Taylor Swift - Folklore (Vinyl) (NM or M-, VG+)

$27.00 USD

  • Taylor Swift : Folklore (LP,Album,Deluxe Edition)
  • Taylor Swift : Folklore (LP,Album,Deluxe Edition)
  • Taylor Swift : Folklore (LP,Album,Deluxe Edition)
  • Taylor Swift : Folklore (LP,Album,Deluxe Edition)
  • Taylor Swift : Folklore (LP,Album,Deluxe Edition)
$27.00 USD
$27.00 USD
Shipping calculated at checkout.

Taylor Swift - Folklore (Vinyl) (NM or M-, VG+)

Taylor Swift - Folklore (Vinyl) (NM or M-, VG+)

  • LP
  • Album
  • Deluxe Edition

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: Records are in NM, minimal use. Sleeve is VG+. Deluxe Edition, Brown "In The Trees" vinyl. Includes printed inner sleeves.

DESCRIPTION & TRACKLIST

DESCRIPTION

Edition No. 1 "In The Trees" out of 8 unique collectible covers. Available to pre-order from July 23th for one week only.
Each version has unique: covers, back covers, photos, and artwork. They're all collector's limited editions except this one, which is the standard edition.

℗© 2020 Taylor Swift.

A1 © 2020 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI)
Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP)
Recorded [... at Long Pond (Hudson Valley, NY)
Vocals recorded [... at the Kitty Committee Studio (Los Angeles, CA)
Mixed [... at Long Pond (Hudson Valley, NY)
Mastered [... at Sterling Sound (New York, NY)

A2 © 2020 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI)
Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP)
Recorded [... at Long Pond (Hudson Valley, NY)
Vocals recorded [... at the Kitty Committee Studio (Los Angeles, CA)
Additional recording by Aaron Dessner at Gaite Lyrique (Paris, FR) and Bella Blasko on tour with The National (Stuttgart, DE)
Mixed [... at Long Pond (Hudson Valley, NY)
Mastered [... at Sterling Sound (New York, NY)

A3 © 2020 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI)
Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP)
Recorded [... at Long Pond (Hudson Valley, NY)
Vocals recorded [... at the Kitty Committee Studio (Los Angeles, CA)
Mixed [... at Long Pond (Hudson Valley, NY)
Mastered [... at Sterling Sound (New York, NY)

A4 © 2020 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI),
William Bowery Music Publishing, administered by Songs Of Universal, Inc. (BMI)
April Base Publishing, administered by Kobalt Songs Music Publishing (ASCAP), Justin Deyarmond Edison Vernon (ASCAP).
Recorded [... at Long Pond (Hudson Valley, NY)
Taylor Swift vocals recorded [... at the Kitty Committee Studio (Los Angeles, CA)
Bon Iver vocals recorded [... at April Base (Fall Creek, WI)
Mixed [... at Long Pond (Hudson Valley, NY)
Mastered [... at Sterling Sound (New York, NY)

B1 © 2020 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI)
Recorded by Laura Sisk at the Kitty Committee Studio (Los Angeles, CA), Jack Antonoff at Rough Customer Studio (Brooklyn, NY) and Laura Sisk and Jack Antonoff at Electric Lady Studios (New York, NY) and Conway Recording (Los Angeles, CA)
Mixed [... at Mixstar Studios (Virginia Beach, VA)
Mastered [... at Sterling Sound (New York, NY)
Saxophones, Keyboards, Programming [... at Pleasure Hill Recording (Portland, ME)
Strings [... recorded [... at Restoration Sound (Brooklyn, NY)

B2 © 2020 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI),
Sony/ATV Songs LLC / Ducky Donath Music (BMI)
Recorded by Laura Sisk at the Kitty Committee Studio (Los Angeles, CA) and Jack Antonoff at Rough Customer Studio (Brooklyn, NY)
Mixed [... at Mixstar Studios (Virginia Beach, VA)
Mastered [... at Sterling Sound (New York, NY)

B3 © 2020 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI)
Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP)
Recorded [... at Long Pond (Hudson Valley, NY)
Mixed [... at Long Pond (Hudson Valley, NY)
Mastered [... at Sterling Sound (New York, NY)

B4 © 2020 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI),
Sony/ATV Songs LLC / Ducky Donath Music (BMI)
Recorded by Laura Sisk at the Kitty Committee Studio (Los Angeles, CA) and Jack Antonoff at Rough Customer Studio (Brooklyn, NY)
Mixed [... at Long Pond (Hudson Valley, NY)
Mastered [... at Sterling Sound (New York, NY)
Saxophones, Flute, Electric Guitar, Keyboards [... at Pleasure Hill Recording (Portland, ME)
Strings [... recorded [... at Sound House Recording (Lakeland, FL)
Synth Bass [... recorded [... at Long Pond (Hudson Valley, NY)

B5 © 2020 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI),
Sony/ATV Songs LLC / Ducky Donath Music (BMI)
Recorded by Laura Sisk at the Kitty Committee Studio (Los Angeles, CA), Jack Antonoff at Rough Customer Studio (Brooklyn, NY) and Laura Sisk and Jack Antonoff at Electric Lady Studios (New York, NY) and Conway Recording (Los Angeles, CA)
Mixed [... at Mixstar Studios (Virginia Beach, VA)
Mastered [... at Sterling Sound (New York, NY)
Saxophones, Keyboards [... at Pleasure Hill Recording (Portland, ME)
Strings [... recorded [... at Restoration Sound (Brooklyn, NY)

C1 © 2020 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI),
Sony/ATV Songs LLC / Ducky Donath Music (BMI)
Recorded by Laura Sisk at the Kitty Committee Studio (Los Angeles, CA) and Jack Antonoff at Rough Customer Studio (Brooklyn, NY)
Mixed [... at Mixstar Studios (Virginia Beach, VA)
Mastered [... at Sterling Sound (New York, NY)
Accordion, Saxophones, Electric Guitar, Keyboards, Background Vocals [... at Pleasure Hill Recording (Portland, ME)
Pedal Steel [... at Hook and Fade (Brooklyn, NY)

C2 © 2020 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI)
Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP)
Recorded [... at Long Pond (Hudson Valley, NY)
Additional recording [... at Gaite Lyrique (Paris, FR)
Mixed [... at Long Pond (Hudson Valley, NY)
Mastered [... at Sterling Sound (New York, NY)

C3 © 2020 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI)
Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP)
Recorded [... at Long Pond (Hudson Valley, NY)
Mixed [... at Mixstar Studios (Virginia Beach, VA)
Mastered [... at Sterling Sound (New York, NY)

C4 © 2020 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI)
Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP)
Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP)
Recorded [... at Long Pond (Hudson Valley, NY)
Mixed [... at Mixstar Studios (Virginia Beach, VA)
Mastered [... at Sterling Sound (New York, NY)

D1 © 2020 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI),
William Bowery Music Publishing, administered by Songs Of Universal, Inc. (BMI)
Recorded by Laura Sisk at the Kitty Committee Studio (Los Angeles, CA), and Jack Antonoff at Rough Customer Studio (Brooklyn, NY)
Assistant Engineering by John Rooney
Recorded by jonathan Low and Aaron Dessner at Long Pond (Hudson Valley, NY)
Mixed [... at Mixstar Studios (Virginia Beach, VA)
Mastered [... at Sterling Sound (New York, NY)
Mellotron, Pedal Steel, Wurlitzer, Harpsichord, Vibraphone, Electric Guitar [... at Hook and Fade (Brooklyn, NY)
Saxophones, Clarinet [... at Pleasure Hill Recording (Portland, ME)

D2 © 2020 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI)
Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP)
Recorded [... at Long Pond (Hudson Valley, NY)
Vocals recorded [... at the Kitty Committee Studio (Los Angeles, CA)
Mixed [... at Long Pond (Hudson Valley, NY)
Mastered [... at Sterling Sound (New York, NY)

D3 © 2020 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI)
Ingrid Stella Music, administered by SonyATV Tunes LLC (ASCAP)
Recorded [... at Long Pond (Hudson Valley, NY)
Vocals recorded [... at the Kitty Committee Studio (Los Angeles, CA)
Mixed [... at Long Pond (Hudson Valley, NY)
Mastered [... at Sterling Sound (New York, NY)

D4 © 2020 TASRM Publishing, administered by Songs Of Universal, Inc. (BMI),
Sony/ATV Songs LLC / Ducky Donath Music (BMI)
Recorded by Laura Sisk at the Kitty Committee Studio (Los Angeles, CA) and Jack Antonoff at Rough Customer Studio (Brooklyn, NY)
Mixed [... at Long Pond (Hudson Valley, NY)
Mastered [... at Sterling Sound (New York, NY)
Saxophones, Clarinet, Flute, Keyboards, Bass [... at Pleasure Hill Recording (Portland, ME)
Strings [... recorded [... at Sound House Recording (Lakeland, FL)

Runouts are etched and stamped.

Variant 3 has no "Made in France" sticker

TRACKLIST

A1. The 1 3:42
A2. Cardigan 4:11
A3. The Last Great American Dynasty 4:03
A4. Exile 4:57
B1. My Tears Ricochet 4:28
B2. Mirrorball 3:41
B3. Seven 3:41
B4. August 4:34
B5. This Is Me Trying 3:27
C1. Illicit Affairs 3:23
C2. Invisible String 4:25
C3. Mad Woman 4:09
C4. Epiphany 5:01
D1. Betty 5:06
D2. Peace 4:06
D3. Hoax 3:52
. Bonus Track
D4. The Lakes 3:32

Barcode and Other Identifiers:

Barcode 6 02435 03488 1
Barcode 602435034881
Matrix / Runout 00602435034881-A (2) RKS STERLING
Matrix / Runout 00602435034881-B (2) MPO 20181891 RKS STERLING
Matrix / Runout 00602435034881-C (2) M1 MPO 2018009 RKS STERLING
Matrix / Runout 00602435034881-D (2) RKS STERLING
Matrix / Runout 00602435034881-A (2) RKS STERLING [MPO-Logo]20 182241
Matrix / Runout 00602435034881-B 2 P1M2 JN-H STERLING
Matrix / Runout 00602435034881-C (2) RKS STERLING
Matrix / Runout 00602435034881-D (2) RKS STERLING [MPO-Logo]20 178317
Matrix / Runout 00602435034881-A (2) RKS STERLING MPO* 20181544
Matrix / Runout 00602435034881-B 2 P1M2 JN-H STERLING
Matrix / Runout 00602435034881-C (2) M3 MPO* 21198287 RKS STERLING
Matrix / Runout 00602435034881-D (2) MPO* 20183748 RKS STERLING

Phonographic Copyright (p) Taylor Swift
Copyright (c) Taylor Swift
Distributed By UMG Commercial Services
Recorded At Long Pond
Recorded At Kitty Committee Studio
Recorded At La Gaîté Lyrique
Recorded At April Base
Recorded At Rough Customer Studio
Recorded At Electric Lady Studios
Recorded At Conway Studios
Recorded At Pleasure Hill Recording
Recorded At Restoration Sound
Recorded At Hook & Fade Studios
Recorded At Sound House Recording
Mixed At Long Pond
Mixed At MixStar Studios
Mastered At Sterling Sound
Pressed By MPO
Lacquer Cut At Sterling Sound

Data provided by Discogs

RELEASE DATE: 27 Nov 2020

LABEL: Republic Records

602435034881

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.