-5. Pack Fair And Square (Live) 2:24
2-6. Whammer Jammer (Live) 2:49
2-7. Musta Got Lost (Live) 6:39
2-8. Start All Over (Live) 2:25
2-9. Houseparty (Live) 5:01
2-10. I Do (Live) 3:20
2-11. Just Can't Wait 3:28
2-12. Love Stinks 3:48
2-13. Night Time 4:34
2-14. Flamethrower 5:02
2-15. Centerfold 3:40
2-16. Freeze-Frame 4:00
2-17. Sanctuary 3:56
2-18. One Last Kiss 4:24
2-19. Teresa 3:53

Barcode and Other Identifiers:

Barcode 0 8122-71164-2 2
Barcode 081227116422
Matrix / Runout 3 R2 71164-2.1 RE-101 M1S2 CI
Mastering SID Code IFPI L909
Mould SID Code IFPI 2U7B
Pressing Plant ID wea mfg. OLYPHANT (logo) X17278
Matrix / Runout 3 R2 71164-2.2 RE-1 02 M1S6
Mastering SID Code IFPI L909
Mould SID Code IFPI 2U7D
Pressing Plant ID wea mfg. OLYPHANT (logo) Z5503

Phonographic Copyright (p) Rhino Records Inc.
Copyright (c) Rhino Records Inc.
Licensed From Atlantic Recording Corporation
Licensed From CEMA Special Markets
Recorded At A&R Studios
Recorded At Record Plant, Los Angeles
Recorded At The Hit Factory
Recorded At Record Plant, N.Y.C.
Recorded At Atlantic Studios
Recorded At Boston Garden
Recorded At Cobo Hall, Detroit
Recorded At Cinderella Ballroom, Detroit, MI
Recorded At Pine Knob Music Theatre
Recorded At Long View Farm Studios
Remastered At DigiPrep
Pressed By WEA Mfg. Olyphant
Pressed By WEA Mfg. Olyphant

Data provided by Discogs

RELEASE DATE:

LABEL: Rhino Records (2)

081227116422

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.