Various - Sounds Of The Eighties - The Rockin' Eighties (CD) (NM or M-, VG+)

$3.50 USD

  • Various : Sounds Of The Eighties - The Rockin' Eighties (Compilation)
  • Various : Sounds Of The Eighties - The Rockin' Eighties (Compilation)
  • Various : Sounds Of The Eighties - The Rockin' Eighties (Compilation)
  • Various : Sounds Of The Eighties - The Rockin' Eighties (Compilation)
  • Various : Sounds Of The Eighties - The Rockin' Eighties (Compilation)
$3.50 USD
$3.50 USD
Shipping calculated at checkout.

Various - Sounds Of The Eighties - The Rockin' Eighties (CD) (NM or M-, VG+)

Various - Sounds Of The Eighties - The Rockin' Eighties (CD) (NM or M-, VG+)

  • Compilation

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: CD is in NM condition. Plays without issue. Includes insert booklet.

DESCRIPTION & TRACKLIST

DESCRIPTION

Issued with a 12-page booklet.

Printed on backcover:
Manufactured for Time-Life Music by Warner Special Products, a Time Warner Company.
℗ 1994 Warner Special Products

Printed on booklet:
*Indicates highest Billboard chart position.

Track 1:
Queen Music Ltd. BMI. ℗ 1980 Hollywood Records. Courtesy of Hollywood Records.
No. 1*

Track 2: 
Jones Music America. ASCAP. ℗ 1983 Rykodisc. Courtesy of Rykodisc.
No. 14*

Track 3: 
Warner-Tamerlane Publ. Corp. BMI. ℗ 1983 EMI Records. Courtesy of EMI Records USA, a division of ERG, under license from CEMA Special Markets.
No. 3*

Track 4:
EMI April Music Inc., under license from Welbeck Music Corp. ASCAP. ℗ 1983 Warner Bros. Records Inc. Produced under license from Warner Bros. Records Inc.
No. 19*

Track 5:
Chariscourt Ltd., adm. By Almo Music Corp. ASCAP. ℗ 1985 Phonogram Ltd. (London). Produced under license from Warner Bros. Records Inc.
No. 7*

Track 6: 
Avant Garde Music Publishing, Inc./Flyte Tyme Tunes, Inc. ASCAP. ℗ 1986 Island Records, Inc. Courtesy of Island Records, Inc.
No. 2*

Track 7: 
Embassy Music Corp. BMI. ℗ 1980 Chrysalis Records, Inc. Courtesy of Chrysalis Records, Inc. , a division of ERG, under license from CEMA Special Markets.
No. 1*

Track 8: 
Fate Music. ASCAP. ℗ 1984 Sony Music Entertainment, Inc. Under license from Sony Music Special Products, a division of Sony Music, a group of Sony Music Entertainment, Inc.
No. 1*

Track 9: 
EMI Virgin Songs, Inc. BMI. ℗ 1985 PolyGram Records, Inc. Under license from PolyGram Special Markets, a division of PolyGram Group Distribution, Inc.
No. 1*

Track 10:
Kemo Music Co. BMI. ℗ 1987 Slash Records. Produced under license from Warner Bros. Records Inc.
No. 1*

Track 11: 
Man Woman Together Now! adm. by Irving Music. BMI. ℗ 1989 Warner Bros Records Inc. Produced under license from Warner Bros. Records Inc.
No. 3*

Track 12: 
Hamstein Music Co. ASCAP ℗ 1983 Warner Bros. Records Inc. Produced under license from Warner Bros. Records Inc.
No. 8*

Track 13:
WB Music Corp. o/b/o  Controversy Music. ASCAP. ℗ 1985 Sony Music Entertainment Inc. Under license from Sony Music Special Products, a division of Sony Music, a group of Sony Music Entertainment Inc.
No. 2*

Track 14:
EMI Blackwood Music Inc. BMI ℗ 1982 Sony Music Entertainment Inc. Under license from Sony Music Special Products, a division of Sony Music, a group of Sony Music Entertainment Inc.
No. 1*

Track 15:
Daddy-Oh Music/Leadchoice Ltd./Some Other Music/Bob a Lew. ASCAP. ℗ 1982 I.R.S. Records. Courtesy Of I.R.S. Revords.
No. 8*

Track 16:
Somerset Songs Publishing, Inc. ASCAP. ℗ 1981 Atlantic Recording Corp. Produced under license from Atlantic Recording Corp.
No. 4*

Track 17:
Fleetwood Mac Music. BMI. ℗ 1982 Warner Bros. Records Inc. Produced under license from Warner Bros. Records Inc.
No. 4*

Track 18: 
Night River Publishing/Red Cloud Music. ASCAP. ℗ 1985 MCA Records, Inc. Courtesy by MCA Records, Inc.

Manufactured for Time-Life Music by Warner Special Products, a Time Warner Company.

Digitally remastered at Hit and Run Studios, Rockville, Md.

Time-Life Music is a division of Time Life Inc. © 1994 Time Life Inc.
Printed in U.S.A.
Time-Life is a trademark of Time Warner Inc. USA.

℗ 1994 Warner Special Products.

Time Life Music:
President: Steven L. Janas
Vice Presidents: James D. Fishel, Donna Pickett, Martin Shampaine, Mark Stevens

The Author:
Billy Altman writers about pon music for numerous publications, including Entertainment Weekly and The New Yorks Times. A former editor of Creem, he is executive producer of the adward-winning RCA Heritage Series, and teaches a course on music and culture at New York's School of Visual Arts.

Research: 
William L. Schurk (Music Library and Sound Recordings Archives, Bowling Green State University, Bowling Green, Ohio).

Printed on CD:
Manufactured for Time-Life Music by Warner Special Products, a Time Warner Company.
℗ 1994 Warner Special Products.
Made in U.S.A.

TRACKLIST

1. Queen - Another One Bites The Dust 3:38
2. David Bowie - Modern Love 3:59
3. Stray Cats - Stray Cat Strut 3:18
4. The Pretenders - Middle Of The Road 4:15
5. Dire Straits - Walk Of Life 4:09
6. Robert Palmer - I Didn't Mean To Turn You On 3:39
7. Blondie - The Tide Is High 3:54
8. REO Speedwagon - Can't Fight This Feeling 4:57
9. Tears For Fears - Shout 4:07
10. Los Lobos - La Bamba 2:55
11. The B-52's - Love Shack 5:23
12. ZZ Top - Legs 3:37
13. Bangles - Manic Monday 3:06
14. Men At Work - Down Under 3:46
15. Go-Go's - Vacation 3:01
16. Foreigner - Urgent 4:32
17. Fleetwood Mac - Hold Me 3:46
18. Glenn Frey - You Belong To The City 5:49

Barcode and Other Identifiers:

Matrix / Runout [Specialty 'S' Logo] 10 OPCD 2733-2 SRC**01 M2S18
Mould SID Code IFPI 2U6B
Matrix / Runout [Specialty 'S' Logo] 10 OPCD 2733-2 SRC**01 M1S2
Mould SID Code none
Rights Society BMI
Rights Society ASCAP

Manufactured By Warner Special Products
Manufactured For Time Life Music
Copyright (c) Time Life Inc.
Phonographic Copyright (p) Warner Special Products
Phonographic Copyright (p) Hollywood Records
Phonographic Copyright (p) Rykodisc
Phonographic Copyright (p) EMI Records
Phonographic Copyright (p) EMI Records USA
Phonographic Copyright (p) ERG
Phonographic Copyright (p) Warner Bros. Records Inc.
Phonographic Copyright (p) Phonogram Ltd. (London)
Phonographic Copyright (p) Island Records Inc.
Phonographic Copyright (p) Chrysalis Records, Inc.
Phonographic Copyright (p) Sony Music Entertainment Inc.
Phonographic Copyright (p) PolyGram Records, Inc.
Phonographic Copyright (p) Slash Records
Phonographic Copyright (p) I.R.S. Records
Phonographic Copyright (p) Atlantic Recording Corporation
Phonographic Copyright (p) MCA Records, Inc.
Licensed From CEMA Special Markets
Licensed From Warner Bros. Records Inc.
Licensed From Sony Music Special Products
Licensed From Sony Music
Licensed From Sony Music Entertainment Inc.
Licensed From Polygram Special Markets
Licensed From PolyGram Group Distribution, Inc.
Licensed From Atlantic Recording Corporation
Pressed By Specialty Records Corporation
Published By Queen Music Ltd.
Published By Jones Music America
Published By Warner-Tamerlane Publishing Corp.
Published By EMI April Music Inc.
Published By Welbeck Music Corp.
Published By Chariscourt Ltd.
Published By Almo Music Corp.
Published By Avant Garde Music Publishing
Published By Flyte Tyme Tunes, Inc.
Published By Embassy Music Corp.
Published By Fate Music
Published By EMI Virgin Songs, Inc.
Published By Kemo Music Co.
Published By Man Woman Together Now!
Published By Irving Music
Published By Hamstein Music Co.
Published By Wb Music Corp.
Published By Controversy Music
Published By EMI Blackwood Music Inc.
Published By Daddy-Oh Music
Published By Leadchoice Ltd.
Published By Some Other Music
Published By Bob-A-Lew Songs
Published By Somerset Songs Publishing Inc.
Published By Fleetwood Mac Music
Published By Night River Publishing
Published By Red Cloud Music
Remastered At Hit And Run Studios

Data provided by Discogs

RELEASE DATE: 1994

LABEL: Time Life Music and Warner Special Products

41990826

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.