Miley Cyrus - Plastic Hearts (Vinyl) (VG+, VG)

Name: Miley Cyrus - Plastic Hearts (Vinyl) (VG+, VG)
Brand: RCA
SKU: 4337069178
Price: 22.0 USD
Availability: InStock

$22.00 USD

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Miley Cyrus - Plastic Hearts (Vinyl) (VG+, VG)

LP
Album
Repress

MEDIA CONDITION: Very Good Plus (VG+)

SLEEVE CONDITION: Very Good (VG)

DETAILS: Record is VG+, minor signs of wear. Plays without issue. Sleeve is VG.

DESCRIPTION & TRACKLIST

DESCRIPTION

Packaged in a gatefold sleeve.
Includes a 12-page booklet.

℗ 2021 & © 2020 RCA Records, a division of Sony Music Entertainment. Marketed and distributed by Sony Music Entertainment, 25 Madison Avenue, New York, New York 10010-8601.

WTF Do I Know: Published by Sugar Bear Recordz Publishing (BMI) (adm. by Sony/ATV Songs LLC), Andrew Watt Music (BMI) (adm. by Songs Of Kobalt Music Publishing), Lou Bell Publishing Designee/EMI April Music, Inc. (ASCAP), Ali Tamposi Publishing Designee/Reservoir 416 (BMI) (all rights adm. by Reservoir Media Management, Inc.), Write Me A Song Publishing (BMR) (adm. by Downtown Global Two); Engineered at Gold Tooth Music, Los Angeles, CA; Mixed [... at The Mixsuite LA

Plastic Hearts: Published by Sugar Bear Recordz Publishing (BMI) (adm. by Sony/ATV Songs LLC), Andrew Watt Music (BMI) (adm. by Songs Of Kobalt Music Publishing), Lou Bell Publishing Designee/EMI April Music, Inc. (ASCAP), Ali Tamposi Publishing Designee/Reservoir 416 (BMI) (all rights adm. by Reservoir Media Management, Inc.), Write Me A Song Publishing (BMR) (adm. by Downtown Global Two); Engineered at Gold Tooth Music, Los Angeles, CA & Kitchy Studio, London; Mixed [... at The Mixsuite LA; Chad Smith appears courtesy of Warner Records, Inc.

Angels Like You: Published by Sugar Bear Recordz Publishing (BMI) (adm. by Sony/ATV Songs LLC), Andrew Watt Music (BMI) (adm. by Songs Of Kobalt Music Publishing), Lou Bell Publishing Designee/EMI April Music, Inc. (ASCAP), Ali Tamposi Publishing Designee/Reservoir 416 (BMI) (all rights adm. by Reservoir Media Management, Inc.), Write Me A Song Publishing (BMR) (adm. by Downtown Global Two); Engineered at Gold Tooth Music, Los Angeles, CA & Abbey Road Studios, London; Mixed [... at The Mixsuite LA

Prisoner: Published by Sugar Bear Recordz Publishing (BMI) (adm. by Sony/ATV Songs LLC), Andrew Watt Music (BMI) (adm. by Songs Of Kobalt Music Publishing), BMG Platinum Songs/R8D Music/Songs Of BBMG Publishing (BMI) (all right adm. by BMG Rights Management (US) LLC), BMG Platinum Songs/R8D Music/Solo Ace Publishing (BMI) (all rights adm. by BMG Rights Management (US) LLC), (Kobalt Music Copyrights SARL/1916 Publishing/BBMG Music (adm. by Kobalt Songs Music Publishing), Ali Tamposi Publishing Designee/Reservoir 416 (BMI) (all rights adm. by Reservoir Media Management, Inc.), Song Goku (ASCAP) (adm. by BMG Chrysalis), What Key Do You Want It In Music/Songs With A Pure Tone/Warner-Tamerlane Publishing Corp. (BMI) (all rights adm. by Warner-Tamerlane Publishing Corp.), Tap Music Publishing Limited/Universal Polygram International Publishing, Inc. (ASCAP); Engineered at Gold Tooth Music, Los Angeles, CA & Glenwood Studios, Burbank, CA; Mixed [... at MixStar Studios, Virginia Beach, VA; Dua Lipa appears courtesy of Warner Music UK Limited

Gimme What I Want: Published by Sugar Bear Recordz Publishing (BMI) (adm. by Sony/ATV Songs LLC), Andrew Watt Music (BMI) (adm. by Songs Of Kobalt Music Publishing), Lou Bell Publishing Designee/EMI April Music, Inc. (ASCAP), Ali Tamposi Publishing Designee/Reservoir 416 (BMI) (all rights adm. by Reservoir Media Management, Inc.), Maskati Brothers, Inc./OTEK Sound, Inc./WB Music Corp. (SOCAN); Engineered at Gold Tooth Music, Los Angeles, CA; Mixed [... at The Mixsuite LA

Night Crawling: Published by Sugar Bear Recordz Publishing (BMI) (adm. by Sony/ATV Songs LLC), Andrew Watt Music (BMI) (adm. by Songs Of Kobalt Music Publishing), Polk St. Music/Songs Of Universal, Inc. (BMI), Ali Tamposi Publishing Designee/Reservoir 416 (BMI) (all rights adm. by Reservoir Media Management, Inc.), Write Me A Song Publishing (BMR) (adm. by Downtown Global Two), What Key Do You Want It In Music/Songs With A Pure Tone/Warner-Tamerlane Publishing Corp. (BMI) (all rights adm. by Warner-Tamerlane Publishing Corp.), BFI Music, Inc. (GMR) (adm. by Kobalt Music Group Ltd.); 
Engineered at Gold Tooth Music, Los Angeles, CA; Mixed [... at The Mixsuite LA; Taylor Hawkins appears courtesy of Roswell Records

Midnight Sky: Published by Sugar Bear Recordz Publishing (BMI) (adm. by Sony/ATV Songs LLC), Andrew Watt Music (BMI) (adm. by Songs Of Kobalt Music Publishing), Lou Bell Publishing Designee/EMI April Music, Inc. (ASCAP), Ali Tamposi Publishing Designee/Reservoir 416 (BMI) (all rights adm. by Reservoir Media Management, Inc.), Sony/ATV Songs LLC/Sparko Phone Music (BMI), Song Goku (ASCAP) (adm. by BMG Chrysalis); Engineered at Gold Tooth Music, Los Angeles, CA; Mixed [... at MixStar Studios, Virginia Beach, VA; Contains a portion of the composition "Edge of Seventeen" written by Stephanie Nicks, published by Welsh Witch Music/Songs of Kobalt Music Publishing (BMI).

High: Published by Sugar Bear Recordz Publishing (BMI) (adm. by Sony/ATV Songs LLC), Barb And Al Publishing/BMG Platinum Songs (BMI) (all rights adm. by BMG Rights Management (US) LLC), Songs Of The Corn/Warner-Tamerlane Publishing Corp. (BMI); Recorded by Riccardo Damian at Tileyard Studios, London; Recorded by Andrew Wyatt at Bonnie Hill Studios; Mixed [... at MixStar Studios, Virginia Beach, VA

Hate Me: Published by Sugar Bear Recordz Publishing (BMI) (adm. by Sony/ATV Songs LLC), Andrew Watt Music (BMI) (adm. by Songs Of Kobalt Music Publishing), Lou Bell Publishing Designee/EMI April Music, Inc. (ASCAP), Ali Tamposi Publishing Designee/Reservoir 416 (BMI) (all rights adm. by Reservoir Media Management, Inc.); Engineered at Gold Tooth Music, Los Angeles, CA; Mixed [... at The Mixsuite LA

Bad Karma: Published by Sugar Bear Recordz Publishing (BMI) (adm. by Sony/ATV Songs LLC), Sony/ATV Songs LLC/Sparko Phone Music (BMI); Engineered by Riccardo Damian & at Zelig Studios, Los Angeles, CA; Engineered by Jacob Munk at Electric Lady Studios, NYC; Joan Jett Vocals Recorded [... at Rockhouse Studios, Long Beach, NY; Mixed [... at Electric Lady Studios, NYC

Never Be Me: Published by Sugar Bear Recordz Publishing (BMI) (adm. by Sony/ATV Songs LLC), Songs of Zelig c/o Concord Music Publishing LLC d/b/a Concord Copyrights a/c Songs of Zelig (BMI), Sony/ATV Songs LLC/Sparko Phone Music (BMI); Engineered by Riccardo Damian & at Zelig Studios, Los Angeles, CA; Engineered by Riccardo Damian at Shangri-La Studios, Malibu, CA;
Engineered by Jacob Munk at Electric Lady Studios, NYC; Mixed [... at Electric Lady Studios, NYC

Golden G String: Published by Sugar Bear Recordz Publishing (BMI) (adm. by Sony/ATV Songs LLC), KMR Music Royalties II SCSp (BMI) (all rights adm. by Songs Of Kobalt Music Publishing); Engineered by Jacob Munk & Andrew Wyatt at Bonnie Hill Studios; Engineered by Jacob Munk at Electric Lady Studios, NYC; Mixed [... at MixStar Studios, Virginia Beach, VA

Edge Of Midnight (Midnight Sky Remix): Published by Sugar Bear Recordz Publishing (BMI) (adm. by Sony/ATV Songs LLC), Andrew Watt Music (BMI) (adm. by Songs Of Kobalt Music Publishing), Lou Bell Publishing Designee/EMI April Music, Inc. (ASCAP), Ali Tamposi Publishing Designee/Reservoir 416 (BMI) (all rights adm. by Reservoir Media Management, Inc.), Sony/ATV Songs LLC/Sparko Phone Music (BMI), Song Goku (ASCAP) (adm. by BMG Chrysalis), Welsh Witch Music (BMI) (adm. by Songs Of Kobalt Music Publishing); Engineered at Gold Tooth Music, Los Angeles, CA; Mixed [... at MixStar Studios, Virginia Beach, VA; Contains a sample of "Edge of Seventeen" written by Stephanie Nicks, as performed by Stevie Nicks, published by Welsh Witch Music/Songs of Kobalt Music Publishing (BMI), used courtesy of Atlantic Recording Corp., by arrangement with Rhino Entertainment Company, a Warner Music Group Company.

Heart Of Glass (Live From The iHeart Festival): Published by Music Of Windswept (ASCAP), BMG Rights Management (UK) (PRS) (adm. by BMG Rights Management (US) LLC); 

Zombie (Live From The NIVA Save Our Stages Festival): Published by WC Music Corp. (ASCAP)/Warner-Chappell Music Ltd. (PRS)

TRACKLIST

A1. WTF Do I Know
A2. Plastic Hearts
A3. Angels Like You
A4. Prisoner
B1. Gimme What I Want
B2. Night Crawling
B3. Midnight Sky
B4. High
C1. Hate Me
C2. Bad Karma
C3. Never Be Me
C4. Golden G String
D1. Edge Of Midnight (Midnight Sky Remix)
D2. Heart Of Glass (Live From The iHeart Festival)
D3. Zombie (Live From The NIVA Save Our Stages Festival)

Barcode and Other Identifiers:

Barcode 194398373515
Barcode 1 9439-83735-1 5
Matrix / Runout 21-0327NL_19439-837351 A Kr SST [MPO logo]21 220867
Matrix / Runout 21-0327NL_19439-837351 B Kr SST [MPO logo]22 251168
Matrix / Runout 21-0327NL_19439-837351 C Kr SST [MPO logo]22 251169
Matrix / Runout 21-0327NL_19439-837351 D Kr SST [MPO logo]22 251170
Matrix / Runout 21-0327NL_19439-837351 A Kr SST [MPO logo]22 251844
Matrix / Runout 21-0327NL_19439-837351 B Kr SST [MPO logo]22 251845
Matrix / Runout 21-0327NL_19439-837351 C Kr SST [MPO logo]22 251314
Matrix / Runout 21-0327NL_19439-837351 D Kr SST [MPO logo]22 251313
Rights Society BMI
Rights Society ASCAP
Rights Society SOCAN
Rights Society GMR

Phonographic Copyright (p) RCA Records
Copyright (c) RCA Records
Marketed By Sony Music Entertainment
Distributed By Sony Music Entertainment
Mastered At Sterling Sound
Engineered At Gold Tooth Music Studio, Beverly Hills, CA
Engineered At Kitchy Studio
Engineered At Abbey Road Studios
Engineered At Glenwood Place Studios
Engineered At Zelig Studios
Engineered At Electric Lady Studios
Engineered At Shangri-La, Malibu, CA
Engineered At Bonnie Hill Studios, Los Angeles, CA
Recorded At Tileyard Studios
Recorded At Bonnie Hill Studios, Los Angeles, CA
Recorded At Rockhouse Studios, Long Beach, New York
Mixed At Mixsuite LA
Mixed At MixStar Studios
Mixed At Electric Lady Studios
Published By Sugar Bear Recordz Publishing
Published By Sony/ATV Songs LLC
Published By Andrew Watt Music
Published By Songs Of Kobalt Music Publishing
Published By Lou Bell Publishing Designee
Published By EMI April Music Inc.
Published By Ali Tamposi Publishing Designee
Published By Reservoir 416
Published By Reservoir Media Management Inc.
Published By Write Me A Song Publishing
Published By Downtown Global Two
Published By BMG Platinum Songs
Published By R8D Music
Published By Songs Of BBMG Publishing
Published By Solo Ace Publishing
Published By BMG Rights Management (US) LLC
Published By Kobalt Music Copyrights SARL
Published By 1916 Publishing
Published By BBMG Music
Published By Kobalt Songs Music Publishing
Published By Song Goku
Published By BMG Chrysalis
Published By What Key Do You Want It In Music
Published By Songs With A Pure Tone
Published By Warner-Tamerlane Publishing Corp.
Published By Tap Music Publishing Limited
Published By Universal - Polygram International Publishing, Inc.
Published By Maskati Brothers Inc.
Published By OTEK Sound Inc.
Published By WB Music Corp.
Published By Polk St. Music
Published By Songs Of Universal, Inc.
Published By BFI Music, Inc.
Published By Kobalt Music Group Limited
Published By Sparko Phone Music
Published By Welsh Witch Music
Published By Barb & Al Publishing
Published By Songs Of The Corn
Published By Songs Of Zelig
Published By Concord Music Publishing LLC
Published By Concord Copyrights
Published By KMR Music Royalties II SCSp
Published By Music Of Windswept
Published By BMG Rights Management UK
Published By WC Music Corp
Published By Warner Chappell Music Ltd.
Manufactured By Noiseland Industries
Lacquer Cut At SST GmbH
Pressed By MPO

Data provided by Discogs

RELEASE DATE: Feb 2022

LABEL: RCA

194398373515

Shipping Policy

Our grading system

We use the Goldmine Standard for grading the condition of items listed on our website.

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.

Miley Cyrus - Plastic Hearts (Vinyl) (VG+, VG)

Miley Cyrus - Plastic Hearts (Vinyl) (VG+, VG)