Various - The Crow (Original Motion Picture Soundtrack) (CD) (VG+, VG+)

$4.50 USD

  • Various : The Crow (Original Motion Picture Soundtrack) (Album,Stereo)
  • Various : The Crow (Original Motion Picture Soundtrack) (Album,Stereo)
  • Various : The Crow (Original Motion Picture Soundtrack) (Album,Stereo)
  • Various : The Crow (Original Motion Picture Soundtrack) (Album,Stereo)
  • Various : The Crow (Original Motion Picture Soundtrack) (Album,Stereo)
$4.50 USD
$4.50 USD
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Various - The Crow (Original Motion Picture Soundtrack) (CD) (VG+, VG+)

Various - The Crow (Original Motion Picture Soundtrack) (CD) (VG+, VG+)

  • Album
  • Stereo

MEDIA CONDITION: Very Good Plus (VG+)

SLEEVE CONDITION: Very Good Plus (VG+)

DETAILS: Minor signs of use. Plays without issues.

DESCRIPTION & TRACKLIST

DESCRIPTION

[Booklet 

1. © 1993 Fiction Songs, Ltd., ASCAP
Recorded At outside Studios & Comforts Place, London
The Cure courtesy of Fiction Records Ltd. (Worldwide) And Elektra Entertainment (U.S. And Canada), Warner Music (Australia and New Zealand) And Polydor Records (All other territories)
℗ 1993 Fiction Records Ltd.

2. © 1993 Sensory Deprivation Music / Threptos Music / Warner-Tamerlane Publishing Corp. / PressmanCherryBlossom, BMI
Mixed At Platinum Island Studios, Recorded At Jim Brady Recording Studios
Machines of Loving Grace courtesy of Mammoth Records
℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

3. © 1993 EMI Virgin Music, Inc. s/ Floatland Music / WB Music Corp. / PresmanCherry Music, ASCAP
Recorded at Record Plant, Mixed at Can-Am Recorders
℗ 1993 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

4. Fractured Music (All rights controlled by Zomba Music Publishers, Ltd.) ASCAP/PRS
Recorded at Pig Beverly HIlls
Nine Inch Nails courtesy of Nothing/TVT/Interscope records
℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

5. ℗ 1993 Sony Songs Inc. / Retribution Music / Warner-Tamerlane Publishing Corporation / PressmanCherryBlossom, BMI
Recorded at Dub City Music, Bremen, Germany
All sounds made by guitar, bass, drums and vocals
Rage Against The Machine courtesy of Epic Associated
℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

6. ℗ 1993 Gorno Music, ASCAP/Humidor, BMI
Recorded at Joe's, Milwaukee, WI
Mixed at DV's Perversion Room, Milwaukee, WI
Violent Femmes Courtesy of Slash Records
℗ 1993 Slash Records

7. © 1977 Revega Music Co. / Stanphyl Music, Inc. ASCAP
Rollins Band Courtesy of The Imago Recording Company
℗ 1992 The Imago Recording Company

8. © 1993Warner-Tamerlane Publishing Corporation / Ver Music / Headlift Music / PressmanCherryBlossom, BMI
Recorded at Power Station and Sound on Sound, NYC
Mixed at Soundtrack
Helmet Courtesy of Interscope records
℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

9. © 1986 Richie Dagger Music, BMI
Pantera courtesy of East West Records America
℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

10. © 1993 For Love Not Lisa Music / Vis A Vis Entertainment / WB Music Corp. / PressmanCherryMusic, ASCAP
Recorded at Crystal Studios, Hollywood
For Love Not Lisa appears courtesy of Eastwest Records, America
℗ 1993 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

11. © 1993 EMI Virgin Songs, Inc. obo itself and Pill Krazed Music / Warner Tamerlane Publishing Corporation / PressmanCherryBlossom, BMI
My Life With The Thrill Kill Kult appears courtesy of Interscope Records
℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

12. © 1993 Honey Songs / BMG Songs, Inc. / AB Music Corp. / PressmanCherryMusic, ASCAP
Recorded at The Drugstore, London
The Jesus And Mary Chain courtesy of Blanco Y Negro / Warner Music U.K. / American Recordings for the U.S. / WEA International, Inc. for the rest of the world.
℗ 1993 Warner Music Ltd.

13. © 1993 EMI Virgin Songs, Inc. obo itself and Milk Alive Music, BMI
Engineered at Hammersound, Chatsworth, CA
Medicine courtesy of American Recordings
℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

14. WB Music Corp. / PressmanCherryMusic, ASCAP / SPK Music / Wing-it Music, SOCAN
Jane Sieberry courtesy of Reprise Records
℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

[Disc Face
This compilation ℗ 1994 [l23937 for the United States and [l1255 for the world outside of the United States. All rights reserved. A [l2346 Company. Made in U.S.A. By WEA Manufacturing Inc.

[back cover
[l23937 75 Rockefeller Plaza, Nae York, New York, A [l2346 Company.
This compilation ℗ © 1994 [l23937 for the United States and [l1255 for the world outside of the United States. Printed in the U.S.A. 

Track 11 is an overhaul of My Life with the Thrill Kill Kult's, "Nervous Xians," from the "Some Have To Dance... Some Have To Kill" 12".
The insert sleeve is a 4-panel 2 sided mini poster.
Embossed "W" [Warner logo on back case.

TRACKLIST

1. The Cure - Burn 6:39
2. Machines Of Loving Grace - Golgotha Tenement Blues 3:58
3. Stone Temple Pilots - Big Empty 4:55
4. Nine Inch Nails - Dead Souls 4:52
5. Rage Against The Machine - Darkness 3:41
6. Violent Femmes - Color Me Once 4:10
7. Rollins Band - Ghostrider 5:44
8. Helmet (2) - Milktoast 3:59
9. Pantera - The Badge 3:53
10. For Love Not Lisa - Slip Slide Melting 5:45
11. My Life With The Thrill Kill Kult - After The Flesh 2:58
12. The Jesus And Mary Chain - Snakedriver 3:39
13. Medicine (2) - Time Baby III 3:50
14. Jane Siberry - It Can't Rain All The Time 5:34

Barcode and Other Identifiers:

Barcode 0 7567-82519-2 4
Barcode 0075678251924
Barcode 075678251924
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M2S1
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M2S2
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M2S3
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M2S9
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M2S10
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M2S11
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M5S8
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M2S17
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M2S25
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M2S4
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M2S12
Pressing Plant ID [Specialty Records Corporation Logo]

Record Company Interscope Records
Phonographic Copyright (p) Atlantic Recording Corporation
Copyright (c) Atlantic Recording Corporation
Phonographic Copyright (p) WEA International Inc.
Copyright (c) WEA International Inc.
Made By WEA Manufacturing Inc.
Pressed By Specialty Records Corporation
Mastered At Precision Mastering
Recorded At Outside Studios
Recorded At Comforts Place
Copyright (c) Fiction Records Ltd.
Copyright (c) Sensory Deprivation Music
Copyright (c) Threptos Music
Copyright (c) Warner-Tamerlane Publishing Corp.
Copyright (c) PressmanCherryBlossom Music
Copyright (c) Fiction Songs Ltd.
Mixed At Platinum Island Studios
Recorded At Jim Brady Recording Studios
Phonographic Copyright (p) Atlantic Recording Corporation
Phonographic Copyright (p) WEA International Inc.
Copyright (c) EMI Virgin Music, Inc.
Copyright (c) Floated Music
Copyright (c) Wb Music Corp.
Recorded At Record Plant, Los Angeles
Mixed At Can-Am Recorders
Published By Fractured Music
Published By Zomba Music Publishers Ltd.
Recorded At Pig (3)
Phonographic Copyright (p) Sony Songs Inc.
Phonographic Copyright (p) Retribution Music (2)
Recorded At Dub City Music
Mixed At DV's Perversion Room
Copyright (c) Gorno Music
Phonographic Copyright (p) Humidor
Copyright (c) Revega Music
Copyright (c) Stanphyl Music, Inc.
Produced For The Imago Recording Company
Recorded At Power Station
Recorded At Sound On Sound, New York
Recorded At Soundtrack Studios
Copyright (c) Ver Music
Copyright (c) Headlift Music
Copyright (c) Richie Dagger Music
Copyright (c) For Love Not Lisa Music
Copyright (c) Vis A Vis Entertainment
Recorded At Crystal Sound
Copyright (c) EMI Virgin Songs, Inc.
Copyright (c) Pill Krazed Music
Copyright (c) Honey Songs
Copyright (c) BMG Songs, Inc.
Recorded At The Drugstore
Phonographic Copyright (p) Warner Music Ltd.
Copyright (c) EMI Virgin Songs, Inc.
Copyright (c) Milk Alive Music
Recorded At Hammersound, Chatsworth
Copyright (c) SPK Music
Copyright (c) Wing-it Music

Data provided by Discogs

RELEASE DATE: 1994

LABEL: Atlantic and Interscope Records

075678251924

Shipping Policy

Mint (M)

Vinyl:
Absolutely perfect in every way. Certainly never been played, possibly even still sealed.

CD:
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.

Cassette:
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced.

Near Mint (NM or M-)

Vinyl:
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback.  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.  

CD:
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.

Cassette:
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.

Very Good Plus (VG+)

Vinyl:
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole.  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable.  Spindle marks may be present.  Picture sleeves and inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner.

CD:
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).

Cassette:
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.

Very Good (VG)

Vinyl:
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time.

CD:
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.

Cassette:
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Tape may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.

Good (G), Good Plus (G+)

Vinyl:
A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.  

CD:
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.

Cassette:
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.

Poor (P), Fair (F)

Vinyl:
The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.

CD:
The CD may or may not play some or all of the tracks. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Cassette:
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.