Mothers, The - Uncle Meat (Vinyl) (VG+, VG+)

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Mothers, The - Uncle Meat (Vinyl) (VG+, VG+)

Mothers, The - Uncle Meat (Vinyl) (VG+, VG+)

  • LP
  • Album
  • Reissue
  • Stereo

MEDIA CONDITION: Very Good Plus (VG+)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: Minor signs of use. Plays without issues.

DESCRIPTION & TRACKLIST

DESCRIPTION

Comes in factory Warner/Reprise promotional inner sleeves 
Some copies have Warner Supergroup promo inner sleeves and indicate 1976
Versions with Matrix runout variant 1 & 2 are auto-coupled
Recorded at Apostolic Studios, NYC
October 1967-February 1968
Percussion overdubs at Sunset Sound, LA
March-April, 1968
__________________________________________________
Original liner notes read...
THE MOTHERS at the time of this recording were: 
FRANK ZAPPA - guitar, low grade vocals, percussion 
RAY COLLINS - swell vocals 
JIMMY CARL BLACK - drums, droll humor, poverty 
ROY ESTRADA - electric bass, chesseburgers, Pachuco falsetto 
DON (Dom De Wild) PRESTON - electric piano, tarot cards, brown rice 
BILLY (The Oozer) MUNDI - drums on some pieces before he quit to join RHINOCEROS 
BUNK (Sweetpants) GARDNER - piccolo, flute, clarinet, bass clarinet, soprano sax, alto sax, tenor sax, bassoon (all of these electric and/or non-electric depending) 
IAN UNDERWOOD - electric organ, piano, harpsichord, celeste, flute, clarinet, alto sax, baritone sax, special assistance, copyist, industrial relations & teen appeal 
ARTIE (With the Green Mustache) TRIPP - drums, timpani, vibes, marimba, xylophone, wood blocks, bells, small chimes, cheerful outlook & specific enquiries 
EUCLID JAMES (Motorhead/Motorishi) SHERWOOD - pop star, frenetic tenor sax stylings, tambourine, choreography, obstinance & equipment setter-upper when he's not hustling local groupies 

The music on this album was recorded over a period of about 5 months from October 1967 to February 1968. Things that sound like a full orchestra were carefully assembled, track by track through a procedure known as over-dubbing. The weird middle section of DOG BREATH(after the line , "Ready to attack") has forty tracks built into it. Things that sound like trumpets are actually clarinets played through an electric device made by Maestro with a setting labeled Oboe D'Amore and sped up a minor third with a V.S.O. (variable speed oscillator). Other perculiar sounds were made on a Kalamazoo electric organ. The only equipment at our disposal for the modification of these primary sounds was a pair of Pultec Filters, two Lan Equalizers, and three Melchor Compressors built into the board at Apostolic Studios in New York. The board itself is exceptionally quiet and efficient (the only thing that allowed us to pile up so many tracks) and is the product of Mr Lou Lindauer's imagination & workmanship. The material was recorded on a prototype Scully 12 track machine at 30 ips. The whole project was engineered by Richard Kunc or Dynamite Dick, as he is known to the trade. Special engineering credits go to Jerry Hansen for the percussion effects added later at Sunset Sound in L.A., and to our friend Mike in Copenhagen for the tapes he sent us.
 
Special thanks to: 
Ruth Komanoff who plays marimba and vibes with Artie on many of the tracks, and 
Nelcy Walker the soprano voice with Ray & Roy on Dog Breath & The Uncle Meat Variations 
__________________________________________________
Uncredited:
Pamela Zarubica as Suzy Creamcheese

TRACKLIST

A1. Uncle Meat: Main Title Theme 1:54
A2. The Voice Of Cheese 0:27
A3. Nine Types Of Industrial Pollution 5:56
A4. Zolar Czakl 0:57
A5. Dog Breath, In The Year Of The Plague 5:51
A6. The Legend Of The Golden Arches 1:24
A7. Louie Louie (At The Royal Albert Hall In London) (Berry) 2:28
A8. The Dog Breath Variations 1:36
B1. Sleeping In A Jar 0:49
B2. Our Bizarre Relationship 1:05
B3. The Uncle Meat Variations 4:40
B4. Electric Aunt Jemima 1:53
B5. Prelude To King Kong 3:24
B6. God Bless America (Live At The Whisky A Go Go) (Berlin) 1:22
B7. A Pound For A Brown On The Bus 1:29
B8. Ian Underwood Whips It Out (Live On Stage In Copenhagen) 5:08
C1. Mr. Green Genes 3:10
C2. We Can Shoot You 1:48
C3. "If We'd All Been Living In California . . . " 1:29
C4. The Air 2:57
C5. Project X 4:47
C6. Cruising For Burgers 2:19
D1. King Kong Itself (As Played By The Mothers In A Studio) 0:53
D2. King Kong (Its Magnificence As Interpreted By Dom DeWild) 1:15
D3. King Kong (As Motorhead Explains It) 1:44
D4. King Kong (The Gardner Varieties) 6:17
D5. King Kong (As Played By 3 Deranged Good Humor Trucks) 0:29
D6. King Kong (Live On A Flat Bed Diesel In The Middle Of A Race Track At A Miami Pop Festival . . . The Underwood Ramifications) 7:25

Barcode and Other Identifiers:

Rights Society BMI
Matrix / Runout MS - 1 - 2024 WW 1
Matrix / Runout MS - 2 - 2024 WW 1 # 2
Matrix / Runout MS - 3 - 2024 WW 1
Matrix / Runout MS - 4 - 2024 WW 1
Matrix / Runout MS-1-2024 WW1 #2
Matrix / Runout MS-2-2024 WW1 #3
Matrix / Runout MS-3-2024 WW-1 #3
Matrix / Runout MS-4-2024 WW-1 #2
Matrix / Runout MS - 1 - 2024 WW 1
Matrix / Runout MS - 2 - 2024 WW 1 # 2
Matrix / Runout MS - 3 - 2024 WW 1
Matrix / Runout MS-4-2024 WW-1 #2
Matrix / Runout ─◁

Pressed By Capitol Records Pressing Plant, Winchester
Recorded At Apostolic Studios
Overdubbed At Sunset Sound
Copyright (c) Frank Zappa Music
Copyright (c) Third Story Music
Record Company Warner Bros. Records Inc.
Record Company Warner Communications

Data provided by Discogs

RELEASE DATE: 1976

LABEL: Reprise Records

81997738

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.