Various - The Alligator Records 20th Anniversary Collection (CD) (NM or M-, VG+)

$9.00 USD

Skip to product information
1 of 5
Regular price $9.00 USD
Sale price $9.00 USD Regular price
Shipping calculated at checkout.

Various - The Alligator Records 20th Anniversary Collection (CD) (NM or M-, VG+)

Various - The Alligator Records 20th Anniversary Collection (CD) (NM or M-, VG+)

  • 2xCD
  • Comp

MEDIA CONDITION: Near Mint (NM or M-)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: Excellent condition

DESCRIPTION & TRACKLIST

Various - The Alligator Records 20th Anniversary Collection 

2xCD, Comp

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Very Good Plus (VG+)

Condition Details: Excellent condition
 

RELEASE DATE: 1991

DESCRIPTION

Mastered at DMS, New York, N.Y. ℗©1991 Alligator Records & Artist Mgmt., Inc. - P.O.Box 6234 - Chicago, IL 60660 Distributed in Europe by Sonet Records - 78 Stanley Gardens, London, W36SN, U.K. Distributed in Canada by WEA Music of Canada, Ltd. - 1810 Birchmount Rd., Scarborough, Ont. M1P 2J1 Canada Tracks taken from: 1-1: "Hound Dog Taylor and the HouseRockers" (AL 4701), released 1971 1-2: "High Compression" (AL 4737), released 1984 1-3: "Showdown!" (AL 4743), released 1985 1-4: "Crawfish Fiesta" (AL 4718), released 1980 1-5: "I Got What It Takes" (AL 4706), released 1975 1-6: "Georgia Blue" (AL 4765), released 1988 1-7: "Triple Play" (AL 4789), released 1990 1-8: ""I'm In The Wrong Business!" (AL 4757), released 1987 1-9: "Captured Live" (AL 4794), released 1991 1-10: "Walking On Fire" (AL 4795), released 1991 1-11: "Don't Let The Bossman Get You Down!" (AL 4791), released 1991 1-12: "Living Chicago Blues, Vol. I" (AL 7701) released 1978 1-13: "The Reunion Concert" (AL 4760), released 1988 1-14: "Standing My Ground" (AL 4779), released 1989 1-15: "Ace of Harps" (AL 4781), released 1990 1-16: "Dancing On The Bridge" (AL 4747), released 1986 1-17: "Living Chicago Blues, Vol VI" (AL 7706), released 1980 1-18: "Big Walter Horton with Carey Bell" (AL 4702), released 1972 2-1: "Frostbite" (AL 4719), released 19080 2-2: "Two-Fisted Mama!" (AL 4777), released 1989 2-3: "Roughhousin" (AL 4749), released 1986 2-4: "Harp Attack!" (AL 4790), released 1990 2-5: "Live From Austin" (AL 4773), released 1989 2-6: "Years Since Yesterday" (AL 4762), released 1988 2-7: "Playing For Keeps" (AL 4732), released 1983 2-8: "Midnight Son" (AL 4708), released 1976 2-9: "Strike Like Lightning" (AL 4739). released 1985 2-10: "Saffire -The Uppity Blues Women" (AL 4780), released 1990 2-11: "Turn On The Night" (AL 4721), released 1981 2-12: "Edge Of The City" (AL 4758), released 1987 2-13: "Whoopin" (AL 4734), released 1984 2-14: "I'm Here!" (AL 4729), released 1982 2-15: "Somebody Loan Me A Dimes" (AL 4705), released 1974 2-16: "Living Chicago Blues, Vol. III" (AL 7703), released 1978 2-17: "Guitar Slinger" (AL 4735), released 1984 2-12: co-author Fred James is misspelt "Jones".

TRACKLIST

1-1. Hound Dog Taylor - Give Me Back My Wig 3:31
1-2. James Cotton - No Cuttin' Loose 3:20
1-3. Albert Collins, Johnny Copeland - Black Cat Bone 4:54
1-4. Professor Longhair - Big Chief 3:13
1-5. Koko Taylor - That's Why I'm Crying 4:28
1-6. Tinsley Ellis - Double Eyed Whammy 3:20
1-7. Lucky Peterson - I'm Free 5:18
1-8. A.C. Reed, Stevie Ray Vaughan - These Blues Is Killing Me 3:05
1-9. Little Charlie And The Nightcats - Rain 5:11
1-10. Kenny Neal - Look But Don't Touch 3:16
1-11. Elvin Bishop - Fannie Mae 3:18
1-12. Jimmy Johnson (8) - Serves Me Right To Suffer 3:56
1-13. The Siegel-Schwall Band - Leavin' 3:10
1-14. Clarence "Gatemouth" Brown - Born In Louisiana 3:50
1-15. Charlie Musselwhite - Leaving Your Town 3:15
1-16. Roy Buchanan - Drowning On Dry Land 6:18
1-17. Detroit Junior - If I Hadn't Been High 4:07
1-18. Walter Horton - Trouble In Mind 4:37
2-1. Albert Collins - Brick 4:35
2-2. Katie Webster - Pussycat Moan 6:05
2-3. Lil' Ed And The Blues Imperials - You Don't Exist Any More 4:01
2-4. Carey Bell, Junior Wells - Second Hand Man 4:00
2-5. Delbert McClinton - I've Got Dreams To Remember 4:26
2-6. The Paladins - Going Down To Big Mary's 2:54
2-7. Big Twist And The Mellow Fellows - 300 Pounds Of Heavenly Joy 3:05
2-8. Son Seals - Going Back Home 7:04
2-9. Lonnie Mack - Strike Like Lightning 3:39
2-10. Saffire -The Uppity Blues Women - The Middle Aged Blues Boogie 5:42
2-11. Lonnie Brooks - Eyeballin' 3:42
2-12. The Kinsey Report - Full Moon On Main Street 4:21
2-13. Sonny Terry - Crow Jane 3:46
2-14. Clifton Chenier - I'm The Zydeco Man 2:55
2-15. Fenton Robinson - You Don't Know What Love Is 3:50
2-16. Pinetop Perkins - Blues After Hours 5:01
2-17. Johnny Winter - Boot Hill 3:35

LABEL: Alligator Records

Barcode and Other Identifiers:

Barcode 0 14551-1056-2 6
Barcode 014551105626
Matrix / Runout ALCD105 S1925F
Matrix / Runout ALCD106 L1A07A
Matrix / Runout ALCD105 L1612B
Matrix / Runout ALCD106 L1A07A
Matrix / Runout ALCD105 L1612B AA
Matrix / Runout ALCD106 L34281

 

Phonographic Copyright (p) Alligator Records
Phonographic Copyright (p) Artist Management, Inc.
Copyright (c) Alligator Records
Copyright (c) Artist Management, Inc.
Distributed By Sonet Records
Distributed By WEA Music Of Canada, Ltd.
Mastered At DMS, New York
Pressed By Sanyo, U.S.A.

Data provided by Discogs

RELEASE DATE: 1991

LABEL: Alligator Records

014551105626

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.